Modi’s Sprawling Delhi Makeover Fuels Anger in Virus-hit India — 04/26/21, Bloomberg CityLab
“Current plans suggest that many open spaces around India Gate that are visited by thousands daily may no longer be accessible to the public. ‘We common mortals will have no reason to go there, as government offices replace the quiet spaces of art, history, performance, leisure,’ Narayani Gupta, a Delhi-based historian said.”
Midtown’s Highway-capping Park Boosters Release New Video, Continue Outreach — 04/21/21, Urbanize Atlanta
“The goal of the park’s green elements is to recapture the character of the land, as it was in the late 1800s, when Georgia Tech was a single building, Midtown just a series of stately homes along Peachtree Street, and the rolling landscape still bucolic, with Tanyard Creek slicing through.”
Jennifer Toole, ASLA, is the founder and President of Toole Design and has over 30 years of experience planning and designing multimodal transportation systems. A certified planner with a degree in landscape architecture, Toole has a strong background in urban design. She has been involved in numerous projects of national significance for the Federal Highway Administration, American Association of State Highway and Transportation Officials (AASHTO), and National Highway Traffic Safety Administration (NHTSA).
In Drawdown, edited by Paul Hawken, bike infrastructure is identified as one of the top 80 solutions for reducing global greenhouse gas emissions. The book finds that in 2014, 5.5 percent of urban trips worldwide were by bicycle. If that number grew to 7.5 percent by 2050, displacing some 2.2 trillion passenger miles completed by vehicles, some 2.2 gigatons of greenhouse gas emissions could be avoided, realizing approximately $400 billion savings over the next 30 years. What are the most important steps cities and communities can take to rapidly grow bike use?
Most people just don’t feel safe bicycling, which is the greatest disincentive. We spent nearly a century in this country building a transportation system that essentially only caters to people who are driving motor vehicles. We have a system that fundamentally doesn’t support bicycling.
The best thing cities can do to incentivize bicycling is make it feel safer for people. This can be accomplished through interconnected networks of bike facilities separated from traffic that don’t end at major barriers.
That’s a big problem right now: we have a lot of bikeways that might get you part of the way to where you want to go, but then you get to a big intersection or an interchange with a highway and the bikeway ends.
We also need need to reduce motor vehicle speeds across the board, so that when bicyclists and motorists cross paths, it’s in a safe and controlled way. And we need to provide high-quality and secure places to park your bike once you get to where you’re going.
None of this is rocket science. If you look at countries that have successfully increased the percentage of people bicycling by even a few percentage points, it’s because they invested in infrastructure to make bicyclists feel safe — and, in fact, bicyclists are now safer in those places.
Drawdown also identifies e-bikes as a critical climate solution. While many bike-riders feel comfortable biking a few miles on flat surfaces, half of all trips are estimated to be 6.2 miles, which may be too far in the heat or if the route is hilly. E-bikes also better support riders who may be older or less able. What are some other ways cities and communities can incentivize e-bike use?
I am really excited about e-bikes because they eliminate another major disincentive to bicycling: hilly areas, with long, difficult uphill climbs. I live at the top of a really steep hill. Many times I have done that calculus in my head. Am I going to ride my bike? If I ride my bike, when I come home, I am going to have to come back up that hill.
When you look at a normal bike trip, it’s usually someplace between one to three miles in length. An e-bike trip is typically a little bit longer than a normal bike trip, because you don’t have to expend as much energy to make that trip.
The keys to incentivizing e-bike use are the exact same as they are for regular bikes. You’ve got to provide spaces where people feel safe riding their bike. E-bikes are a little bit faster than regular bikes, so that makes it even more evident that sidewalks are not the right place for them. E-bikes really need their own space. They need separated bike lanes. They need shared-use paths and bike boulevards. You have to feel like you have safe places to ride.
Cities are also providing e-bikes through their bike share services, which gives people a way to check them out and realize how much fun they are to ride. It’s one of the reasons why e-bike sales are just soaring all around the country.
According to the U.N. Environment Program (UNEP), researchers in the U.K. found that biking to work is associated with 45 percent lower risk of developing cancer and a 46 percent lower risk of cardiovascular disease, compared to commuting by car or public transit. UNEP also states: “daily exercise prolongs life expectancy by approximately 3.4 years. Regular cycling boosts physical health as an efficient way to prevent obesity.” How can we better promote the health benefits of biking to communities?
Those are some pretty incredible statistics I think that most people are not aware of.
It’s more about providing ways for people to introduce exercise into their normal, everyday life without even thinking about it. There are a lot of studies that show people are more active and healthy in places where walking and biking for everyday trips is common, so making sure that destinations in shopping areas and workplaces are in close proximity to home is really an important part of making sure that people take those everyday trips on foot and by bicycle.
