In Detroit, twelve arts, cultural, and educational institutions are clustered together geographically, but have failed to form a unified district, a true destination. The Detroit Institute of Arts (DIA) and the Midtown Detroit Inc, hope that a new central public space around the DIA and a broader urban design to boost connectivity and accessibility can change that. In an attempt to create a coherent, inclusive, accessible, and sustainable district that can attract both residents and tourists, DIA and Midtown launched an international design competition last year, which has since yielded three finalists that presented to some 200 local residents at the DIA last week.
More than 40 submissions from 10 countries were narrowed down to eight finalists. And now it’s down to three interdisciplinary teams led by landscape architecture firms: Agence Ter from Paris, France; Mikyoung Kim Design from Boston, Massachusetts; and TEN x TEN, which is based in Minneapolis, Minnesota.
According to the DIA and Midtown Detroit, Inc, who worked with the twelve educational and cultural institutions, the finalists’ proposals are the result of a year of input from committees and residents, which participated through 40 public engagement sessions.
Finalists presented to the competition jury at the DIA, which includes Salvador Salort-Pons, president of the DIA; Maurice Cox, Detroit’s planning director; and landscape architect Julie Bargmann, ASLA, founder of D.I.R.T. Studio.
All the teams seek to shrink down the width of boulevards; remove parking; add event spaces, cafes, and public art installations; and vastly expand public green space. The new designs could be the National Mall of Detroit or a lush, interactive university campus. The design teams seek to bring people in from around the Detroit and the suburbs and keep them there, engaged, enlightened, and entertained year-round.
The Agence Ter team offered meandering paths through forested and planted areas, with experimental event spaces for local artists and public art installations that speak to Detroit’s unique history.
The Mikyoung Kim Design team envisioned a verdant space, with a central lawn that can host events, as well as an outdoor movie screen, cafe, playground, and maze garden that converts into an ice rink in winter.
And the TEN x TEN team proposed a more angular, contemporary design, with green space but also “fog gardens,” an “exploratorium,” and interactive light graffiti wall.
An exhibition of the proposals is on view at the DIA until April 1. The winning proposal will be announced by the end of April.
This incredible investment in raising Detroit’s profile as a cultural mecca can only help this city get back on its feet after years of disinvestment and near bankruptcy. Only a few years ago, the city seriously considered selling off the amazing art at the DIA to pay down debt. The message of this project is inclusive cultural and ecological revitalization is the new way to do urban revitalization.
The inventive folks behind the Land Art Generator Initiative (LAGI) seek to make renewable energy beautiful. They want to integrate clean power sources into public art and the broader public realm, sending a powerful civic signal — that we can achieve a more sustainable commons and world.
For their competition this year, LAGI seeks a work of energy-producing art for a site within Masdar City, Abu Dhabi, a planned community designed by Foster and Partners in the United Arab Emirates. Masdar City is expected to be completed by 2025 and become home to some 50,000 people and 1,500 clean-tech and sustainable businesses.
According to LAGI, Masdar is the Arabic word for “source” — and in this case, refers to the sun, the source of power for the ambitious development. The city plans to get most of its energy from nearby solar facilities, which are being built with specialized solar panels that can survive sand storms. Masdar will also recycle some 80 percent of its water.
Another competition worth checking out: Gauja National Park, the largest national park in Latvia at some 917 square kilometers, seeks a new footbridge, a symbolic gateway to mark the park’s 45th anniversary. First place winners will receive $3,000. No professional qualifications are required. Submissions are due June 11, 2019.
For thousands of years, humans have purposefully immersed themselves in forests in order to revitalize their spiritual, mental, and physical health. But in 1982, Tomohide Akiyama, director of Japan’s forestry agency, put a name to this, coining the term shinrin yoku, which can be translated as forest bathing. Since then, interest in the practice has skyrocketed among both the public and scientific researchers. And last year, forest bathing may have hit a tipping point, with four books published around the world on this natural therapeutic approach. Forest bathing seems poised to go global, as interest expands beyond Japan into South Korea, the rest of Asia, and throughout the West.
