Kendall Square in Cambridge, Massachusetts, is the center of technological innovation on the East Coast. But you would have never known it walking the broken-down, dated, 1980s-era brick streets. Home to MIT, Google, Microsoft, and many other start-ups, Kendall Square needed a new look that reflects the cutting-edge thinking happening in the buildings lining Main Street. But Cambridge, a historic district, also has a highly restrictive, limited palette of materials to chose from.
Working with real estate developers, the university, and other entities, a team led by local landscape architects with Klopfer Martin Design Group and engineers at HDR came up with an inventive solution, taking the standard Cambridge brick, concrete, lighting and building materials and coming up with something entirely new. The results are as innovative as anything created by the techies who work along the street.
As Kendall Square has experienced rapid growth over the past few decades, it also had to better “perform as an inter-modal transportation hub,” said Kaki Martin, ASLA, a principal with Klopfer Martin. The high-tech firms and university alike wanted easier inter-connections among the subway station and sidewalks, bike lanes and bikeshare system, and corporate shuttles and buses.
“Increased commercial development with lots of food establishments also meant that the streetscape had to not only reflected the character of the place, accommodate increased inter-modal transportation, but also become a place to not just move through, but also to linger and eat, meet up and gather.”
The design team removed the central median with “dated flag poles” to give more room for bike lanes.
Along the streets, new spaces were created for “furnishings, bus shelters, farmer’s market tents.” Scattered around major entry points are more contemporary benches, pre-cast concrete star-shaped benches, and unique bike racks that came out of a competition organized by the city’s % for art program.
A custom cover and bench was created for an “immovable vent pipe” the subway system needs.
Klopfer Martin layered in double rows of trees in order to create “spatial structure.”
The most interesting part of the project is the new palette of bricks. Klopfer Martin worked with the city’s brick supplier to create “custom palettes of varying percentages of the darkest and lightest bricks in the city’s standard mix,” set within 10 feet-by-10-feet swatches.
As Martin explained, “we went with a pixelated pattern for its techy connotation, and because there was no preciousness to the pattern.”
Furthermore, the random pattern is very low maintenance. “When the head of the Department of Public Works asked me how I would feel when a gas line repair comes through the brick and messed it up, we said, ‘it didn’t matter.’ The brick could just be put down again without concern, because it’s about the percentages between darker and lighter bricks in a 10-foot-by-10-foot zone, not about a specific pattern.”