We need to make bicycling the logical choice — the no-brainer choice — for a certain segment of short trips we make. When you go to The Netherlands and ask people why they are riding bikes, they almost never talk about the exercise or the environment. They are riding a bike, because it’s the most efficient way to get where they want to go.
Countries like The Netherlands have a lot of folks who bike well into their 70s and 80s, because they have provided places that feel safe for riding a bike. I have no doubt it contributes to a much longer lifespan.
Data also shows that the pandemic has resulted in a bike boom in many cities and communities. According to a report from Strava, a fitness tracking company, bike use in car-centric cities like Houston increased by 138 percent and in Los Angeles by 93 percent. The Rails to Trails Conservancy found that trail use increased threefold in March 2020 over 2019. Do you think bike use will continue to remain at high levels after we have all been vaccinated? What role do you think “slow streets” have played? And if the bike boom continues, will it result in greater investment in permanent bike infrastructure?
I think it will. Bike use will continue to remain at higher levels, because our travel patterns have been disrupted in ways that we’re only now just beginning to realize. There’s a whole segment of workers who will probably never go back to working in an office from 9:00 to 5:00 five days a week. The flexibility of being able to work from home will mean that our rush hour is going to look different in the future.
Why drag yourself out of bed to go and sit in the car for an hour longer than you really need to just to get to work at a certain time? A certain segment of workers are going to make that calculus and say, “I don’t need to go into the office to work. I can do it right here,” because they’ve been doing it for over a year, and it worked fine. Working from home is going to become much more accepted and prevalent and, with that change, people are going to continue to look for ways to use a bicycle for trips that originate from their homes.
Slow streets have really been great, because they gave people places to ride that feels safe. I’ve heard so many stories of slow street projects that had opposition in the beginning and now people are getting upset when cities remove their slow-street designation. From what we’re seeing, cities are looking for ways to have more permanent, connected networks of bike facilities, and that was starting well before COVID-19. It’s not something that was new; I just think COVID brought it home how much we needed more infrastructure.
Research also finds that low-income communities bike to work more often than other groups. The Chicago Tribune reports that the biggest group of Americans who bike to work are from households that earn less than $10,000. But a report from the League of American Bicyclists also found that Hispanic bike-riders had a bike fatality rate 23 percent higher, and Black riders had a fatality rate 30 percent higher than white riders. How can cities and communities make bike infrastructure more equitable and improve safety for historic marginalized and underserved communities?
We need to do a better job at providing better infrastructure in underserved areas of our cities. Often these are the same neighborhoods that have been impacted by highway construction, where we have widened roads so that suburban commuters can get to their jobs and downtown. It’s not a surprise those are the same places that have higher rates of crashes for Hispanic and Black riders. They need more attention than we’re giving them in terms of providing safer facilities.
A lot of the work we do for cities is about adjusting that balance and giving more attention to neighborhoods that have been neglected when it comes to providing good places to not only to bike but also to walk. Among other things, we aim to reduce traffic speeds on those streets, which is not an easy thing because they were built for higher speeds.
Many of the projects we work on are focused on equity. For example, we are working on an expansion of the trail network in Fresno, California. We analyzed all the proposed trails the city has planned to build in the next 20 years using a tool that prioritizes equity factors. The city then selected four connecting trails segments in a community facing environmental injustices. It relied on a tool used in California that helps identify communities most affected by pollution and where people are often especially vulnerable to pollution.
The Biden administration just released a $2 trillion infrastructure proposal, which could result in much greater investment in complete streets, bicycle networks, trails. If you were somehow in charge of all the billions, how would you allocate it on bicycle infrastructure?
In many communities, they have already tackled their easier projects, the ones that weren’t difficult to build — streets that were overbuilt for the amount of traffic they’re carrying and required a road diet to reconfigure space.
The next phase of work is much harder. It’s closing the gaps between facilities. Imagine a trail that ends at a major intersection. It’s hard to get across that intersection in order to connect one part of town to another part of town where you have bike networks. You really need an overpass across the highway built for bike and pedestrian traffic. If I were in charge of that infrastructure investment, I would make it available for major infrastructure projects that close gaps in bike and pedestrian networks.
In South Bend, Indiana, your staff partnered with the administration of then-Mayor Pete Buttigieg, who is now U.S. transportation secretary, to create an open space and smart streets plan to revitalize South Bend’s downtown. The plan resulted in the transformation of St. Joseph’s Boulevard to a green complete street. Secretary Buttigieg said the streetscape improvements led to $90 million in private investment by downtown businesses along the corridor. Can you tell us more about Secretary Buttigieg and his understanding of the connections between streetscape improvements and revitalization?
The most basic answer for how that revitalization led to all the private investment is that the design prioritizes the movement of people over cars. It was a very controversial approach to their downtown revitalization, and there were a lot of people who were worried that it wouldn’t work. To Secretary Buttigieg’s credit, he had a vision for making their downtown be a place where people felt comfortable walking everywhere.
