Public Produce: Cultivating Our Parks, Plazas, and Streets for Healthier Cities / Island Press
We are increasingly concerned about the provenance of our food. Movements supporting local food production, urban agriculture, and more socially-equitable food systems have gained increasing traction over the last decade. Meanwhile, our industrial food systems are increasingly vulnerable due to over-centralized facilities and ownership, reliance on fossil fuels for production and transportation, and crop monocultures, which are made only more vulnerable by climate change.
Urban agriculture is frequently cited as a response to these challenges. Cities, though, still face question of where to grow food, how to maintain farms, create access, and educate citizens about agricultural production. In Public Produce: Cultivating Parks, Plazas, and Streets for Healthier Cities, urban designer and author Darrin Nordahl proposes local governments bolster local ecosystems of public food production.
Alice Waters praised the original 2009 edition as showing “how growing food on public land can transform our civic landscape.” Marion Nestle said the book gave “all the reasons why growing food in cities would be good for alleviating poverty, for building communities, and for public policy.”
A newly revised and expanded edition does these things and fills in key details by offering numerous examples of people, organizations, communities, and governments implementing all sorts of models of food production on public lands as well as partnerships between local governments and community organizations.
The first few chapters will be highly useful for those looking for a succinct and easily-readable introduction to the arguments behind local and urban food production: food (in)security, over-reliance on fossil fuels, social equity, and resilience to climate change, to name a few. But those already well versed in the works of Michael Pollan and other sustainable agriculture advocates can skim through.
Nordahl hits his stride in the third chapter as he goes beyond the general tenets of urban agriculture and makes his case for a triad between public space, public officials, and public policy. Growing vegetables in public spaces sends a powerful message. Nordahl defines public spaces as places freely accessible to the public, “whether they are truly public or merely perceived to be . . . In essence, any space where the public can enter throughout the day without being charged and admission fee . . . and is suitable for growing food, is worthy of inclusion in a network of public produce.”
Social justice advocates will appreciate the chapter on gleaning as a public produce model, and Nordahl gives many examples of places that have developed strong access networks. Fallen Fruit in Los Angeles, for example, develops freely accessible maps showing where fruit can be publicly gleaned. He also offers an interesting take on gleaning as economic opportunity – foraging for fruit rather than, say, recyclables, and trading in one’s daily harvest for money or other essentials.
Publically accessible fruit trees in Sherman Oaks neighborhood, Los Angeles / Fallen Fruit
Nordahl’s strongest arguments come in chapter five, in which he addresses the perennial maintenance question: “who is going to take care of it?” Indeed, this was one of my first questions – and many others may well wonder how well-received the idea will be of rotting fruit all over public spaces, which are expensive to clean up and unappealing to the aesthetic eye. But Nordahl reminds the reader that “the fantastic aesthetics of our most prized landscape plants makes it easy for us to forget that they produce an abundance of leaf litter, drip with sticky nectar, and drop unpalatable fruit by the bunches.” Planting edibles prioritizes the value of food production, while often offering an aesthetic value as well.
“There is no doubt that food-producing plants can be messy and need some upkeep,” Nordahl admits. “But the pervasive assumption that edibles require considerably more management than ornamental plants, or are not as pretty, is bogus. . . [that said], sound design principles are not thrown out the window simply because the plant palette uses fruit-bearing trees instead of sterile cultivars. As in any landscape design, the architect needs to take into account how many people will use or pass by the space; what types of activities will take place in the space; the microclimate, solar access, and water availability of the space; and a host of other variables.”
Again, Nordahl gives several examples where communities developed multi-beneficial models for maintenance, harvesting, and clean-up of edible plants. Communities who balance an appropriate “carrying capacity,” where the availability of edibles does not exceed the demand for them, help ensure that fruit is harvested and eaten, rather than left to drop and rot on the ground.
Landscape architects and designers will appreciate the examples where aesthetic and place-making qualities were woven into designs for food production. The Curtis “50-Cent” Jackson Community Garden in Queens, NY, designed by Walter Hood, ASLA, for example, integrates huge, eye-catching rainwater-collection sculptures amid the edibles planted in French-style parterres. And designers for Disneyland’s “Tomorrowland” area planted edible fruit trees, herbs, and leafy greens in lieu of solely ornamental plantings, perhaps to suggest what urban design of the future will look like.
Sculptural rainwater collection towers amidst planting beds at the Curtis “50-Cent” Jackson Community Gardens in Queens, NY / New York Restoration Project
Citrus trees in “Tomorrowland,” Disneyland / FlashBulb
But this book is not a design manual or a how-to guide for would-be urban farmers. A good number of photos intersperse with the text, but readers will not find design schematics, planting calendars, or detailed plant lists for every climate. Examples are woven into the narrative, not broken out as researched case studies. Nordahl lays out an alluring vision, however, and his arguments are persuasive. Peas at City Hall, persimmons along public avenues, and pawpaws in city parks? Maybe not such a crazy idea after all.
Read the book.
Yoshi Silverstein, Associate ASLA, is founder and lead designer-educator at Mitsui Design, focusing on landscape experience and connection to place. He was the ASLA summer 2014 communications intern.
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