The American Society of Landscape Architects (ASLA) announces its calls for entries for the 2018 Professional and Student Awards, the world’s most prestigious juried landscape architecture competition. Each year, the ASLA Professional Awards honor the best in landscape architecture from around the globe, while the ASLA Student Awards give us a glimpse into the future of the profession.
Award-winning submissions will be featured in Landscape Architecture Magazine and in many other design and construction industry and general-interest media. Award recipients, their clients and student advisors also will be honored at the awards presentation ceremony during the ASLA Annual Meeting and EXPO in Philadelphia, October 19-22, 2018. Award-winning submissions will also be featured in a video presentation at the ceremony and on the awards website following the event.
The prestige of the ASLA awards programs relies on the high-caliber juries that are convened each year to review submissions. Members of this year’s professional awards jury are:
Mark A. Focht, FASLA, chair, New York City Parks & Recreation, New York City, NY
Gerdo Aquino, FASLA, SWA, Los Angeles, CA
Anita Berrizbeitia, ASLA, Harvard Graduate School of Design, Cambridge, MA
Christian Gabriel, ASLA, U.S. General Services Administration, Washington, DC
Terry Guen-Murray, FASLA, Terry Guen Design Associates, Chicago, IL
Dale Jaeger, FASLA, Jaeger Landscape Architecture, Gainesville, GA
Sam Lubell, Architecture Writer, New York City, NY
Patrick Phillips, Urban Land Institute, Washington, DC
Barbara Wilks, FAIA, FASLA, W Architecture + Landscape Architecture, LLC, New York City, NY
Joining the jury for the selection of the Research Category will be M. Elen Deming, ASLA, University of Illinois, Champaign, IL, on behalf of the Landscape Architecture Foundation (LAF) and Ashley Steffens, University of Georgia, Athens, GA, on behalf of the Council of Educators in Landscape Architecture (CELA).
Members of the student awards jury are:
Roberto Rovira, ASLA, chair, Florida International University, Studio Roberto Rovira, Miami, FL
Kurt Culbertson, FASLA, Design Workshop, Aspen, CO
Andrea Cochran, FASLA, Andrea Cochran Landscape Architecture, San Francisco, CA
Tom Dallessio, Next City, Philadelphia, PA
Jennifer Daniels, ASLA, Smithsonian Institution, Washington, DC
Ray Gastil, City of Pittsburgh, Pittsburgh, PA
Jeffrey Hou, ASLA, University of Washington, Seattle, WA
Elizabeth Kennedy, ASLA, Elizabeth Kennedy Landscape Architects, New York City, NY
Lucinda Sanders, FASLA, OLIN, Philadelphia, PA
Both the ASLA Professional and Student awards feature five categories: General Design; Residential Design; Analysis and Planning; Communications; and Research. The Professional Awards also include The Landmark Award, while the Student Awards include the Student Community Service Award and Student Collaboration categories.
To further speed the transition to a clean energy economy and society, the Land Art Generator Initiative (LAGI) believes solar, wind, and other renewable power must be more artfully incorporated into our public realm. They believe “renewable energy can be beautiful” — and, indeed, must be if we want green power to capture the imagination of the world. Every two years, LAGI organizes a global design competition to prototype clean energy-producing public art installations that can increase demand for these technologies in the future.
This year, LAGI hosts their competition in Melbourne, Australia, which is aiming for net-zero carbon emissions by 2020. Through the competition, LAGI hopes to answer the questions:
“How much of the clean energy infrastructure required to attain this goal will be implemented within urban areas, and what is the impact of these new installations on our constructed and natural environments? How can solar and wind energy be integrated into public spaces in ways that educate, inspire, and are responsive to the history, culture, and nature of place?”
LAGI invites landscape architects, artists, architects, scientists, engineers to form interdisciplinary teams to create proposals for “large-scale and site-specific public art installations that generate clean energy.”
Submit entries by May 6. Winners will be announced in October. The first place winner will receive $16,000 USD and the second place, $5,000 USD.
Also, the National Endowment for the Humanities is offering challenge grants, which cover “capital expenditures, such as the design, purchase, construction, restoration
or renovation of facilities and historic landscapes.” Apply by March 15.