The downtown businesses saw that it was going to be a place that was really special, which is what led to the investment. And it hasn’t stopped with downtown. The work we’re doing now in South Bend is going out like tendrils into the community. The city is systematically tackling their street network and prioritizing pedestrian and bicycle traffic. Secretary Buttigieg’s vision has continued to transform the city’s approach to transportation and it has clearly benefited the community.
Your firm is leading an interdisciplinary team working with the city of Atlanta’s Department of City Planning to re-imagine Peachtree Street as a shared space that blurs the lines between public space and streets. What are the benefits of these environments? How do you overcome safety or accessibility concerns?
Peachtree Street has long been Atlanta’s main street. The street receives a lot of traffic and is dominated by cars. The city is looking to change that dynamic and make it a destination for people. The benefit of making Peachtree Street a flush street — so all one level, no curbs — is that it really promotes that feeling that it’s a street where pedestrians are the highest priority. They don’t have to go to an intersection in order to cross the street. They can move freely across the street. It’s modeled on the types of streets that have been built really all over Europe, where there’s just one street surface.
Another benefit is that it slows everybody down. Cars can still travel down the street and park, but drivers don’t feel comfortable going fast down a flush street. Often there are fewer traffic signals or signs to direct traffic. This is due to a concept in traffic engineering: when you introduce an element of uncertainty, everyone slows down. It’s fundamentally about making sure motor vehicle traffic goes slower.
Also, a flush street is inherently more accessible. You can imagine people on wheelchairs don’t have to go to the corners to find a place to cross. People pushing baby strollers can easily move about. But you do need special accommodations for people who are blind or have low vision, because they need to know how to navigate down that street. They often use a curb line as a guide.
Fortunately, there are new ways to help people who are blind to navigate. A different type of pavement treatment with raised grooves can help guide a person with a cane down a street. These have been used in train stations and other places where there is a need to navigate through plazas and other open areas.
Landscape architects integrate safe, accessible pedestrian and bicycle infrastructure with green infrastructure. In St. Paul, Minnesota, your firm designed the Jackson Street Reconstruction Project, which transformed an outdated avenue into a truly multi-modal corridor that features two-way protected bike lanes, wider pedestrian walkways protected by green buffers that manage storm water. How is this project a model? How do you make the case that communities should spend the extra money for the green infrastructure?
Jackson Street is just such a great example of the way we should be designing streets in this country.
It’s important to think about what the street looked like before to understand the opportunity it represents for many other streets in this country. Jackson Street was as wide as six lanes, a classic example of an overbuilt street. Somebody at some point in the past decided that the road needed to have four lanes. The street didn’t have the traffic volume to support those lanes.
We were able to take up to two travel lanes off the road, which gave us 20-plus more feet of space to work with to provide a wider sidewalk, a two-way separated bike lane, and generous rain gardens between the bikeway and the road. We were able to use the green infrastructure to provide that much needed separation between the bikeway and the street. The bikeway itself is built from pervious pavement. The runoff from Jackson Street is directed into those rain gardens.
St. Paul is a city concerned about water pollution, runoff, and flooding. It’s on the banks of the Mississippi, so this type of street design is logical. There are so many cities around the country that are increasingly concerned about flooding and need to find ways to let stormwater seep into the ground instead of run off into nearby waterways. Cities are feeling the impact of major flood events and the financial cost of those events, which is why they are looking at these streetscape projects as an opportunity to rethink the way that water flows in their city.
There are generations of work for landscape architects to fix all these streets and make them greener by providing vegetation in the streetscape on a scale that we’ve never done before. We were sort of stuck in the past with these tiny tree boxes. That was the conventional way of providing green in the landscape. This new way of designing streets is going to give us so much more room to work with different types of plants and soils. It’s a really exciting time to be a landscape architect.
In a program sponsored by the Darwina L. Neal Cultural Landscape Fund, created by former ASLA President Darwina L. Neal, FASLA, we will learn about how famed architect Frank Lloyd Wright considered the “landscape as an integral element in his work.”
Stuart Graff, president and CEO, Frank Lloyd Wright Foundation
Jennifer Gray, curator of Drawings and Archives, Avery Architectural and Fine Arts Library, Columbia University
Justin W. Gunther, director, Fallingwater and VP, Western Pennsylvania Conservancy
Moderator Stephen Morris, chief of the Office of International Affairs, World Heritage Program Coordinator, National Park Service.
Speakers will discuss “how and why the work of Frank Lloyd Wright was sensitively integrated within their natural landscape settings and enhanced by their designed landscapes.” The discussion will explore many of the eight buildings and landscapes in the Frank Lloyd Wright World Heritage Site — which was announced in 2019 and became the first modern architecture designation in the United States — along with the recently restored landscape of the Martin House.
DAVID RUBIN Land Collective, a Philadelphia-based landscape architecture, urban design, and planning firm, states that “empathy for the public’s engagement with memorials and park spaces” informs their work.
