DesignIntelligence recently announced its 2017 landscape architecture graduate and undergraduate program rankings. For the third year in a row, Louisiana State University (LSU) was deemed the best undergraduate landscape architecture program. And for the 13th consecutive year, Harvard University retained its dominance as the best graduate program, in the annual survey conducted by DesignIntelligence on behalf of the Design Futures Council.
Respondents from nearly 1,900 hiring professionals ranked schools, some 500 respondents more than last year.
DesignIntelligence asks us to only list the top five schools for each program. To see the top 15, purchase the report.
Bachelor of Landscape Architecture Degree Rankings:
1) Louisiana State University
2) Pennsylvania State University
3) Ohio State University
4) Cal Poly, San Luis Obispo
5) Cornell University
Master of Landscape Architecture Degree Rankings:
1) Harvard University
2) University of Pennsylvania
3) Louisiana State University
4) Cornell University
5) Kansas State University
Satisfaction with landscape architecture graduates among employers increased slightly from last year. Some 75 percent said they “very satisfied” or “satisfied” with the state of landscape architecture education in the U.S., up from 73 percent in 2016 and 71 percent in 2015, but down from 80 percent in 2013.
Employers still think landscape architecture students lack basic knowledge for many aspects of their job. A majority thought students lack an understanding of “the importance of projects, budgets, and schedules,” procurement processes, firm business models, and real estate or commercial law.
Some 32 percent of employers thought it took 6-12 months for new hires to become “fully productive and billable.” 23 percent think it takes longer and 42 percent less.
Practitioners were also asked about global concerns with the greatest impact on landscape architecture. They identified:
An additional deans and chairs survey asked leaders of 47 landscape architecture academic programs about the issues they find significant. According to 88 percent of the professors surveyed, their biggest concern is climate change and sustainability, while another 84 percent said urbanization and 50 percent said globalization. Academics are even more concerned about climate change than practitioners.
Among the biggest changes to curricula in the last five years: some 60 percent thought it was “more emphasis on interdisciplinary collaboration and integrated practice,” while 57 percent saw an increased focus on community involvement. Just 39 percent saw an increased focus on sustainable and healthy design, down from 51 percent last year.
And for the sixth year, DesignIntelligence surveyed landscape architecture students to gauge their satisfaction with the programs covered. This year, more than 589 students were surveyed, up 36 percent from the last. On average, just 56 percent thought their program was “excellent.” Students were most pleased with their programs’ allocation of dedicated studio spaces, and least happy with their technology offerings. Just 43 percent of graduates plan on working in private practice when they graduate (down from 59 percent last year); 16 percent remain undecided. Students can expect to have some $37,000 in debt on average when they graduate.
Gray infrastructures made of steel and concrete, which we built to connect our physical world, are shallow or even fake constructs that are destroying the real and deep connections between human beings and nature and among various natural processes and flows. The alternative is green infrastructure, or ecological infrastructure, the construction of which can be inspired by the ancient wisdoms of peasantry.
For the past twenty years, I have tried to revive some of these peasantry wisdoms and combine them with modern sciences and technologies to solve some of the most annoying problems in today’s urban environment, particularly around water. The solutions are simple, inexpensive, and beautiful and have been applied on a massive and extensive scale in over two hundred cities in China and beyond.
Gray Infrastructure and Broken Connections
Some people may think that our world, through our built infrastructure, is more connected digitally and physically than ever before: we have Facebook and WeChat on the one hand, and ubiquitous highways and pipelines on the other. But actually the opposite is true. More than ever we are disconnected from the communities we belong to, and we have alienated ourselves from our neighbors and from those we love.
Physically, the landscapes that we inhabit are visibly interconnected: motorways connect urban and rural settlements; power lines that transport energy connect power stations to individual families; pipelines that drain waste water connect our toilets to sewage treatment plants; aqueducts that transport drinking water connect reservoirs to our kitchens; airlines that transport food connect the farm in the southern hemisphere to the refrigerators in the north; trucks that carry fertilizers and herbicides on the highways connect city factories in the east with the peasants who farm in the rice paddies in the mountainous west.
We have created a connected world, but these connections are false: the landscape matrix and its invisible processes are fragmented and disconnected. The movement and cycles of water, nutrients, food, energy, species, and people are broken. The interconnected relationship between air, water, soil, nutrient, species, and people is being interrupted, and in a harmful way, more than ever before.