In Shinrin Yoku, The Japanese Art of Forest Bathing, Yoshifumi Miyazaki — who is a professor at the Chiba University center for environment, health, and field sciences; coiner of the term “forest therapy;” and one of the first to conduct scientific research on the health benefits of forest immersion — we have the original Japanese take on the practice.
In Japan, forest bathing and the more-regimented, often multi-day practice of forest therapy are mainstream. Companies regularly send their employees to forests to restore themselves. And Japanese go on therapeutic vacations to some of the most well-known sites of natural beauty. Today, there are some 60 official forest therapy trails, designated for the practice of shinrin yoku by the Forest Therapy Society. And there are a growing number of doctors who are certified to practice forest medicine.
Over the course of human evolution, we have spent 99.99 percent of our development in natural environments. It’s only very recently that we have, as a species, moved into dense urban areas. According to Miyazaki, this has resulted in major health issues. “We are over-stimulated and stressed by today’s man-made world, and that makes our bodies more susceptible to disease.” For him, “it’s not surprising that attention is turning to shinrin yoku as an example of a natural and low-cost way to alleviate this problem.”
In 1990, Miyazaki conducted some of the first experiments to examine the physiological effects of forest bathing on the Japanese island of Yakashima. The study had limited value because then only saliva samples measuring cortisol levels were used. Since 2000, though, the science “moved on,” yielding new ways to measure brain activity and autonomous nervous activity, “both good indicators of the level of stress in the human body.” Over the past 10-15 years, data on the benefits of forest bathing has accumulated.
Miyazaki does an excellent job of clearly communicating the dangers of stress and how forest therapy helps reduce its impacts.
Our over-stimulated urban lifestyles leads to chronic stress, which is exacerbated by “technostress,” the unique stress caused by our fixation on smart phones, twitter feeds, and Netflix accounts.
According to Miyazaki, stress causes illness such as the common cold; back, neck, and shoulder pain; slower healing; weight gain and loss, sleep dysfunction; depression; dysautonomia (autonomic nervous disorder); irritable bowel syndrome; ulcers and stomach problems; heart diseases; and increased cancer risks.
Forest therapy increases physiological relaxation, boosting our immune system and undoing the damaging effects of stress.
The benefits of forest therapy measured by Mizayaki and others include:
“Improvement of weakened immunity, with an increase in the count of killer (NK) cells, which are known to fight tumors and infections.
Increased relaxation of the body due to increased activity in the parasympathetic nervous system activity.
Reduction in blood pressure after only 15 minutes of forest therapy.
Reduced feelings of stress and a general sense of well-being.
Reduction in blood pressure after 1 day of forest therapy, which lasts up to 5 days after therapy.”
On a deeper level, Miyazaki believes we experience these benefits when we de-synchronize with technology and the stressful pace of urban living and re-synchronize with the natural rhythms we have evolved with. Over seven million years of human evolution, “we have lived amid nature and our bodies have adapted to that nature.”
In Japan, there is a deep connection with nature. From the country-wide festivals under the beautiful, ephemeral cherry blossoms to the prayers left at the base of honored tree specimens, Japanese live with nature, as opposed to admiring it as the other. People and the natural world co-exist in a country still covered in nearly 70 percent forest. It makes sense then that the Japanese government invested greatly in research on forest therapy, some $4.3 million since 2004.
One study was conducted in 63 forests across Japan, using some 756 subjects, who were split into 6 groups in different regions. Within each group, half went to urban areas and half were sent to forested areas. Subjects were asked to walk slowly through an urban or forested environment for 15 minutes in the morning, and then just sit and look at the view for 15 minutes in the afternoon. Their autonomic nervous activity, pulse rate, blood pressure, cortisol levels were measured, and they were asked questions about how they felt. The study proved that “during forest therapy, the body experiences physiological relaxation.” And subjects in the forested areas reported an increased feeling of comfort, calm, and refreshment; an improvement in their emotional state; and reduction in anxiety.