Founding principal David A. Rubin, FASLA, will discuss the “joys and challenges of navigating Washington, D.C.’s complex federal and local public space environment, all while steadfastly emphasizing and advocating for the equity, access, and inclusion of every visitor.”
Rubin will cover Canal Park, Potomac Park Levee, the National World War I Memorial, and Franklin Park in Washington, D.C. Jennifer Reut, acting editor of Landscape Architecture Magazine, will moderate the program.
In a program facilitated by landscape architect Maisie Hughes, ASLA, co-founder of The Urban Studio, Oakland-based non-profit Designing Justice+Designing Spaces will outline its efforts to “end mass incarceration by building infrastructure that addresses its root causes.”
Deanna Van Buren, co-founder, executive director, and design director, discusses her studio’s work countering the “traditional adversarial and punitive architecture of justice by creating spaces and buildings for restorative justice, community building, and housing for people coming out of incarceration.”
Here’s What NoMa’s Next Park, Swampoodle II, Could Look Like — 04/13/21, DCist
“Local landscape architecture firm Lee and Associates’ design for Swampoodle II emphasizes a mix of active and passive uses. The new space has spaces that can flex for a variety of uses: There’s a green oval surrounded by benches where people can sit or kids can run around, as well as a smaller concrete space for community art or performance activities.”
Lincoln Center’s Josie Robertson Plaza Will Become a Public Park for the Summer— 04/13/21, The Architect’s Newspaper
“‘When invited to consider how the physical space of Josie Robertson Plaza could be re-envisioned to be a more inclusive and inviting environment,’ said set designer Mimi Lien, who created the expansive installation, ‘I immediately thought that by changing the ground surface from hard paving stones with no seating to a material like grass, suddenly anyone would be able to sit anywhere.'”
Dream of Connected NYC Greenway Re-Envisioned as Path to COVID Recovery — 04/04/21, The City
“Even before Biden unveiled his massive proposal in Pittsburgh Wednesday, more than 30 environmental justice, cycling, and parks groups had sent a letter to New York’s congressional delegation. Their plea: a $1 billion commitment in federal stimulus funds to build out new and link sections of existing trails separated from automobile traffic.”
Semiotics involves the study of signs and symbols. In a virtual lecture organized by the National Building Museum, landscape designer and artist Walter Hood, ASLA, kept returning to the idea of re-evaluating existing signs and symbols in American landscapes and creating meaningful new ones that speak to diverse audiences.
Designed landscapes use symbols to tell stories about places and communities. But for Hood, it’s clear that landscapes too often use symbols to create “fictions,” narratives told by someone else. This presents communities that have not expressed themselves before with opportunities to tell new stories that resonate with an increasingly diverse public.
Hood began his lecture by sharing a few recent projects, including Saint Monica’s Tears in Santa Monica, California (see above).
When the Spaniards arrived, there were sacred springs named Kuruvungna by the local Tongva tribe. When Father Juan Crespi saw the springs, he thought of Saint Monica’s eyes. Saint Monica (Santa Monica in Spanish) is known as the “weeping saint,” as she shed tears over her son Augustine’s “hedonistic lifestyle.”
Speaking to a Tongva elder, Hood learned about the lost landscape that existed before the Spanish colonialists arrived. He wanted to design a reminder of this landscape in the midst of today’s busy commercial and tourist mecca. “I wanted to create a duality — a conversation between the present and past — and explore materials that can help us remember the past,” he said. At a metro station, he designed large sand stones in Indian trapezoidal forms to make up a wall, with hand-made glass tears that form streaks running down the wall’s face.
A public art piece Hood designed more than a decade ago in Oakland, California, 7th Street Dancing Lights + Gateway, includes light poles that honor the community’s jazz and blues history. The artwork culminates in a gateway above a four-lane street with etched portraits of leading Black American figures — Barack Obama, Maya Angelou, Martin Luther King, Jr.
Like Saint Monica’s Tears, the projects brings to light a little known aspect of history — the Black history that defines 7th street in West Oakland. One West Oakland resident told him that each morning, seeing “the signs gave him confidence to go into the city every day. Seeing them ablaze gave him peace.”
Hood’s recent book Black Landscapes Matter, co-edited with Grace Mitchell Tada, Assoc. ASLA, came out of efforts, like the two projects just mentioned, to “change the semiotic,” and therefore change mindsets.
Hood had watched footage of the scene where Michael Brown was killed by police and wondered why these killings were always happening in the same places — liquor stores, the middle of empty streets. He initiated a series of lectures at the University of California at Berkeley, which then provided the foundation for the book. In the book and lecture, he returned to the ideas of signs and symbols in the landscape — and how they reflect different narratives for different communities.
One place for Hood to explore these ideas was the Tidal Basin Ideas Lab, an initiative to re-imagine the Tidal Basin in Washington, D.C., which is increasingly threatened by rising sea levels brought on by climate change.
