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Archive for the ‘Exhibits’ Category


Iconeye
 magazine wrote about Mexican artist Gilberto Esparza’s plant robot, a roving art installation. Called “Nomadic Plant,” the robot is part of an exhibition organized by LABoral Gallery in Asturias, Spain. Iconeye says the project is inspired by ”natural processes whereby plants adapt to hostile environments and colonise new territories.” The nomadic plant is autonomous and leads an ”unthreatening existence,” living off industrial waste.

Esparza told Iconeye: ”Nowadays robots are a waste of energy: they dance and they move all the time.” To make his plant robot self-sufficient but also productive, he designed it so it runs on bacteria found in waste. “When these microorganisms need nourishment the machine seeks out dirty water, which is then decomposed to create energy; any surplus is used to emit a noise and sustain plants carried on its back. The machine and plants becomes co-dependent.”

Iconeye says Esparza has long explored the relationship between organisms and systems. “In a previous project, Urban Parasites, creatures made from recycled electronic goods infested urban environments, feeding of a city’s electricity and telephone wires.”  

The installation is open from March 25 to June 7 at LABoral Centro de Arte y Creación Industrial.

Read the article and see more images.

Image credit: Gilberto Esparza / Iconeye Magazine

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The “Seed Cathedral,” Thomas Heatherwick’s new UK pavilion for the 2010 Shanghai World Expo, is composed of 60,000 translucent rods “that act as fiber-optic filaments that channel sunlight into the pavilion’s interior,” writes Inhabitat. Each 7.5-meter ”branch” of the building also contains seeds from the Millennium Seed Bank, a program run by the Royal Botanical Society at Kew Gardens. Once the expo is completed, the built-in seeds will be removed from the rods and given to the Chinese government. 

Inhabitat writes that the building breaks down the boundaries between architecture and sculpture. “The beautiful building envelope blurs the boundaries between architecture and animated sculpture, while the area surrounding the pavilion features a network of pedestrian walkways and a landscaped park area.” During the day, the interior will be lit by daylight, while at night each rod’s embedded lighting elements will turn on, illuminating the rods from the interior.

The architects say the pavilion is a commentary on how the British approach the relationship between the natural and built worlds. ”The UK, with its millions of gardens, thousands of public parks and garden squares, has pioneered the integration of nature into cities as a way of making them healthier places, in which to live and work. The UK pavilion encourages visitors to look again at the role of nature and wonder whether it could be used to solve the current social, economic and environmental challenges of our cities.”

UK Trade & Investment (UKTI) chief executive officer Sir Andrew Cahn told the Daily Mail that the new building would also help rebrand the UK in the eyes of modern Chinese. ”The Chinese view of Britain is a rather old-fashioned one; it’s all to do with Britain as being a heritage country, a traditional economy – there’s an awful lot of cobblestones and fog. It our hope that updating Chinese preconceptions will attract foreign investors and students to Britain, as well as encourage exports between the two countries.”

The £25 million building was organized by UKTI. Seven other UK government agencies were also involved. David Miliband, UK Foreign Minister, who has been visiting Chinese officials this week to discuss nuclear energy cooperation, opened the building in Shanghai.  

Read the article and see more photos. Also, check out the Millennium Seed Bank.

Image credit: Thomas Heatherwick, UK Pavilion / Inhabitat

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An upcoming exhibition from the Museum of Modern Art (MoMA) in New York City, “Rising Currents: Projects for New York City’s Waterfront,” will offer a set of “soft” infrastructure ideas for adapting to rising sea levels. The goal of the exhibition is to highlight the threats presented by climate change and explore  “new research and fresh thinking about the use of New York City’s harbor and coastline.” Soft (or, really, green) infrastructure involves the use of natural systems and can even support the development of local ecosystems. MoMA will also highlight concepts they consider “shovel ready,” arguing that climate change adaption projects can spur economic development.

Adam Freed, Deputy Mayor, Mayor’s Office of Long-Term Planning and Sustainability, gave the exhibition a positive review, calling the work “optimistic innovation.” Freed argues that the exhibition presents the green infrastructure ideas of the future. “The ‘Rising Currents’ exhibition provides us with a model of how the innovative use of both structural and non-structural elements can help us withstand the impacts of climate change while making the city more sustainable. It also emphasizes the need to involve a wide variety of disciplines, experts, and stakeholders in developing resilience strategies to ensure that all possibilities are explored.”