Let me offer an example concerning water. Over 75 percent of the surface water in China is polluted; 50 percent of China’s more than 660 cities are facing floods and urban inundation; and over 60 percent of China’s cities do not have enough water for drinking and for other uses. The groundwater table in the North China Plain drops over one meter each year; and over 50 percent of the wetland habitats have been lost in the past fifty years.
All these water-cycle related issues that impact our cities and our landscapes are actually interconnected, but the conventional infrastructural solutions designed to solve these problems are fragmented, isolated, and single-minded: We build water treatment plants to remove the nutrients that could be used in fertilizers for farming; billions of dollars are spent yearly on the construction of concrete dikes, dams, and pipes to control floods and stormwaters, but these structures eventually produce fiercer droughts, declines in groundwater levels, and habitat loss; a thousand-mile-long aqueduct built to divert water from Southern to Northern China caused serious damage to the ecosystem in the lower and middle reaches of the Yangtze River; ornamental gardens and landscapes as well as agricultural fields are over-fertilized and all those nutrients flush into the water system, polluting the rivers and the lakes. And again, the conventional solution is single-minded – build expensive water treatment plants that need huge amounts of energy (mainly from coal burning) to operate, which in turn create more air pollution.
An alternative solution might be the construction of green infrastructure, or ecological infrastructure, which creates a deep and true connection between man and nature and among various natural processes and flows.
The Ancient Wisdom of Peasantry
The connections between peasants and their farmlands illustrate the timeless interdependence of human culture and nature. One alternative to rebuilding the deep connections between human beings and nature and among various natural processes comes from the wisdom of peasantry, of field-making, irrigating, fertilizing, growing, and harvesting, which have transformed landscapes on a large scale and sustained humanity for thousands of years.
One category of peasantry wisdom is the making of fields through a cut-and-fill action. The peasant’s approach to cut and fill is one integrated action, meaning the earthworks created for farming happen on-site, with minimum costs for labor and minimum transportation of material to or from the site. It has, therefore, a minimum impact on the natural processes and patterns in the region. This tactic has been implemented by peasants in almost all parts of the world as a way to transform their otherwise unsuitable environments into productive and livable landscapes.
The second category of ancient peasantry wisdom lies in managing water and irrigating the fields. Modern methods of irrigation used in both farming and landscaping are represented by a system of pipes and pumps that is nearly invisible. It doesn’t relate to surrounding terrain and available water resources. The peasant’s approach to irrigation is deeply rooted in natural processes and patterns. Thousands of years of farming experience have made irrigation one of the most sophisticated techniques in agricultural societies. The use of gravity to irrigate the field requires precise knowledge, and the harmony between nature and subtle human intervention can turn such a serious science into an art form, an interactive medium of community building, and even a spiritual force.
The third category of peasantry wisdom is fertilizing. It is a magical component of traditional farming and a critical link, closing the circle by reusing the materials of human living. All wastes from humans and domestic animals as well as vegetative materials are recycled into fertilizers. Such a nutrient cycle is broken in our urbanized and industrialized settings. What peasants call fertilizers are today defined as “pollutants” in our lakes and rivers.
The fourth category of peasantry wisdom is growing and harvesting. Unlike planting and pruning in gardening to create a pleasant ornamental form, the peasant’s approach to planting is focused on productivity. Planting begins with the sowing of seeds, and the management process follows nature’s rhythm as a strategy of adaptation to the surrounding climate and conditions. Again, the self-sufficient nature of ancient agricultural economies requires each household to grow diverse crops, including grains, vegetables, fibers, medicines, fruits, timber, fuel, and even fertilizer proportionately to the seasonal needs of the family, and within the limits of nature and human capabilities. The meaning of harvest goes far beyond the production of foods and products. Harvests are productive in terms of their capacity to enrich the soil, purify the water, and make the land healthy. In other words, the peasant’s fields are net producers instead of net consumers of energy and resources.
This is not to say that one should give up the comfort of urbanization and go back to a peasant’s primitive life. These essential features of peasantry illuminate the underlying basis for rebuilding the connections between nature and human desires, balancing natural processes and cultural intervention, and help us to reclaim the harmonious relationships between human beings and nature.
