A garden in any city is a special place. City Green: Public Gardens of New York, a new book by garden writer James Garmey, profiles some of the city’s most notable public gardens and green spaces. The pages are filled with photographs taken with the loving eye of Mick Hales, who captures well the serenity and beauty of large and small gardens alike.
Readers will know or have heard of several of the profiled spaces. The Cloisters in Fort Tryon Park, for example, maintains famously-enchanting gardens that sit at the heart of a medieval-style monastery in North Manhattan. Paley Park, too, has gained a reputation for the unique experience it provides. More a plaza than a traditional garden, Paley Park is perhaps the only place where one can find a waterfall tucked neatly between two midtown buildings.
Other gardens featured are less well known but worthy of inclusion. Carl Schurz Park on the Upper East Side sits in the shadow of Central Park, which is only eight blocks west. But its under-the-radar status adds to its charm. The park, originally the result of a Calvert Vaux design, languished during the 1970s. But it was revitalized through community engagement and renovated in 1992. The park now enjoys the dedicated attention of two full-time gardeners and a corps of volunteers. Garmey quotes a blogger when describing the Carl Schurz Park: “If this park was a guy, I’d be in love with him.”
At the southern tip of Roosevelt Island lies another under-the-radar garden. Franklin D. Roosevelt Four Freedoms Park features a minimalist memorial garden with views of a changing Queens skyline. The memorial, designed by architect Louis Kahn and landscape architect Harriet Pattison, is as monumental and stoic one would expect. Garmey describes the garden as powerful in its simplicity.
New York has several Japanese gardens, but the Noguchi Museum Garden in Long Island City, Queens, stands out for its sculptural works. The sculptor Isamu Noguchi designed not only the art works, but the park itself. The garden features several features of a traditional Japanese garden, included the generous use of gravel, but Garmey believes that it very much reflects Noguchi’s aesthetic: “meditative, playful, and filled with elegant shapes.”
Some of the featured gardens have successfully shed the conception of gardens as static creations. New York Botanical Garden’s native plant garden, for instance, is a site of tinkering and experimentation, according to its curator Michael Hagan.
“We have a mandate to monitor how plants respond to climate change,” Hagan says. He and his team treat the meadow as a work in progress and are comfortable adding and subtracting plants based on their projected sustainability.
Garmey understands that green spaces and gardens come in a variety of forms. Green-Wood Cemetery, which occupies 478 acres in Brooklyn, offers the seclusion and beauty of any other garden amid 570,000 graves. The cemetery is equally as interesting as a case study in infusing English landscape style into a burial ground.
And, according to Garmey, Green-Wood helped inspire Central Park. The cemetery is lush and sprawling and, for over a century, has provided a habitat for wildlife and native vegetation. These attributes, as well as its ornate statuary, have made Green-Wood a popular destination.