Freed contends New York City can prepare for climate change by developing a new approach to the built environment more in synch with the natural world. ”The work of the five teams at P.S.1 illustrates that climate change will require us to alter the way we behave as individuals, build and operate infrastructure, design buildings, utilize land, manage natural resources, make investments, and plan for the future. Their work emphasizes innovative strategies that enhance our built environment while embracing the natural environment—even as it changes around us.”

The ideas were created by five interdisciplinary teams derived from P.S.1′s architects-in-residence program. The installation presents the proposals developed during the program, including a set of models, drawings, and analysis.

The exhibition will be open March 24 – October 11, 2010. Learn more and check out preparations leading up to the “Rising Currents” exhibition on MoMA’s blog.

Image credit: MoMA

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The Andy Warhol Museum in Pittsburg, Pennsylvania, is now featuring an exhibition of photos of 12 modernist landscapes. According to the museum, the George Eastman House, in conjunction with The Cultural Landscape foundation, the organizers of the exhibition, examine 12 “important modernist landscapes” through the lens of ten photographers. The project is as much about ”photography as it’s about landscape.” 

Landscape projects in the exhibitition include: Lake Elizabeth (Allegheny Commons, Pittsburgh, Pennsylvania), Boston City Hall Plaza (Boston, Massachusetts), Estates Drive Reservoir (Oakland, California), Heritage Plaza (Heritage Park, Fort Worth,Texas), Kaiser Roof Garden (Kaiser Center, Oakland,California), Manhattan Square Park (Rochester, New York), Mill Creek Canyon Earthworks (Kent, Washington.), Miller Garden (Columbus, Indiana), El (Hato Rey, Puerto Rico), Pacific Science Center Courtyard (Seattle, Washington), Parkmerced (San Francisco, California), and Peavey Plaza (Nicollet Mall, Minneapolis, Minnesota).

The photograhers represented in the exhibition are Sam Sweezy, Debra Bloomfield, Lupita Murillo Tinnen, Heather F. Wetzel, Rick McKee Hock, Christopher Rauschenberg, Tyagan Miller, Marisol Diaz, and Tom Fox.

Go to the Warhol Museum web site, or check out the online exhibition from the Cultural Landscape Foundation.

Also, the Cultural Landscape Foundation has just issued a call for nominations for its well-known “Landslide” program. Nominations are due March 31, 2010. 

“Since its inception in 2003, the Landslide initiative has spotlighted more than 150 significant at-risk parks, gardens, horticultural features, and working landscapes. This year’s theme will again do so by calling attention to the places that embody our shared landscape heritage.”

Image credit: The Cultural Landscape Foundation, Landslide 2008. Mill Creek Canyon, Earthworks

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designit
The Guggenheim Museum and Google SketchUp announced the winners of their Shelter It design competition. Amateurs and designers were invited to submit 3-D shelter concepts created using Google SketchUp and Google Earth. Almost 600 entries were received from 68 countries. David Mares of Setúbal, Portugal won the People’s Prize for Cork Block Shelter (CBS). David Eltang, Aarhus, Denmark, won the juried prize for his design, SeaShelter!

SeaShelter is positioned along the coastline of Denmark’s Wadden Sea, an area known for attracting beach hikers. The design offers an observation and resting platform for hikers to “experience the seabed during shifting tides.” The shelter can be configured for viewing habitat at high tide as well. The shelter also offers habitat for local birds and seals.

According to juror David van der Leer, Assistant Curator of Architecture and Design at the Guggenheim, “SeaShelter creates an opportunity to experience full high tide and interact with the environment in dramatic ways. Providing a refuge for passersby and wildlife alike, the shelter invites narrative and possesses a welcoming quality that the jury viewed as reflective of the spirit of the Design It competition.”

The design competition was launched as part of the Guggenheim’s Frank Lloyd Wright: From Within Outward and Learning By Doing exhibits.

View the SeaShelter project and watch a video on the competition.

Also, check out a review of the new book “Google SketchUp for Site Design.”

Image credit: Guggenheim Museum, Design It Competition. SeaShelter, David Eltang, Aarhus, Denmark.