Revival of the Ancient Wisdom to Create an Alternative Infrastructure
Imagine what our cities would look like if we did not drain the rainwater away through pipes and pumps, but instead used the ancient wisdom of peasantry in field-making to create a green sponge in the city that retains the rain water, creating diverse habitats and recharging the aquifer. In this way, the green spaces in the city become an ecological infrastructure that provides multiple ecosystem services that regulate the urban environment to be resilient to flood or drought, allowing clean water and food to be produced right in the middle of the city. Biodiversity would be enhanced dramatically; urban residents would have a green network for jogging, commuting, and relaxing; and real estate values would increase because of the beauty of, and access to, nature! That is what we have tried to do in many cities in the past twenty years: to transform the city into a sponge city.
Imagine what our cities would look like if we abandon the high and rigid concrete flood walls and instead revive the ancient wisdom of peasantry and create vegetated terraces at the river banks that adapt to the up and down of the water flow. Ecofriendly solutions like ponds and low weirs are designed to slow down the flow of water and let nature take time to nourish itself, so that diverse habitats can be created that enrich vegetation and wild life, allowing nutrients to be absorbed by the biological processes! That is what we have done to transform the mother rivers in many Chinese cities.
Imagine what our cities would look like if the nutrient-rich (eutrophic) river and lake water could be cleansed through the landscape as a living system, in the way that peasants have recycled organic waste, instead of using expensive sewage plants to remove the nutrients. We could produce clean water and nourish the lush vegetation. Native biodiversity could be improved. We could turn recreational spaces into urban parks and, in this way, urban parks could become producers instead of consumers of energy and water. That is what we have done to transform the landscape into a living system that mediates polluted water.
Imagine what our cities would look like if the brown fields of industrial sites are recovered by the processes of nature, where the ancient wisdom of the pond-and-dyke system is adapted to create a terrain that collects rainwater (instead of draining it away through pipes) and initiates the evolution of a plant community, remediating the contaminated soil during this process. At the same time, the industrial structures are preserved as sites of cultural heritage in the city. A unique landscape is created, featuring dynamic native vegetation and a touchable memory of the past, which attract urban residents because of its beauty as well as the diverse wild life that it maintains in the middle of the city. This is what we have done in several industrial cities.
Imagine what our cities would look like if we turn some of the urban land back into productive landscapes instead of into expensive lawns or ornamental gardens, so that the long-distance transportation of food can be reduced. Let the rice, sunflowers, beans, and vegetables be grown in the city, let the sun and moon tell the time for sowing and harvesting, let the seasonal change be noticed by the urban residents, let the process of food growing be known to the young, and let the beauty of crops be appreciated! This will not only make our city more productive and sustainable, but nourish a new aesthetic and a new ethics of land and food. This is what we have done in some Chinese cites.
By reviving the ancient wisdom of field making, irrigating, fertilizing, growing, and harvesting, and integrating this wisdom with the contemporary sciences and arts, we are able to build alternative infrastructures – nature-based green infrastructures replacing the conventional gray infrastructures – that are able to solve some of the problems in today’s urban environment, particularly around water, which are difficult or very expensive to solve through conventional means. Living with nature is inexpensive and easy, comfortable and beautiful, and an art of survival.
This guest post is by Kongjian Yu, FASLA, founder and dean of the College of Architecture and Landscape and Cheung Kong Scholar Chair Professor at Peking University, and founder and president of Turenscape. He was elected a member of the American Academy of Arts and Sciences in 2016.
This article was first published in Bulletin of the American Academy of Arts and Sciences (Summer 2017, volume LXX, number 4).
On Friday, September 15, the American Society of Landscape Architects (ASLA) participated in PARK(ing) Day, an annual, open-source event that asks landscape architects and other designers to re-imagine parking spaces as small, miniature parks, or parklets. PARK(ing) Day aims to educate people about the value of public space and what it can bring to a community.
ASLA professional and student members from across the country transformed simple parking spaces into places with nearly-endless possibilities. For example, the Illinois Chapter of ASLA created a hamster wheel to get people moving in the limited space (see image above).
We asked our members to share their parklets on social media with #ASLAPD17. More than 300 users posted nearly 850 times with the hashtag, reaching more than half-a-million people worldwide. To see all posts, visit our Tagboard.