Other studies in Japan showed that a forest therapy session reduced blood pressure among men with high blood pressure and office workers; calmed pre-frontal brain activity; and among mature women, reduced stress levels. Furthermore, if a forest isn’t accessible, spending time in a large urban park, looking at ornamental house plants, flower arrangements, or bonsai trees, or smelling wood also relaxes the body.
The book is also worthwhile as a guide to shinrin yoku on your own. Miyazaki explains how to walk mindfully in the forest, feeling the forest floor, taking in the sounds and smells, or closely studying a tree. For a therapeutic boost, he recommends meditating, stretching, or sketching in a forest.
Other notable forest bathing books published in the past year:
The International Space Station circles our planet 15.5 times per day at a speed of 17,000 miles per hour. Through a compilation of high-resolution time lapse video taken by NASA astronauts on the station, Philadelphia-based videographer Bruce W. Berry Jr. has created a mesmerizing tour of the Earth.
Rivers spread like veins through the landscape. Weather patterns churn with visceral power over snow-covered mountains. As night falls on the surface, tightly-packed cities light up like beacons. Above, aurorae dance across the stratosphere.
At the end of the video, the thin yellow line demarking the outer edge of the Earth’s atmosphere — which is actually “light emissions caused by chemical reactions of oxygen, sodium, ozone, and nitrogen” — slides into view.
With the help of an epic soundtrack — a piece called Journey to the Line by Hans Zimmer — Berry has created a dramatic journey over the surface of our planet, which appears like a single living organism. An Earthrisefor the video age.
If you are interested in knowing what landscapes were filmed, Berry provides a list of places captured from the space station.
As we look forward to covering new stories on the built and natural environments this year, here’s a look back at the 10 most popular DIRT posts of 2018. Readers were most interested in the debate over whether beauty still matters in an age dominated by science; how the practice of landscape architecture is evolving to deal with climate change and increasingly diverse communities; how urban sprawl is impacting biodiversity; and the interesting relationship between landscape architecture and retail. As in past years, new research on the health benefits of nature remains a favorite topic.
Always worth mentioning: We are looking for original op-eds, particularly from member landscape architects, designers, and planners, on topics that inspire you. And tell us about your new projects and research. Please email us at email@example.com.
Kicking off a two-day planting symposium at the University of California at Berkeley, professor emeritus Marc Treib posed the question: Is there still a place for the “art of landscape design” in an age “dominated by the science of landscape ecology?” Planting design is often brushed aside as superfluous or unserious. British historian and critic Tim Richardson reminded the audience of the litany of unfavorable adjectives associated with artful planting: the bourgeois, the small-scale, the amateur, the hobbyist, the ephemeral, the female.
If you are looking for a unique book to give as a gift or just one for yourself to delve into over the winter break, explore THE DIRT’s top 10 books of 2018, our picks for the best on the environment, cities, and landscape.
Instead of simply responding to catastrophe, Boston is getting out front on climate change. As part of its Climate Ready Boston plan, the city of 670,000 aims to act fast and protect two coastal neighborhoods most vulnerable to rising sea levels and storms: East Boston and Charlestown. New plans for these neighborhoods explain how a simple fix like creating a temporary flood wall at the coastal end of the East Boston Greenway, at a cost of just $100,000, would protect 4,300 residents, 70 businesses and critical infrastructure, and result in $17 million in benefits.
When a neighborhood floods, who is at fault? A class action lawsuit in Houston asks that question. The residents of a master-planned community that flooded during Hurricane Harvey are suing the engineering firm that designed the neighborhood’s stormwater management system. While that suit targets engineers, it nonetheless represents the heightened risk landscape architects face from climate impacts on their projects.