Here, his team imagined a “speculative future” and decided to “do something different.” “I didn’t want to fix Washington, D.C.; D.C. is a fiction anyway.” Instead, Hood Design Studio proposed an elevated ringed pathway above a Tidal Basin returned to its natural wetlands. He imagined Black tourists and locals visiting D.C. to discover the untold Black history of the landscape.
In Nauck, Arlington, Virginia, his studio is re-imagining a space dedicated to John Robinson, Jr., a beloved figure who passed away in 2010, as a true town square. Prior to emancipation, a community of freed slaves created Freedman’s Village, a space now taken up by Arlington National Cemetery. As the cemetery was created, the community was forced to move to this area of Virginia.
Hood said the community’s real name isn’t Nauck, but Green Valley, as this is the name used by the Freedman’s Village diaspora who moved there. As such, he wanted to make sure the new Nauck Town Square is very green and feels like a place of refuge.
He also designed a gilded sentinel that spells out “FREED” and then turned it so it stands vertically. “It’s a celebration of early freed people. Nauck now has a different name and symbols — 40-feet-tall, gilded, and lit.” The sentinel itself is comprised of a pattern made up of slave badges.
In the historic downtown LaVilla, Florida, Hood designed the Lift Ev’ry Voice and Sing Park, which honors the brothers James Weldon Johnson and John Rosamond Johnson who composed the song “Lift Ev’ry Voice and Sing” in LaVilla and lived in a home on the park site in the early 1900s.
The community was once known as a Black commercial street, lined by flophouses and shotgun homes. “It was the Great Black Way, and there are ghosts of that neighborhood still there.” Hood is designing a new park that has gardens and an amphitheater. A shotgun house will be stenciled with lyrics from the Johnson brothers and form the foundation of a new stage. There’s also a “poet’s walk,” with inspirational quotes.
For the International African American Museum (IAAM) in Charleston, South Carolina, Hood Design Studio is imagining a new landscape that can speak to the vast African diaspora in the U.S. who were brought to the country against their will. “Some 40 percent of the slave diaspora landed in Charleston.” The museum is near now buried landing places where “people were bought, sold, and perished.” It’s also near the aquarium, harbor, and the Black church where nearly a dozen people were killed by a white supremacist.
The old landing place where slaves disembarked in the U.S. for the first time has been “erased, built upon, forgotten.” Hood thinks its critical to exhume the history of the IAAM site, which is almost a burial ground, given so many perished there.
In her books, Toni Morrison has relayed the sentiment — there is no place for me to go and sit and hear my ancestors, Hood said. This idea inspired him to design a “landscape of memorial” at the museum site. He added that too often for Black Americans, “there is no tree, park, square — no place to think of who came before” — and the IAAM can provide this for the African diaspora.
The IAAM, designed in partnership with architecture firms Pei, Cobb Freed & Partners and Moody Nolan, will be raised up 13 feet off the ground in order to protect against flooding and sea level rise. The elevated structure created the opportunity for a plaza below the building where Hood is designing a landscape of crushed shells that refer to the sea floor.
Within this plane, Hood has etched forms of slaves who were chained head to toe together in galley ships that crossed the Atlantic. The corpses are marked with shells, in reference to the unknown many who perished on the journey and rest at the bottom of the ocean.
Surrounding the building are a series of gardens that include sweetgrass, which has been used by the Gullah community of the low country of the Carolinas to make artful baskets for centuries; rice fields, which highlight the role of Carolina Gold rice farming in the history of the region; and African ethno-botanical gardens, which will include a rotating display of plants with medicinal and other healing benefits.
Two walls will provide frames for sculptures of “rice negroes” who worked in the fields of the Carolinas. “They are reflective figures, who appear trapped,” Hood said.
During a Q&A session, moderator Maisie Hughes, ASLA, a co-founder of The Urban Studio, argued that emancipation isn’t often viewed as worthy of memorializing. She wondered why some events are memorialized and not others.
Hood said that W.J.T. Mitchell, a professor of English and Art History at the University of Chicago, argues that “landscapes are fictions.” Institutions and communities design landscapes to create certain narratives, and this has occurred throughout history.
In ancient Egypt, one side of the Nile River represented death while the other bank represented life. In the Taos pueblo community, children lived on side of a river until they were old enough to cross over to the other side. Landscape use symbols to tell stories and create identities.
“The problem is that we are too often subjected to someone else’s narratives. Colonialism created its own fictions that were told to us. It’s fine if you want to have that story, but don’t subject me to that.” Too many communities have “never had an opportunity to own space, create their own narratives, and articulate differences.” Hood has set out to change that.
Moving the Workplace Outdoors — 03/29/21, Metropolis
“‘There is an increased value of outdoor space as a result of the pandemic,’ said Zan Stewart, associate principal landscape architecture, Perkins&Will. ‘Central Park in New York and the grand boulevards of Paris both emerged from pandemics. Our teams can be happier, healthier and more productive with access to nature.'”