Hurricanes Harvey and Irma might have passed by, but their consequences haven’t. Vast areas of Texas and Florida were devastated, and we’re only starting to assess the damage they left in their paths. Not only are natural disasters becoming more frequent, but they are hitting us with greater force. If you turned on the news in the past two weeks to view the coverage, you’ve seen firsthand that our nation’s cities have not been built with an eye to for resilience in the face of extreme climate events; the scale of the damages and displaced are evidence of that.
Now that tragedy has hit Texas and Florida, we can either dwell on the past and play the blame-game, or we can look to the future and decide to rebuild the affected cities in a way that will minimize the damage when another natural disaster hits – because it will.
Infrastructure and foresight are central to rebuilding efforts. As communities rebuild from disasters such as Harvey and Irma, they have an opportunity to invest in and adapt their landscapes to meet the changing climate conditions. This includes transportation and land planning that integrates green infrastructure to provide critical services for communities, protect against flooding and excessive heat, and help to improve air and water quality.
Taking action now and rebuilding our nation’s cities the right way can reduce damage resulting from future natural disasters.
We know how to do this. An excellent example of resilient design is Hunter’s Point South Waterfront Park. Built in Queens, New York, it addresses urban resilience and sustainability. The City of New York commissioned the designers, Thomas Balsley Associates and Weiss/Manfredi, to create a park with an infrastructure ready to withstand rising water levels during storm surges and 100-year flood conditions.
The park quickly proved why planning meant everything. Even before it was publicly open, Hurricane Sandy hit New York and the park in 2012. While the Big Apple suffered the consequences of Sandy, Hunter’s Point South drained as planned and completion of the project continued with little setback. Landscape architecture projects such as Hunter’s Point South demonstrate how innovative design can create sustainable and resilient urban environments.
The consequences of climate change are inevitable. We urge federal, state, and local policy makers to invest in thoughtful and climate-resilient solutions to systemic infrastructure issues. That’s why ASLA is convening a multidisciplinary blue ribbon panel of experts to create actionable recommendations. The 11 experts will meet on Thursday, September 21, through Friday, September 22, 2017, and publicly present their findings and policy recommendations in the form of a report in January 2018.
Our hope is that the findings and recommendations of this report will inspire our decision makers to take action as we rebuild our cities and prepare for intensifying natural disasters.
This post is by Nancy Somerville, Hon. ASLA, Executive Vice President and CEO, American Society of Landscape Architects
The Suburb of the Future, Almost Here– The New York Times, 9/15/17
“The suburbanization of America marches on. That movement includes millennials, who, as it turns out, are not a monolithic generation of suburb-hating city dwellers.”
Here Are Some of Our Favorite PARK(ing) Day Interventions– The Architect’s Newspaper, 9/15/17
“This year, the American Society of Landscape Architects asked landscape architects all over the country to invest their quarters on temporary, miniature green spaces. Here are some of our favorites from the #ASLAPD17 hashtag on social media.”
Confederate monuments and other long-tolerated symbols of racism are beginning to be expelled from America’s civic landscapes. As we engage in these acts of reconciliation and removal, it is worth a significant pause to consider why we seem to habitually design memorial landscapes for indelible permanence in the first place?
A memorial – whether a monument or otherwise — is simply a tangible container for memory through time. We benefit from having designated places to recall memory and emotion – whether grief, pain, fear, anger, love, respect, reverence, gratitude, awe, pride, or joy.
Part of the complexity of being human means that it is possible to feel multiple emotions simultaneously, and also that our feelings and memories are dynamic and can change over time. New knowledge and experience, and a genuine willingness to face difficult truths can significantly alter and expand our perception.
As such, might there be virtue in designing certain memorial landscapes to allow for a degree of fluidity and change?
Moving forward, American monuments and memorial landscapes in the 21st century may better be able to embody shared cultural values; reflect an inclusive and emotionally-intelligent view of history; mirror and support dynamic emotional processes; aid healing, forgiveness, and reconciliation; honor diversity, accept death, and truly affirm life if they are designed to consider the virtues and qualities of transience, adaptability, and vitality.
Despite the air of permanence many of these historic icons convey, it is laudable that several local governments and institutions have acted boldly to remove Confederate statues. A monument that marks an important time in history, but that simultaneously is widely perceived to be symbolic of racism, may best be retired or kept in a museum, rather than in the heart of a public square or civic space.