Cities are sitting on a largely underused public resource: urban stormwater wetlands. If properly designed, these landscapes can reduce flooding, support urban wildlife, and serve as public space. A new report Design Guidelines for Urban Stormwater Wetlands — authored by an interdisciplinary group of researchers and students at the MIT Norman B. Leventhal Center for Advanced Urbanism led by Celina Balderas Guzmán, Heidi Nepf, and Alan Berger — advocates for the positive role wetlands can play in cities and outlines research that provides insights for landscape architects, engineers, and planners.
Neurosurgeon Edie Zusman, a real-life Doogie Howser who started medical school at 19 and has completed some 6,000 brain and spinal surgeries, said what landscape architects do saves far more lives than what she does. The early prevention of disease reduces the need for surgeries. Prevention is made possible by eating healthy foods and walking and getting exercise in green environments that lower stress and improve well-being.
Trees are really essential for a competitive shopping district. There was a study by Kathleen Wolfe that indicated trees increase price elasticity by 9-12 percent. In other words, people feel comfortable paying up to twelve percent more for the same product if they purchase in a well-landscaped place with nice streets. Also, when properly located, street trees keep people in the downtown district longer. They feel more relaxed and are more likely to spend more money.
Participatory design is “hands-on democracy in action,” argue the editors of the impressive new book Design as Democracy: Techniques for Collective Creativity. Participatory design (also known as cooperative or co-design) is a process in which a designer actively involves all stakeholders in a design process. Unfortunately, many of the best-known techniques to enable this approach, which have been used for the past few decades, have become stale. This has led to complacency among designers, and less-than-ideal outcomes for communities that need their help. To revitalize the approach and achieve better results, the authors call for making participatory design “truly democratic.” Furthermore, it must become “contextual, open, experiential, substantive, and holistic.”
We experience “soft fascination” with nature when we sit on a park bench and let our mind wander, taking in the trees and flowers, noticing birds and squirrels, feeling the breeze. This gentle decompression in nature is actually critical to helping us restore our ability to pay attention. We need breaks where our minds can just go slack and subconsciously take in the complexity of the natural world. Researchers are still trying to figure out the ideal “dose” of this green medicine, but benefits have been seen with just 10 minutes.
During the latest United Nations climate conference, which just concluded in Katowice, Poland, some 190 countries reached agreement on next steps to move forward the landmark 2015 Paris climate agreement. After days of intense negotiation, countries agreed to a “rule book” for measuring their annual carbon emissions, including transparency guidelines that enable all countries to understand how emissions numbers and future commitments are calculated.
The Paris climate agreement calls for limiting the rise in global temperatures to no more than 2 degrees Celsius (3.6 degrees Fahrenheit). The framework essentially asks countries to make voluntary agreements to lower their emissions and uses global peer pressure to spur them to ratchet up their commitments every five years. The new system for measuring and communicating these reductions provides a platform for greater future commitments.
However, there were also some failures at the conference. According to The Guardian, disagreements over the future of carbon markets and “how countries can gain credits for their efforts to cut emissions and their carbon sinks, such as forests” were punted down the road. Brazil was seen as a spoiler on this effort, because their new leadership demanded “wording that critics said would allow for double counting of credits and undermine the integrity of the system.”
Brazil recently-elected Jair Bolsonaro, a right-wing leader who has promised to shut down Brazil’s environment ministry. He has come out against Brazil’s previous pledges to reserve 12 percent of the Amazon — a vitally-important rainforest that serves as the world’s lungs — for indigenous groups. He instead seeks to build highways through the forest, creating easier access for agri-businesses, and also build more dams. Bolsonaro has called the global scientific consensus on climate change “dogma” that ignores “evidence,” using language similar to that of US President Donal Trump, who has called global warming a “hoax” or “con-job.” Bolsonaro has also pulled out of hosting the next UN climate summit, all but erasing the moral leadership on climate change just exhibited in the Rio Olympics in 2016. And Brazil’s new foreign minister Ernesto Araújo recently said climate change is a “Marxist plot” by the Chinese to increase their competitiveness at the expense of Western economies.