Rooted in St. Louis: The Creation of a Campus Forest — 03/29/21, Student Life: The Independent Newspaper of the Washington University in St. Louis “The diversity on campus speaks for itself––it is a testament to great landscape design that you do not notice all the work and planning that went into it. Yet the design behind the campus landscape, and its hidden mechanics, are as impressive as the results.”
WXY Reveals a Sustainable Master Plan for Downtown Davenport, Iowa — 03/16/21, The Architect’s Newspaper
“The Downtown Davenport Partnership (DDP) commissioned the New York-based WXY, Chicago real estate consultants SB Friedman Development Advisors, and New York City engineers Sam Schwartz Engineering to draw up a path toward downtown resiliency that would also spur economic development.”
19th century sanitation engineer George E. Waring, Jr. was a miasmaist. He believed in the miasma theory, which holds that toxic vapors emanated from damp soil, rotted vegetation, and pools of standing water. These toxic vapors were understood to be created by the Earth and interact with the atmosphere and cause disease in American cities.
According to Catherine Seavitt Nordenson, ASLA, a professor of landscape architecture at the Bernard & Anne Spitzer School of Architecture at the City College of New York, Waring was a “marginal figure,” but he had interesting ideas about how to “modify the climate to improve health.” In a virtual lecture hosted by the Harvard Graduate School of Design, Seavitt Nordenson said Waring was incorrect about the mechanisms for spreading disease — he didn’t understand the concept of vectors, like mosquitoes — but his drainage and sanitation solutions were “surprisingly successful.” A year into the coronavirus pandemic, it’s worth revisiting Waring’s ideas about the connections between the Earth, atmosphere, disease — and the maintenance of public spaces.
Waring wrote numerous books, created the drainage plan for Central Park, and later became an influential sanitation commissioner of New York City. Born in Pound Ridge, New York, in 1833, he studied agricultural chemistry. In his early 20s, he wrote a book on scientific farming that explored “atmospheric and molecular matter, the interchange of Earth and air,” Seavitt Nordenson explained. He called for “mechanical cultivation to reduce water in soil” through the use of “thorough under draining, deep disturbance of the soil, and trenches.”
Because of this book, he was later hired by former U.S. presidential candidate Horace Greeley to create a drainage system for his farm in Chappaqua, New York. At his estate, Waring created an elaborate herringbone-patterned drainage system that directed water to streams, with the goal of improving the marshy soil for farming, but he would soon also use for eradicating imagined wet soil-borne disease.
Later, in 1857, Waring apprenticed as a drainage engineer with Egbert L. Viele, who had previously created a comprehensive survey and study of Manhattan, examining the marsh, meadow, and constructed lands of the island. The study included the land that would make up the future Central Park, a land that had been home to the freed Black community of Seneca Village, which was later cleared by the city government to make way for the park. Waring’s early drainage studies of Manhattan informed the many entries submitted as part of a design competition for the new Central Park.
In 1858, Waring was promoted to drainage engineer by landscape architect Frederick Law Olmsted and architect Calvert Vaux, who won the design competition for Central Park. Waring created an elaborate drainage system for the park landscape, which included low-lying wetlands. Waring had found favor with Olmsted. “Olmsted too was a miasmaist. Draining the park was framed as disease suppression.”
Considered the largest drainage project of his time, Waring designed a comprehensive system that directed water to constructed lakes and reservoirs. By 1859, the lower part of the park had been drained through a series of ceramic tubes buried deep into the soil that piped water directly to streams and ponds. “There was a mechanical movement to the low points,” where water would flow to.
With the onset of the Civil War in 1861, Olmsted left his position at Central Park and became executive secretary of the U.S. Sanitary Commission, where he was charged with reducing the death rate from disease for 8,000 sick and wounded soldiers. Olmsted created field hospitals in places he thought free of dangerous miasmas. Meanwhile, Waring resigned from Central Park work to become a major and lead cavalry in the Civil War.
After the Civil War and the publication of his book Drainage for Profit, Drainage for Health, Waring took up a post in Memphis, Tennessee, a city that had suffered severe epidemics of cholera and yellow fever, killing some 5,000 people in 1878 alone. While Waring didn’t understand the mosquito was a key disease vector, his plan for attacking standing water in building basements and streets had a positive effect on reducing disease. His comprehensive plan to separate the conveyance of stormwater and sewage, which was eventually implemented by the city, ended the health crisis.
Upon returning to New York City as sanitation commissioner, Waring applied his miasma theory to cleaning up the streets of the city. At the time, horses were leaving millions of pounds of manure and urine on the streets each day. Horse corpses were also left to rot. Garbage piles ran feet-deep and were cleared by ad hoc groups of unemployed.