Michael Van Valkenburgh, FASLA, lead landscape architect on the project, told us criticism that the Obama Presidential Center destroys the landscape designed by Frederick Law Olmsted Sr. is incorrect. “There is a complete failure to recognize the history of the 19 acres in question, particularly with respect to Olmsted and Vaux. The Jackson Park — as designed by Frederick Law Olmsted, Sr. and Calvert Vaux — was never actually fully realized. Then, the 1893 Chicago Columbian Exposition came in, and Jackson Park was nearly destroyed. The design evolved with guidance from Olmsted Sr., but not Vaux. One of Olmsted’s successor firms, headed up by his sons, created a revised plan for the park in 1895, the same year FLO Sr. retired from practice. Olmsted Sr. kept the lagoons intact as did the sons in the 1895 plan. Many of FLO Sr’s big ideas persist in that version of Jackson Park, but given the history, you have to be misguided to argue the landscape between Cornell Drive and Stony Island Avenue is in any way an intact Olmsted Sr. landscape. Or that its current configuration and character is fundamental to our ability to appreciate Olmsted Sr’s. vision for a very large, very watery park.”
Furthermore, Van Valkenburgh argued, the Obama Foundation’s plans will yield usable new landscape. “With the new Presidential Center, we will remove the 6-lane Cornell Drive, which, today, horrendously cuts off part of the park where the OPC is proposed, leaving it as an isolated triangle. The removal of Cornell Drive is a major restoration of the 1895 plan— and makes connections through Jackson Park towards the adjacent Lagoon and on to Lake Michigan. Also, the OPC will create accessible new park land, as part of the MVVA site strategy that embeds two of the new buildings entirely under new landscape on the east and south sides towards Jackson Park.” The design team contends there will be a net-gain in park land.
Van Valkenburgh believes the landscape design realizes the goals of the Obamas: to make the Center as green and open as possible, so the entire experience feels like an urban public park. “Again, the organizing idea was to cluster the three Center buildings and embed two of them in park land, so we can keep the amount of paved surfaces to under a couple of acres.”
The Obama Foundation and the design team want to create a new woodland walk, sledding hill, playground, athletic center, lawns, and community vegetable garden for school kids to grow and eat fresh produce. The garden helps continue “Mrs. Obama’s mission of food and wellness.” These new features are set within a landscape designed to sustainably manage water.
“The Obamas were married in the park. And they lived a few blocks away from it for years. They are committed to opening up the Center into the civic and public realm.”
Instead of simply responding to catastrophe, Boston is getting out front on climate change. As part of its Climate Ready Boston plan, the city of 670,000 aims to act fast and protect two coastal neighborhoods most vulnerable to rising sea levels and storms: East Boston and Charlestown. New plans for these neighborhoods explain how a simple fix like creating a temporary flood wall at the coastal end of the East Boston Greenway, at a cost of just $100,000, would protect 4,300 residents, 70 businesses and critical infrastructure, and result in $17 million in benefits.
But perhaps the most important statement in the plan is: “more extensive measures combining green and gray infrastructure and new open space can be built and expanded over time to address risks from 1 percent annual chance floods with over 36 inches of sea level rise (by the 2070s).” In other words, landscape-based solutions are the answer for long-term protection and resilience. The plan calls for making $142-262 million of these investments over the next few decades, netting $644-751 million in benefits.
An inter-departmental city government team lead the effort, which was conducted by engineers at Kleinfelder, landscape architects at Stoss landscape urbanism, and architects with ONE architecture. The district-level coastal resilience plan came out of the recently-completed Climate Ready Boston process and Imagine Boston 2030, the first comprehensive planning effort in 50 years, and resulted from the efforts of Boston Harbor Now and other non-profits.
In a phone interview, Chris Reed, ASLA, founder and principal at Stoss landscape urbanism, said East Boston and Charlestown were the focus of the first plans and conceptual designs in a series that will look at all vulnerable Boston neighborhoods. “The rationale was to look at the places that will flood first and also help disadvantaged neighborhoods threatened with displacement and gentrification.” An analysis of South Boston, including Seaport, is also underway, and more neighborhood analyses will be coming over the next few years.