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solardeca
Solar Decathalon 2009 kicked off on the National Mall today. After receiving more than 40 student-generated proposals from universities in the U.S. and worldwide, the U.S. Department of Energy (DOE) narrowed the field down to 20 finalists that offered the most innovative, high-tech, high-efficiency, solar-powered homes. More than 800 students are competing this year. This is the fourth time the DOE has sponsored the biennial competition.

Each of the 20 student teams received $100,000 from the DOE but still had to raise some $400,000-500,000 to pay for the 800-square feet homes. The DOE spokesman said that by teaming up with a range of companies, the students were learning “real world experience” that will make them the “energy leaders of tomorrow.” Now in its fourth-generation, the Solar Decathalon is “pushing innovation and systems engineering.” Some homes include microgrids that can be run through an iPhone.

The homes will be judged by a team of architects, engineers, systems engineers, lighting specialists, and communications specialists on the overall architecture, engineering, comfort, marketability, appliances, lighting, and other aspects. The DOE said that not only must the homes be aesthetically appealing, but “they must also work.” Using only solar power, the homes must heat 15 gallons of water to 150 degrees twice a day; run all appliances; heat and cool the homes; and maintain temperatures of 72-76 degrees with 40-60 percent relative humidity. The judges have also added a home entertainment component. TVs, powered by solar energy, must be able to run for six hours per day. Additionally, six team members must live, eat, work within the homes from 10:00 AM to 6:00 PM every day during the competition.

The homes are being wired by local D.C. energy provider, Pepco, which has connected the homes to the central energy grid. Zero net homes will get 100 points at the end of 10 days but will receive an extra 50 bonus points if they return surplus to the grid, creating an additional incentive for energy-efficiency. The DOE says, “Solar is here to stay, and these homes prove that it works.” What the contest will prove is what technologies work best.

A number of student homes included integrated systems with landscape elements at their core:  

Virginia Tech’s Lumenhaus

lumen

Ben Johnson, ASLA, professor of Landscape Architecture, Virgina Tech, said Lumenhaus’ site and landscape features were designed to contribute to the home enterprise and assist the solar-powered functions. Lumenhaus is “low-energy and high green,” said Johnson. Instead of a green roof on top of the home (which Johnson said the team decided not to use because of height restrictions), there are two types of green roofs that form terraces around the site. The green roof terraces are used for water treatment and lowering the home’s carbon footprint.

Johnson said recent research his department is conducting points to a fascinating number: 400-square feet of dense groundcover with a density of 32 leaves per square inch can sequester the C02 output of one person. Using these calculations, the Lumenhaus team determined the amount of plants needed for the site. For one terrace, the landscape architecture students involved in the project used sedum, which “sequesters carbon and doesn’t give it up, unlike other seasonal plants that dump their carbon during their lifecycle.” Additionally, the green roof terraces assist in solar absorption.

To assist with greywater mitigation, water output from the home’s sinks, dishwasher, washing machine, and other appliances, are infiltrated through the terraces and ponds in an integrated manner. Grey water is also used to water the green-roof terraces.  “Theoretically, you can drink it,” Johnson added. Unfortunately, Johnson noted, it’s not allowed. The hydroponics help create the site dynamic but also solve the grey water problems.

Virginia Tech started on this project more than two years ago. “Landscape architecture students were involved from the early concept phase.” Virginia Tech won the competition in 2005 so wanted to “up the ante.” To do this, Johnson said, they needed an interdisciplinary design team that included electrical, computer, and structural engineers, architects, and landscape architects. Johnson noted that the landscape architect was the “lead on site,” while the architect was the lead during development. Johnson added that the site development / landscape component of the Solar Decathalon had improved dramatically from four years ago. The team thought siting the home in a landscape would also help them win marketability points.

The total project budget was around $600,000. SemperGreen UK and LiveRoof provided elements of the green roof terraces, along with Oscar Warmerdam.