The World Bank announced it will invest some $200 billion in climate change mitigation and adaptation through 2025. The funds will go towards boosting renewable energy production, helping 100 cities adapt to climate change, creating early warning systems for climate impacts, and improving “landscape management” of 120 million hectares of forests in 50 countries.
Some 415 investors managing $32 trillion in assets called on nations at the UN climate change conference to “achieve the goals of the Paris climate agreement; accelerate private sector investment in the low-carbon transition; and continue to improve climate-related financial reporting.”
A new study published in Science Advances found that natural solutions, including rural and urban reforestation, better forest and grassland management, and wetland and peatland restoration, could reduce US annual carbon emissions by 21 percent, an amount approximately equal to taking all cars off the road.
Thirteen federal agencies in the U.S. released the Fourth National Climate Assessment, which states that climate change could reduce US economic output by 10 percent by the end of the century if emissions aren’t cut fast. In comparison with the third report published four years ago, the new assessment concludes that total impacts from wildfires, drought, flooding, extreme heat, sea level rise, and spreading tropical diseases will be more severe and widespread. According to an analysis of the 1,600-page report by The New York Times, the report puts actual numbers on the expected cost of the coming impacts: “$141 billion from heat-related deaths, $118 billion from sea level rise, and $32 billion from infrastructure damage by the end of the century.” Additional frightening conclusions: “American exports and supply chains could be disrupted, agricultural yields could fall to 1980s levels by mid century, and fire season could spread to the Southeast.”
The report, which was released by the Trump administration on Black Friday in an likely effort to bury the findings amid the holiday shopping spree, calls for putting a price on carbon, taxing companies that release carbon emissions, and increasing investment in clean energy technologies. The fourth national assessment also makes the case for increasing “proactive” adaptation measures at all scales — from the community to national levels — and incorporating equity, justice, cultural heritage, health, and national security considerations into these approaches. But while the number of adaptation projects has greatly increased since the launch of the third national assessment in 2014, “adaptation implementation is still not commonplace.”
Mount Umunhum, the third largest peak in the Bay Area, has long been sacred to the Amah Mutsun tribe. Its peak is central to their origin story. And for many years, the tribe would form a ceremonial circle there and stomp their feet as hard as they could so that creator would hear.
In the 1950s, the US Air Force purchased the top of the mountain, terraced it, and built an early warning radar station that included some 80 structures, such as a swimming pool and bowling alley. From the late 1950s up unti 1980, when the base closed, the station was off-limits to the tribe and all other visitors. Then in 1986, the Midpeninsula Regional Open Space District (Midpen) purchased the land with the goal of restoring the landscape as a spiritual home for the Amah Mutsun.
After spending millions to remove asbestos, machinery oils, and lead paint from the site — and taking down all structures save the radar tower — Midpen reached out to landscape architecture and environmental planning firm Restoration Design Group (RDG) to make this spiritual place both physically and culturally accessible. Over seven years, RDG landscape architects Bob Birkeland, ASLA, Peter Rohan, ASLA, and planner Rich Walkling collaborated with the Amah Mutsun tribe to realize their shared vision. A new Mount Umunhum opened in late 2017 after many years and a $14 million investment.
In a phone interview, Walkling said RDG organized a half-day design charrette with the tribe to plan and design the spiritual revitalization. The tribe not only guided the placement and size of the ceremonial circle, but also its connections to the greater world and its materials.
“They needed to know where the four cardinal directions were, so we put in gaps in the seat walls” to indicate north, south, east, west. The tribe needed to enter the circle from the east, so the access trail to the space was set on the east side. And because the tribe stomps on the ground with their bare feet, the base of the circle was formed of a softer natural substrate.
Beyond bringing the circle back to the peak, RDG also started the process of ecological restoration of the multi-acre peak landscape, which is found within a “coastal influence zone.” Walkling said this has been tricky because “there are not a lot of reference conditions; it’s now much different from its natural state.” RDG worked with a botanist to create multiple restoration patches to see which plants would survive in a place that “receives up to nine inches of rain in a day, 100-mile-an-hour winds, snow, fog, and pounding sun.”