Reed explained that Kleinfelder, Stoss, and ONE only proposed “flood control measures that have social, environmental, and economic benefits.” Flood control infrastructure takes the form of landscape berms, wildlife habitat, waterfront promenades, play areas, and strategic walls. Using evaluation criteria established in the report, the planning and design team settled on a layered approach with back-up defenses. In most instances, walls were minimized in favor of other kinds of multi-use infrastructure that enable access to and recreation on the waterfronts.
The team also crafted a “development toolkit,” with new regulations to guide private developers and better leverage public-private infrastructure investments. For example, currently, new developments on the waterfront must have 50 percent open space. Reed explained that through new regulations, these open spaces can be better coordinated to maximize resilience. “The city can now gang up and locate protective open spaces strategically.” With the toolkit, the city can also now move beyond a “site by site approach” and scale up its resilient development efforts.
Recommendations are rooted in different flooding scenarios. Reed said the tricky part was “you can have a storm surge on top of sea level rise.” Instead of using outdated FEMA data, Boston is basing its analyses in dynamic models created by Woods Hole Group, University of Massachusetts Boston, and the Barr Foundation. Models project out to 2070, but purposefully stop there. “We just can’t project to 2100.”
Reed said funds have already been allocated to projects, including the coastal end of the East Boston Greenway and raising Border Street. But it’s not clear how Boston will pay for the billions it may actually need to spend on resilience, when all neighborhood analyses are said and done.
What is clear to Reed is that “there is an absolute need to address climate change.” And in our new age of resilience, what’s needed is a “landscape first strategy for city-making.”
In fact, Reed thinks these district-scale resilience plans return us to the era of Frederick Law Olmsted, when landscape served as a basis for urban planning. “People are re-discovering cities are part of the environment and impacted by nature and temperature change.”
For Darwina Neal, FASLA, the first woman president of the American Society of Landscape Architects (ASLA), it made perfect sense that the inaugural Cultural Landscapes lecture at the National Building Museum — a lecture series Neal sponsored and created — would feature a new documentary on Beatrix Farrand, the only woman to be among the 11 founding members of ASLA. The 40-minute documentary was created by six-time Emmy Award-winning film maker Karyl Evans.
Beatrix Farrand, who was born in 1872 and passed away in 1959, designed over 200 landscape commissions over 50 years. The film features her most celebrated works, including Dumbarton Oaks in Washington, D.C.; the Peggy Rockefeller Rose Garden at the New York Botanical Garden; and the Abby Aldrich Rockefeller Garden in Bar Harbor, Maine.
According to Neal, Evans deeply researched “Farrand’s life and work — as many of her gardens are being rediscovered and restored — and visited over 50 Farrand sites from Maine to California and Washington, D.C. to photograph the gardens and talk with curators, scholars, professional gardeners, and volunteers.”
Evans also “conducted research at the Beatrix Farrand archives at the University of California at Berkeley, where she discovered never-before-published materials now included in her film. The resulting documentary is an inspiring film about Beatrix Farrand’s challenging life and her stunning 50-year career as a landscape architect.”
Evans tells us this is the “first documentary ever created about the most successful female landscape architect in 20th century America.” It’s the story of “the daughter of one of American’s most elite families, and how her undeniable talent for garden design propels her onto the national stage.”
In the film, Evans interviewed the late Farrand scholar Diana Balmori, FASLA; landscape historian Judith Tankard; and landscape architect Shavaun Towers, FASLA.
What can be done with a 10-acre series of three derelict reflecting pools in Flushing Meadows Corona Park in Queens, New York? Instead of restoring them at great expense, resulting in excessive water and energy use, landscape architects with New York-based Quennell Rothschild & Partners had an ingenious idea. Turn them into a amphitheater, water play space, and a “fog garden,” which will generate a four-foot-high field of fog, or if the NYC parks department so chooses, “waves of fog,” with a fraction of the water used by the typical splash park.
Mark Bunnell, ASLA, a partner with Quennell Rothschild, said their new design, which will replace the reflecting pool at the Fountain of the Fairs, respects the historic park’s existing layout and even enhances it with an Art Deco paving pattern. The Fountain of the Fairs occupies a central axis connecting the iconic Unisphere with the Fountain of the Planets, created for the 1939 and 1964 World’s Fairs.