Cornell University’s Silo House

silohouse
Cornell University’s team wanted to create an agricultural and industrial aesthetic with Silo House. The home is coated in steel that oxidizes on the outer most layer. Landscape architecture students worked with Assistant Professor of Horticulture Neil Mattson to develop a “nutrient film technique” for the landscape that filters greywater. The students tested a range of plants all summer and found that horsetails, irises, and ferns, organized into zones, worked best at removing greywater particles. Using three zones, the grey water takes 24 hours to cycle through. At the end, it is “nearly potable water,” said Bobby Harvey, a landscape architecture student at Cornell. Harvey mentioned that they had a ”create your own grey water day,” which yielded a mixture of water, shampoo, and dog food that was used to test the plants’ filtering functions. Silo House’s landscape also features a drip irrigation system that feeds captured rain water and cleansed grey water to the plants. One-thousand gallon sisterns buried within the 1,000 plants store the water.

Additionally, Cornell’s team was interested in the C02 sequestration capacity of the plants, as well as their ability to frame the site. “It’s important to immerse the landscape so it doesn’t stand alone. Without the plants, the building would be naked.” Cornell students grew more than 1,000 plants to surround their home themselves.

Pennsylvania State University’s Natural Fusion

pennstate

Penn State team leader Kyle Macht explained that their home, Natural Fusion, seeks to remedy the “disconnect between the built and natural environments” and create a connection between greenery and the solor-powered components of the home. The front of the house has a meadow garden instead of a lawn. In the rear, an external living wall, which connects to the interior, provides herbs to the kitchen. Additionally, Natural Fusion is one of the few projects to feature a green roof — more than 500 square feet on an 800-square foot home. “Landscape architecture students were involved from the get-go,” says Macht.

Natural Fusion’s 500-square foot green roof is 4-inches thick. Interestingly, the rooftop photovoltaics sit above the green roof. “Plants cool the panels.” Macht said they could do this because they are using cylindrical panels from the firm Solyndra. Plants also don’t interfere in sunlight collection because “they absorb a different wavelength than photovoltaics.” Macht calls this a green roof integrated photovoltaic system (GRIPV), which he says is “part of their own innovation which hasn’t been done before.” Any green roof run-off waters the 250-square feet meadow gardens.

Macht added that they made sure “nothing just has one purpose.”  

The Solar Decathalon homes are open to the public from October 9-13 and 15-18. The awards ceremony will be held Friday, October 16.

More photos are available at Solar Decathalon multimedia resources.

Image credit: National Mall photo by Annie Coghill/U.S. Department of Energy Solar Decathlon. Lumenhaus, Silo House photos by Krista Sharp. Natural Fusion landscape by Penn State University.

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ima_park
Metropolis
Magazine’s POV blog noted that the Indianapolis Museum of Art (IMA) has progressed in its development of a 100-acre constructed museum park. While Metropolis POV says museum parks aren’t new, ”100 Acres” will be one of the largest in the U.S. IMA says it will also be the only museum park to feature “the ongoing commission of temporary, site-responsive artworks.” According to the museum: “When it opens in June 2010, 100 Acres will present art projects, exhibitions and discussions designed to strengthen the public’s understanding of the unique, reciprocal relationships between contemporary art and the natural world.” 

The museum recently released the concepts for eight site-specific commissions. “Atelier Van Lieshout, Kendall Buster, Alfredo Jaar, Jeppe Hein, Los Carpinteros, Tea Mäkipää, Type A, and Andrea Zittel, will create temporary, site-specific works that explore and respond to the varied environments of the Park.”

The site of the IMA park borders the White River and is next to IMA’s 52-acre campus. Interestingly, the site is a former gravel pit, and according to the museum, has ”evolved through natural reclamation into its current state of untamed woodlands and wetlands.” Architect Marlon Blackwell and landscape architect Edward L. Blake, ASLA, worked with the artists to site the installations and create the constructed nature preserve.

Read the article (and see more photos), or go to the Indianapolis web site to see a video.

Image credit: Funky Bones, a site-specific piece by Atelier Van Lieshout. Metropolis magazine / Indianapolis Museum of Art

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reburbia_grandprize
Inhabitat and Dwell magazine have announced the winners of Reburbia, a suburban design competition, which sought new ideas for “retrofitting surburbia.” (see earlier post). After receiving hundreds of entries, Inhabitat and Dwell narrowed the selection down to 20 finalists, then three winning entries, along with one People’s Choice Award.