A 2017 study by the Southern Poverty Law Center found that 1,500 Confederate symbols can be found in public spaces across the country – they are monuments as well as named roads, municipalities, parks, institutions, and public works. The “undoing” of this landscape legacy is more easily wrought for a small statue than it is for an immense earthwork like Stone Mountain in Georgia, but no memorial is immune to the laws of impermanence.
As the voices of the oppressed are increasingly heard, and intolerance of hatred leads to action, our public and private landscapes should be able to adapt as we literally rewrite history with greater honesty, compassion, inclusion, integrity, maturity, apology, and courage.
It is time that we finally own the stories of extreme colonial and racist violence that undeniably define the conquest and development of the United States as a country. Realizing the long overdue expiration date of a monument whose presence detracts from equality should cause us to consider that not everything we erect in stone, bronze, and steel should last forever.
In 2015, three statues representing the Spanish missionary Junipero Serra were vandalized in my home community of Monterey County, California. Like Robert E. Lee, Serra practiced and promoted slavery. He and his missionaries displaced thousands of Esselen, Ohlone, Costanoan and other native people from what had been their homeland for millennia. Colonial violence and oppression included rape, slavery, abuse, isolation, exposure to disease, and deliberate suppression of language and culture.
The beheading of a statue at the Lower Presidio in Monterey occurred in the same year Serra was canonized as a Saint by the Catholic Church. While some lamented the defamation of the city’s co-founder, and the damage to this 1891 relic of post-contact California history, it is clear that these statues, similar to those of Lee, symbolize racism. Even more insultingly, they morally validate an individual who contributed to the near extinction of the Esselen people and many other tribes that were severely oppressed under missionization.
Even if one or more of our local Serra statues were removed or relocated, the Spanish names prevalent here and throughout California convey a daunting dominance, rendering the first names given to our local geography largely forgotten, and the living community of the Ohlone-Costanoan-Esselen Nation, who have yet to gain federal recognition, nearly invisible.
Landscape is not always a mirror of the diversity of cultures that inhabit it. As we look closely at what our own cities and neighborhoods fail to reflect, it is worth considering what kind of reconciliation can be achieved simply through acts of deconstruction and renaming.
While grief may leave a permanent scar, and render permanent change within an individual or a community, grief is also a dynamic and ongoing process. How can a memorial wholly acknowledge the severity of trauma and loss, while inspiring hope for the recovery of the broken-hearted? How can we remarry simple civic ritual to our most important public spaces?
In the case of the National September 11 Memorial, for example, beautifully and sensitively designed by architect Michael Arad and landscape architect Peter Walker, FASLA, what would it mean to the people of New York City (and to the country and even the world as a whole) if one of the two “voids” that symbolize loss in the footprints of the towers were to someday be partially filled? What might it mean to extend the swamp white oak grove to a lower level – to fill the voids with life, once the cascading water has washed away the rawness of grief? What if there were an opportunity for individuals to ritually contribute to this physical transformation – one shovel-full of soil at a time? What kind of deeper healing and forgiveness might be able to occur if there were a collective gesture made to physically mirror a transformation beyond the initial, radical enormity of grief?
What do we want this memorial to reflect about our culture 100, 500 or 1,000 years into the future, whether it is still intact, or an archaeological relic. Relentless and permanent grief? Resilience? Forgiveness?
Should memorials be hard or soft? Inanimate or living? The concept of a memorial garden or grove honors life with vitality itself. Cemeteries that encourage tree planting instead of headstones are becoming increasingly common, as are natural burials in which the body is allowed to decompose underground, feeding the biotic community in the soil, versus being chemically embalmed and preserved in an impenetrable coffin.
The 9-11 Memorial hosts a Survivor Tree Seedling program, in which seedlings from a Callery pear tree that survived the attack are gifted to communities that have endured tragedy. This achieves the highest good that a memorial possibility can – breeding compassion in the present moment, and in the form of a living and life-giving tree.
A memorial need not be bound to one particular place – and therefore may be more widely accessible.
As my mother was a lover of birds, I have chosen to remember her through them. Hawks, owls, wrens, robins, cranes, indigo buntings, cormorants, warblers, finches, sparrows, crows. Each bird reminds me of something different about her, each inspires a unique affection, and each encounter uplifts.