Walkling said the whole process “was very rewarding for the tribe — it’s a process of healing for them.” But perhaps with one caveat: the radar tower, which some groups fought hard to preserve, remains a potent reminder of the place’s military history as well.
Still, after being scattered for so long, the tribe has now been able to “reconstitute, re-ground itself” in its restored home.
In the wonderful video at top, tribal chairman Valentin Lopez explains why it’s so important to restore the greater ecosystem of the peak landscape. “We must heal mother earth — people, plants, wildlife, rivers, fog, rocks, the shadows. They are all alive. There is a responsibility to take care of them all.”
And he has an important message for other communities seeking reconciliation with the past: “Every inch of land was once indigenous land. Get to know whose land you are on. Say a prayer for them. Get to know them.”
Drones can do much more than take pretty aerial pictures. Unmanned aerial vehicles (UAV) can be used to analyze site conditions over time, offering a deeper understanding of change. Drones can also play a role in actually planning and designing landscapes.
Sherwin provided a brief overview of drones. In the early 1900s, the inventor Nikola Tesla envisioned a “wireless unmanned aerial system.” In the 1940s, a “crude unmanned drone” was developed. Later in the 1960s, radio-controlled planes became a favorite of hobbyists around the globe. In 1995, the US military unleashed the missile-armed predator drone — a true “leap in technology.” In 2006, the US government devised the first flight guidelines for drone pilots, known as Rule 107. And then a year later, the launch of the iPhone led to the birth of an app-guided drone. And in 2013, the Phantom One drone, featuring sensors linked to GoPro cameras, was released.
To test one of the latest drones with cameras and sensors, Sherwin found a spot at Lundy Lake, just south of Lake Tahoe in California. Sherwin wanted to use the drone to better understand how the tree canopy was shifting with climate change. The drone covered the same flight path a number of times, providing high-quality footage at a 1-meter resolution, which is better than aerial satellites. Sherwin mapped a patch of landscape, including individual tree species and the under story, creating a rich, data-dense photogrammetry. And over time, the photogrammetry was able to show “where change was occurring.”
That is until we was arrested for trespassing and his drone was confiscated. Sherwin had used an app called AVMap, which is supposed to let drone pilots know where it is legal to fly. But the data hadn’t been updated. The result: “my research is on hold. No word yet on a permit.” But he was able to get his drone back. That was the first tip in the session: don’t get arrested.
Brett Milligan, one of the founders of the Dredge Research Collaborative, is using drones to aid the ecological restoration of dunes in the Antioch shoreline, along the San Joaquin River in California. Plants are being grown in the dunes to prevent further erosion. He used drones to monitor the rate of re-colonization by the vegetation, creating a point-cloud or photogrammetry model. He put in a set of “ground control points” — stakes tied with a bright orange material in the dunes — that serve as static reference points in a changing dune landscape. Once he got the video data he was hoping for, he and his students used that to “model results with physical CNC models in wind tunnels,” so as to try to create a more accurate model for how wind impacts dune restoration. Milligan said drones “add new value to field work. The drone draws you in; it doesn’t distance you.”
For Luke Hegeman, a landscape architect and Federal Aviation Administration (FAA)-certified UAV pilot, drones are a “design tool.”
Hegeman said drones can help create powerful mixed media experiences that help “visualize potential future outcomes.” He envisioned combining drone video feeds with visualized data from network of sensors buried in the ground. Running simulations, vast landscapes could be designed with real-time information.
And Emily Schlickman with SWA Group explained how her firm’s XL Research and Innovation Lab uses drones for a variety of purposes. UAVs have been used to gather information and document conditions before planning and design process have begun. Drones were also used to survey site damage to Buffalo Bayou park in Houston in the wake of Hurricane Harvey, which dumped 40 inches of rain in four days. In that case, the drone was crucial, because surveying the site, which was largely inaccessible after the floods, would have been unsafe. And drones have been used by SWA to monitor construction progress.