Seavitt Nordenson thinks Waring elevated street cleaning and maintenance into a “performance,” targeting garbage as contributing to disease and declining morals. Taking a “militaristic approach,” he hired an army of sanitation workers that he dressed in all white. Nicknamed the “white wings,” they were given hand carts and brooms and also took on snow removal.
Waring would lead parades on horseback, with thousands of sanitation workers in army formation marching down the street. “It was a triumph of sanitation.”
After leaving the sanitation department of New York, Waring was dispatched to Havana, Cuba, by President McKinley to help solve their yellow fever epidemic. Until 1902, the U.S. had a colonial presence in Cuba, and American soldiers were dying of disease. While establishing Havana’s department of street cleaning, Waring contracted yellow fever from a mosquito. A day after his return to New York, he died, his remains quarantined on an island in New York Harbor.
Seavitt Nordenson said the legacy of miasmaists like Waring and Olmsted is the public health focus on the air — the intermixing of atmosphere and Earth. While Waring was a “brilliant failure” in terms of his scientific theories, a “great mind but incorrect,” Seavitt Nordenson also wondered: was he right?
During the pandemic, everyone has become a miasmaist to a degree, imagining the invisible droplets we know are floating in the air.
Seavitt Nordenson is currently completing a book on this topic with the University of Texas Press, with support from the Graham Foundation and the Foundation for Landscape Studies.
Hirshhorn Museum Is Close to Finalizing Hiroshi Sugimoto’s Garden Revamp — 03/12/21, The Architect’s Newspaper
“Sugimoto’s design will be only the second comprehensive update of the Washington, D.C. museum’s Gordon Bunshaft-designed campus, which debuted in 1974. Bunshaft’s garden, as well as its extensive 1981 renovation, was influenced by Japanese landscape architecture and garden design.”
The New Trend in Home Gardens—Landscaping to Calm Anxiety — 03/12/21, The Wall Street Journal
“Loud hues don’t cultivate serenity. ‘Reds, oranges and yellow are hot colors that stir passion,’ said New York landscape architect Edmund Hollander, who recommends mining the other end of the spectrum for tranquility. ‘The gradation of blues into greens is almost the colors of a stream, with whites and creams representing movement, if you will.'”
The Hirshhorn Sculpture Garden Redesign: Paving Paradise — 03/11/21, The Wall Street Journal
“The Hirshhorn Museum’s Sculpture Garden in Washington is nearly perfect; of course, it must be destroyed. This is the paradox of landscape architecture: The more sensitive and subtle the garden, the more invisible it is—even to its custodians. At a certain point they can mistake it for an opportunity to exploit rather than a sacred trust to protect.”
The Bike Boom Is Real, Says New Mode Share Data — 03/05/21, Greater Greater Washington
“Since 2007, the share of people in the Washington region who ride bikes has gone up, while driving and riding transit have dropped, according to a gigantic once-per-decade report.”
What About Jane? – 03/03/21, Urban Omnibus
“Jacobs’ legacy is divided. On the one hand she should be seen as an analyst of gentrification, not simply a harbinger of its ill effects. But she also treats with kid gloves the social phenomenon that has made gentrification such an urgent topic today: race.”
AARP is once again offering its Community Challenge Grants, which range from a few hundred dollars up to tens of thousands, to non-profit organizations and local governments. AARP seeks to fund permanent or temporary small-scale projects that can be designed and implemented in just a few months. This year, the focus is on projects that support community equity, diversity, and inclusion efforts.
Landscape architects and designers, please take note: AARP is prioritizing projects that “improve open spaces, parks, and access to other amenities; and deliver a range of transportation and mobility options that increase connectivity, walkability, bikeability, wayfinding, access to transportation options, and roadway improvements.” They are also interested in projects that support community recovery from the coronavirus pandemic.
Since 2017, AARP’s program has awarded 560 grants totaling $6.1 million, which have resulted in rapid-fire actions that improve community livability for all ages — not just older adults. 60 percent of grants have gone to 501(c)(3), 501(c)(4), and 501(c)(6) nonprofits, and the rest to local governments. 42 percent of grants have gone to urban communities, 38 percent to rural areas, and 20 percent to suburban areas.
According to AARP, 45 percent of grants have had a catalytic impact, helping grantees gain additional funds and support from public and private organizations. And 81 percent of grants helped grantees “overcome policy barriers and advance change.”
ASLA’s Smart Policies for a Changing Climate Online Exhibition demonstrates how landscape architects are designing smart solutions to climate impacts, such as flooding, extreme heat, drought, and sea level rise. 10 new projects added to the exhibition exemplify best practice approaches to landscape architecture in the era of climate change.
The projects include a mix of landscape-based and often nature-based solutions across the U.S., which range in scale from residential and school landscapes to master plans for entire cities and counties. There is also a focus on projects that address climate injustices and meet the needs of historically-marginalized and underserved communities.