The grand prize went to “Frog’s Dream: McMansions turned into Biofilter Water Treatment Plants” by Calvin Chiu. Frog’s Dream would turn ”abandoned suburban tract homes into wetland areas, using vegetation to filter and clean water in abandoned suburban areas for nearby urban centers.” (see image above)

The second place prize went to “Entrepreneurbia: Rezoning Suburbia for Self-Sustaining Life” by Urban Nature, F&S Design Studio and Silverlion Design. ”Entrepreneurbia” would change residential area zoning laws to spur the development of small businesses, thereby “reining in sprawl and making suburban communities more vibrant and walkable.”

Third place went to “Big Box Agriculture: A Productive Suburb” by Forrest Fulton. ”Big Box Architecture” proposed redeveloping big box store parking lots as farms. The interiors of the big box stores would be used as greenhouses and restaurants. Existing structural details would become renewable energy generators.

The People’s Choice Award went to “Urban Sprawl Repair Kit: Repairing the Urban Fabric” by Galina Tahchieva. According to Reburbia, the design “delineated five building typologies characteristic of suburbia, and corresponding formulas for recreating them in order to promote environmental responsibility and community building.”

Read more about the winning projects and see photos.

Image credit: Calvin Chiu / Reburbia design competition

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dreamgarden
Azure Magazine
wrote about Dream Grove, an online exhibition that is an ”intriguing combination of the interactive, the digital, the botanical and the aural.” The site “doubles as a treasure trove of dreams, which at one point took real-life narrated form as an interactive sound installation in an Athenian garden.” A number of “dreams” have already been added, but users can create their own and upload. According to Azure, “once a dream is added, it is assigned a dot, and the dot gets filled in with the colour the dream-writer assigned to it when entering the dream.” 

Petros Babasikas, founder of Drifting City, an “architecture, media and public space” design firm that created the interactive exhibit, said to Azure: “Web pages are today what gardens were, 100 years ago. Both are about entering a space of intense experience: remembering sensations, mapping ideas, discovering a dream place in concentrated isolation.”

Last November, Drifting City’s team converted the dreams into soundscapes for an interactive garden installation in the Athens Byzantine Museum‘s main courtyard. Visitors to the garden could hear the soundscapes as they moved through. The soundscapes includes multilingual spoken-word versions of dreams supplied to the site. According to Azure, Drifting City now hopes to build a permanent interactive garden.

The Dream Grove site won a 2009 Webby Award. This year’s Webby Awards were judged by Internet co-inventor Vint Cerf, Simpson’s creator Matt Groening, Arianna Huffington of the Huffington Post, and Harvey Weinstein.

Read the article or Go to Dream Grove

Image credit: Drifting City

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treemuseum
Bldgblog wrote about NYC’s new Tree Museum, a creation of artist Katie Holten, which includes 100 selected trees between 138th Street and Mosholu Parkway, the stretch of boulevard that connects Manhattan to the parks of Northern Bronx. Bldgblog writes that each tree is labeled with its name in English, Spanish, and Latin, and tagged with a number to dial in order to hear that tree’s story. Holten selected professors, activists, geologists, and landscape architects to tell each “tree-story.” The artist Holten wrote to Bldgblog:

“Klaus Lackner (professor in the Department of Earth and Environmental Engineering at Columbia University and director of the Lenfest Center for Sustainable Energy) tells the story of the carbon cycle and his attempt to create a “fake plastic tree,” or air extractor, that would suck the CO2 out of the air and convert it into something we can put in a safe place. Eric Sanderson (a landscape ecologist based at the Bronx Zoo, and author of Mannahatta) needed a really old, native tree to talk about projecting the landscape backwards. I gave him No. 9, a beautiful American Elm outside Cardinal Hayes High School.

At the northern end of the Concourse, at 206th St, there’s a huge chunk of rock between two buildings; it’s like the side of a cliff. I had to give the tree there, No. 95, to Sid Horenstein, a geologist who recently retired from the American Museum of Natural History. He’s able to use the rock outcrop to explain the story of what the Concourse lies above—it was built on a ridge and that’s one of the main reasons the street was constructed here, because it was elevated and offered spectacular views of the countryside all around.”

Bldgblog notes that Majora Carter, an environmental justice activist and founder of Sustainable South Bronx, also recorded a “tree-story” and uses a honey locust to tell people: “You don’t have to leave your neighborhood to live in a better one, and trees are an important part of making that happen.” Landscape architects with the NYC Parks department also recorded stories.

Read the article, and check out the Tree Museum. For those not in NYC, you can also download audio files.

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