Algorithms programming machine learning systems track the movement of people through the site. And heat maps show where people congregate throughout the day. “It’s a taste of what this technology is capable of.”
The American Society of Landscape Architects (ASLA) is now accepting entries for its 2019 Professional and Student Awards, the world’s most prestigious juried landscape architecture competition.
Each year, the ASLA Professional Awards honor the best in landscape architecture from around the globe, while the ASLA Student Awards give us a glimpse into the future of the profession.
Award recipients receive featured coverage in Landscape Architecture Magazine, the magazine of ASLA, and in many other design and construction industry and general interest media. ASLA will honor the award recipients, their clients, and advisors at the awards presentation ceremony during the 2019 ASLA Conference on Landscape Architecture in San Diego, November 15-18.
The prestige of the ASLA awards programs relies on the high-caliber juries that convene each year to review submissions.
Members of the 2019 professional awards jury are:
Andrea Cochran, FASLA, Chair, Andrea Cochran Landscape Architecture, San Francisco, CA
Henri Bava, Agence Ter, Paris, France
Kofi Boone, ASLA, North Carolina State University, Durham, NC
Gina Ford, FASLA, Agency Landscape and Planning, Cambridge, MA
Deb Guenther, FASLA, Mithun, Seattle, WA
John King, Honorary ASLA, San Francisco Chronicle, San Francisco, CA
Pam Linn, FASLA, Milwaukee Public Schools, Milwaukee, WI
John Vinci, Vinci Hamp Architects, Chicago, IL
Keith Wagner, FASLA, Wagner Hodgson Landscape Architecture, Burlington, VT
Both Stephanie A. Rolley, FASLA, Kansas State University, on behalf of the Landscape Architecture Foundation (LAF) and Gale Newman, ASLA Texas A&M University, on behalf of the Council of Educators in Landscape Architecture (CELA) will join the jury for the selection of the Research Category.
Members of the 2019 student awards jury are:
Diane Jones Allen, ASLA, Chair, Design Jones LLC, Arlington, TX
Diana Fernandez, ASLA, Sasaki Associates, Upton, MA
David Gouverneur, University of Pennsylvania, Philadelphia, PA
Robert Gray, ASLA, Hoerr Schaudt Landscape Architects, Kansas City, MO
Damian Holmes, World Landscape Architecture, Melbourne, Australia
Kendra Hyson, Associate ASLA, The Neighborhood Design Center, Washington, DC
Maki Kawaguchi, Gehl, New York, NY
Signe Nielsen, FASLA, Mathews Nielsen Landscape Architects, P.C., New York, NY
Daniel Tal, ASLA, Ambit3D LLC, Lakewood, CO
Both the ASLA Professional and Student awards feature five categories: General Design; Residential Design; Analysis and Planning; Communications; and Research. The Professional Awards also include The Landmark Award, while the Student Awards include the Student Community Service Award and Student Collaboration categories.
Professional awards entry fees are due by February 15, 2019. All submissions are due by 11:59 PST on March 1, 2019.
Student awards entry fees are due by May 10, 2019. All submissions are due by 11:59 PST on May 17, 2019.
Many of the sessions will also qualify for continuing education credit with the Green Building Certification Institute (toward LEED AP credential maintenance), the American Institute of Architects, the American Institute of Certified Planners, and other allied professional organizations and state registration boards.
Education session speakers selected from this process will receive a full complimentary registration to the ASLA 2019 Conference and may also be eligible for reimbursement for one night’s hotel stay at an official ASLA hotel (an estimated $750 value).
Landscape architecture professionals wishing to present at the San Diego conference need to be active members of ASLA. Allied professionals are encouraged to both submit presentations and speak but are not required to be members of the Society. To coordinate proposals and network with potential speakers, we encourage you to use the CFP Google Group.