In choosing to remember her this way, the mountain valley that descends from my east-facing deck, over which countless birds soar, has become an arena for reflection and remembrance of her. The sky itself has become a bridge to the unconditional love I still feel with her. A memorial need not be made of or bound to the Earth.
In the words of Celtic poet and author John O’Donohue, “not all woundedness succeeds in finding its way through to beauty of form. Where woundedness can be refined into beauty, a wonderful transfiguration takes place.”
I hope the unrest we are living through leads to nothing less than a renaissance of American memory, which will see our landscapes adapt to reflect unprecedented American wisdom, compassion, inclusion, and grace – until it’s time to revisit our storytelling, once again.
This guest post is by Jessica Neafsey, ASLA, founder of Jay Blue Design in Carmel, California.
Two years ago, the Harvard University Graduate School of Design African American Student Union (GSD AASU) organized the first Black in Design (BiD) conference. This October, they are following-up with a new conference. The organizers invite attendees across design disciplines — including landscape architecture practitioners, educators, and students, as they want to build “stronger coalitions among the design community.”
According to Dasjon Jordan, one of the organizers, “BiD recognizes the contributions of the African diaspora to the design fields and promotes discourse around the agency of design profession to address and dismantle the institutional barriers faced by our communities. We seek to explore our agency as designers to envision more radical and equitable futures.”
A keynote lecture will be given by DeRay Mckesson, a leading voice from the Black Lives Matter Movement and co-founder of Campaign Zero and Ourstates.org.
There will be two days of lectures organized into sections: “exploring and visualizing identities; communicating values; mobilizing and organizing; and design futuring,” along with time to learn about Harvard’s Just City Lab.
Landscape architects Diane Jones Allen, ASLA, who is also program director of landscape architecture at the University of Texas at Arlington, and Walter Hood, ASLA, who also teaches at University of California, Berkeley, will give talks.
Register for the conference, which runs October 6-8 at Harvard GSD in Cambridge — it’s $50 for general admittance and just $30 for students.
The American Society of Landscape Architects (ASLA) is convening a blue ribbon panel to make comprehensive public-policy recommendations for mitigating and adapting to climate change through resilient design.
Composed of 11 experts from across various disciplines, the panel will make recommendations that will ultimately save lives and affordably protect cities from future natural disasters. ASLA urges responsible policy makers to look to innovative urban design as they make infrastructure investments to make communities more resilient and better equipped to recover from disruptive climate events.
“ASLA has identified climate change as a key issue for its members, and for society at large,” said Nancy Somerville, Hon. ASLA, executive vice president and CEO of ASLA. “The recent devastating and real impacts of natural disasters such as hurricanes Harvey and Irma highlight the need for policy makers, both state and local, to invest in thoughtful and climate-resilient solutions to systemic infrastructure issues.”
ASLA has long advocated for sustainable landscape architecture at the intersection of design and smart policy, working with legislators and stakeholders on effective solutions that minimize the effects of climate change. Transportation and land planning that incorporates green infrastructure can provide critical services for communities, protecting them against flooding and excessive heat, and helping to improve air and water quality.
“We’ve reached a turning point in our history with regards to climate change, and the effects are undeniable at this stage,” said Dr. Jalonne White-Newsome, senior program officer with The Kresge Foundation’s environment program and a member of the blue ribbon panel. “We must take the appropriate measures and create low-carbon, sustainable and resilient communities. This includes adapting our landscapes to changing climate conditions so we are best positioned to handle the anticipated consequences while ensuring that equity and the concerns of our most vulnerable communities are at the forefront of our planning.”
The experts of the ASLA Blue Ribbon Panel will gather for a two-day meeting starting on Thursday, September 21, through Friday, September 22, 2017. The panel will publicly present its findings and policy recommendations in the form of a report in January 2018.
The members of the panel include:
Vaughn Rinner, FASLA, ASLA President, Chair
Armando Carbonell, FAICP, FAcSS, Hon MRTPI, Senior Fellow and Chair, Department of Planning and Urban Form, Lincoln Institute of Land Policy
Mark Dawson, FASLA, Managing Principal, Sasaki Associates Inc.
