New technologies have enabled light artists to conceive public works that would have been impossible just a decade ago. These works create new opportunities for landscape architects and designers who seek to bring the dynamism of digital light into the public realm. As broadband and smart phones become ubiquitous, technology and LEDs may become more prominent in the public realm. Our public spaces may evolve to reflect our increasingly technological nature.
In Accumulation, which runs through a cycle of patterns that explore concepts such as “rise, flow, accumulation, dimension, light, and overlap,” artist Minha Yang used LED and algorithms to create a mesmerizing entry gateway for a hotel in Seoul, South Korea (see video above).
For the 2017 Oastrale Biennale of Contemporary Art in Dresden, calligraphy graffiti artist Said Dokins partnered with photographer Leonardo Luna, visual artist Andrea Hilger, and others to create a brilliant temporary installation Heliographies of Memories in which calligraphy appears to be written by hand in light. An elaborate set of projectors traced the text in the air in Dresden’s public spaces.
And, lastly, the stunning and alien Light Barrier, created by South Korea artist pair Kimchi and Chips uses eight architectural projectors, split into 630 sub-projectors that create a projection akin to a “field of fog,” graphic objects that “animate through space as well as time.” According to the artists, the projection helps bring the audience into a “new field of existence.”
Light Barrier was commissioned by the Asia Culture Center in Gwangju, a city in southwest South Korea, and is displayed there.