“The projects clearly show how landscape architects can help all kinds of communities reduce their risk to increasingly severe climate impacts. Landscape architects design with nature, which leads to more resilient solutions that also improve community health, safety, and well-being over the long-term,” said Torey Carter-Conneen, ASLA CEO
With the new projects, which were selected with ASLA’s Climate Action Committee, there are now a total of 30 projects featured in the online exhibition. Each project was selected to illustrate policy recommendations outlined in the 2017 report produced by ASLA’s Blue Ribbon Panel on Climate Change & Resilience.
Being solely dependent on cars increases communities’ risks to climate impacts. Through the 815-mile Cuyahoga Greenways Framework Plan created by landscape architects and planners at SmithGroup, some 59 communities will have healthier and more resilient transportation connections to downtown Cleveland, Lake Erie, and each other.
Too few schools offer educational green spaces that can spark children’s appreciation for nature, which is critical to helping them become future Earth stewards. Jane Tesner Kleiner, ASLA, with nature+play designs partnered with school leaders, students, and volunteers to design native plant gardens, meadows, and tree groves that create environmental education opportunities; support pollinators, such as butterflies, bees, and birds; and also manage stormwater.
By 2012, more than 50 percent of the tree canopy of the Houston Arboretum and Nature Center had been lost due to drought and hurricanes made more severe by climate change. By removing trees and restoring the original prairie, savannah, and woodland ecosystems found at the Arboretum, landscape architects with Design Workshop and Reed Hilderbrand designed a landscape naturally resilient to future climate shocks.
Historically marginalized and underserved communities, like those found in the South Side of Chicago, are disproportionally affected by climate impacts such as flooding. Through the Space to Grow program, a flooded asphalt schoolyard at the John W. Cook Academy, an elementary school on the South Side, was redesigned by landscape architects at site design group, ltd (site) to become a green learning and play space that captures stormwater.
Through their research capabilities and campus infrastructure, universities and schools can also help solve the climate crisis. For the Kendeda Building for Innovative Sustainable Design at the Georgia Institute of Technology in Atlanta, Georgia, landscape architects with Andropogon integrated an innovative water management system that captures and reuses 100 percent of stormwater runoff from the building and also cleanses and reuses building greywater in the ecological landscape.
Orange County, California | Jodie Cook Design, Inc.
Climate change has severely reduced the availability of fresh water in arid Western states. Turf lawns require vast amounts of water to maintain and also provide no habitat for native plant and animal species. Through NatureScape, an innovative program in Orange County, California, Jodie Cook, ASLA, helped homeowners transform their turf front yards into water-saving native plant gardens that can sustain a range of native bird, bee, and butterfly species.
Climate change is making communities’ struggles with aging combined sewer systems, which carry both sewage from buildings and stormwater from streets, even worse. With more frequent extreme weather events, these systems now more often overflow, causing untreated sewage to enter water bodies. Rain Check 2.0, an innovative program in Buffalo, New York, led by landscape architect Kevin Meindl, ASLA, offers grants to private landowners to capture stormwater through trees, rain gardens, green roofs and streets.
Historically marginalized and underserved communities, like those in the South Bronx in New York City, experience higher than average heat risks because they typically have fewer parks and recreational spaces. The lack of safe and convenient pedestrian and bicycle access to nearby green spaces exacerbates the problem. Working with two community groups and the New York City government, landscape architects with MNLA designed the Randall’s Island Connector, a ¼-mile-long multi-modal path underneath an Amtrak freight line.
Sapwi Trails Community Park
Thousand Oaks, California | Conejo Recreation & Park District and RRM Design Group (consulting landscape architects)
In drought-stricken Western states, climate change has added stress to increasingly fragile ecosystems. Instead of moving forward with an earlier plan that could have damaged the Lang Creek ecosystem, planners and landscape architects at the Conejo Recreation & Park District and RRM Design Group designed the Sapwi Trails Community Park to be a model for how to preserve ecological systems while improving access and dramatically reducing water use.
Climate change and environmentally-insensitive development in the Pacific Northwest are exacerbating negative impacts on salmon. Grassroots environmental organizations sought to daylight the piped Thornton Creek. A new water quality channel was designed by landscape architects at MIG to clean stormwater runoff from 680 surrounding acres before the water flows into the South Fork of the salmon-bearing Thornton Creek.
New projects were submitted by ASLA members through an open call ASLA released in 2019. In partnership with the ASLA Climate Action Committee, projects were selected to represent a range of U.S. regions, scales (from residential to county-wide master plans), and firm types.
In 2017, ASLA convened a Blue Ribbon Panel on Climate Change & Resilience, which resulted in a report: Smart Policies for a Changing Climate and a series of lectures and educational sessions at built environment conferences. In 2019, an exhibition outlining 20 cases that exemplify the policy goals outlined in the report opened at the ASLA Center for Landscape Architecture in Washington, D.C., and a companion website was launched.
The exhibition was funded in part by a grant from the National Endowment for the Arts (NEA).