Tim Duggan, ASLA, RLA, Founder, Phronesis
Ying-yu Hung, ASLA, Managing Principal, Principal, SWA, Los Angeles Studio
Dr. Dwane Jones, Ph.D., Director of the Center for Sustainable Development + Resilience at the University of the District of Columbia
Diane Jones Allen, ASLA, Program Director for Landscape Architecture, the College of Architecture Planning and Public Affairs at the University of Texas at Arlington
Adam Ortiz, Director for the Department of the Environment for Prince George’s County, Maryland
Nancy Somerville, Hon. ASLA, Hon. AIA, SITES AP, Executive Vice President and CEO, ASLA
The Rockefeller Foundation together with other organizations have brought their Rebuild by Design design competition to the San Francisco Bay Area. Like the original competition set up in the tri-state area after Hurricane Sandy, the Bay Area Challenge identified a set of teams that will go out into communities and devise conceptual designs for reducing exposure to the harmful impacts of climate change. The goal is to “lay out a blueprint for resilience in our region and communities around the world.”
Out of 51 teams that submitted proposals, 10 multi-disciplinary teams of landscape architects, climate scientists, architects, engineers, and artists have been selected to engage communities over the next nine months. Half are led by a landscape architecture firm, and almost all include landscape architecture firms. Also, each team includes at least one firm from the Bay Area, while some teams are made up of all local firms and experts.
Team UPLIFT, led by Gensler and includes Arup and Margie Ruddick Landscape
Next, the teams will head out into the community for three months on collaborative research tours. Local experts and community groups will identify “locations vulnerable to sea level rise, severe storms, flooding, and earthquakes.” In November, each team will present 3-5 project design opportunities. And then in December, one project will be selected for each team.
The design work will then begin early next year. Teams will be expected to form close partnerships with state and local governments and community groups in order to achieve implementation.
Also, Resilient by Design is partnering with Y-PLAN, an educational platform developed by University of California, Berkeley that enables “young people to tackle real-world problems in their communities through project-based civic learning experiences.” Alongside the Bay Area Challenge, Y-PLAN will lead students through a similar planning and design effort, empowering them to “dream big and envision a more resilient Bay Area grounded in equity, and providing sources of inspiration for future college and career readiness for young aspiring resilience planners.”
Janet Echelman’s gigantic yet delicate woven art works are evolving. While her earlier work offered warm, enveloping concentric rings of colors enlivened by carefully-orchestrated folds, her newer works, which pair with contemporary works of landscape architecture, introduce bold molecular forms and evoke more complicated ideas and histories.
Over a central plaza designed by landscape architecture firm Gustafson Guthrie Nichol (GGN) at the Bill & Melinda Gates Foundation campus in downtown Seattle, Echelman created Impatient Optimist, which is suspended between two buildings, for the ambitious do-gooders who work there. Sparer woven forms featuring cellular geometries focus attention on the piece’s circular middle.
A new work on the Sunset Boulevard in West Hollywood is another departure from her norm. Connecting two buildings for Hotel 1, Dream Catcher is inspired by traditional Native American forms but updates them with data-based representations of brainwave activity, offering a portal into the depths of our dream worlds.
It’s otherworldly, even a bit spooky, with its neural-network organization, but no doubt mesmerizing in person.
The 10-story sculpture sits above a plaza designed by landscape architects with Mia Lehrer + Associates. Unfortunately, timing-wise, the design of the plaza and the sculpture didn’t synch up, so they exist independently of each other.
Echelman writes on her website: “The artwork’s inspiration stems from dreams and the idea of dreaming hotel guests asleep in the two buildings. Dreams are not only private experiences, they are also social and cultural ones. Dream Catcher is an apt title not only for how it speaks to the guests of the hotel, but to the larger region and its identity as a global epicenter for entertainment and media – the place where dreams are invented and pursued.”
Also worth noting: a work that just celebrated its one-year anniversary is Where We Met, which forms the centerpiece of LeBauer City Park in Greensboro, North Carolina. Landscape architects with OJB Landscape Architecture purposefully left a space in the middle of the green park for a monumental art work. The piece weaves in the textile industry and transportation history of Greensboro through strikingly bold bands of color, also a bit of a departure from her past work.
On her website, Echelman writes: “I discovered that Greensboro was nicknamed the ‘Textile Capital of the World’ and ‘Gateway City’ because six railroad lines intersected there, so I started tracing the railway lines and marking the historic textile mills that dotted the routes. These routes brought together people from diverse cultures and races, so I wove together lines of brilliant color that meet at the center, and titled it ‘Where We Met’.”