The fog will be created by 500 nozzles spread through the 300-foot-long and 50-foot-wide (17,300 square feet) space, set in a 1.7-acre garden. In a system Quennell Rothschild designed with Delta Fountains, there are nine pumps that enable the park managers to control the nozzles, so that the fog can appear like a field or roll-down in waves. Each nozzle emits approximately 3 gallons per hour, but not all are in use at any given time.
The fog will only reach four feet off the ground. If there are any concerns about safety or transparency, “they can use the waves,” creating gaps in the mist. The fog will also dissipate quickly, barring “atmospheric conditions.”
Alongside the fog garden, Quennell Rothschild is replacing “massed Yew trees” with a landscape of grasses, low evergreens, and maples that will open up views.
Later phases will turn the segment of the reflecting pool east of the fog garden into an amphitheater and then, farthest east, into a water playground.
Construction on the $4.3 million garden begins in April.
As we look forward to covering new stories on the built and natural environments this year, here’s a look back at the 10 most popular DIRT posts of 2017. Coverage of conferences, including the American Planning Association (APA), Greenbuild, Earth Optimism Summit, and Biophilic Leadership Summit, attracted the greatest interest. And news on the health benefits of nature and the fate of Modernist landscapes were widely read.
Always worth mentioning: We are looking for original op-eds, particularly from member landscape architects, designers, and planners, on topics that inspire you. If interested, please email us at firstname.lastname@example.org.
DesignIntelligence recently announced its 2017 landscape architecture graduate and undergraduate program rankings. For the third year in a row, Louisiana State University (LSU) was deemed the best undergraduate landscape architecture program. And for the 13th consecutive year, Harvard University retained its dominance as the best graduate program, in the annual survey conducted by DesignIntelligence on behalf of the Design Futures Council.
2) Best Podcasts for Landscape Architects
Over the past decade, podcasts have emerged as a popular storytelling platform and captivating way to learn more about the world around us. Podcasts offer a source of inspiration for designers exploring other disciplines and seeking fresh perspective within their own. For landscape architects, podcasts reveal new opportunities and ways of thinking about the way we design space.
New Urbanism is a well-known movement that aims to create more walkable communities. Less known is New Ruralism, which is focused on the preservation and enhancement of rural communities beyond the edge of metropolitan regions. Small towns now part of this nascent movement seek to define themselves on their own terms, not just in relation to nearby cities. These towns are more than “just food sheds for metro areas,” explained Peg Hough, Vermont, planner and environmental advocate with Community-resilience.org, at the American Planning Association (APA) annual conference in New York City. Representatives from three northeastern states — Vermont, Maine, and New Hampshire — explained how the principles of New Ruralism can help suffering communities.
People feel happier, healthier, and more social when they engage with nature. Their cognitive abilities go up and stress levels go down. So why is nature so often thought to be found only “out there” in the wilderness, or perhaps suburbia? For Timothy Beatley, a professor at the University of Virginia, nature should be found everywhere, but especially in cities. Cities must remain dense and walkable, but they can be unique, memorable places only when they merge with nature. If well planned and designed, a city’s forests, waterfronts, parks, gardens, and streets can make out-sized contributions to the health and well-being of everyone who lives there. In his latest excellent book, the Handbook of Biophilic City Planning & Design, Beatley brings together all the established science, the important case studies, the innovative code and design practices from around the world in one place. Even if you think you already know a lot about how best to incorporate nature into cities, there will be some interesting new facets in this book for you to explore.
Deep in the woods southwest of Atlanta, Serenbe is a unique designed community — a mixed-use development, with clusters of villages comprised of townhouses and apartments fueled by solar panels and heated and cooled by geothermal systems, and vast open spaces with organic farms, natural waste water treatment systems, and preserved forests. A leader in the “agrihood” movement, which calls for agriculture-centric community development, Serenbe is now moving into wellness with its new development called Mado.
We know that connecting with nature is good for us, but there are still many questions that need to be answered through more credible scientific research: What is the ideal “dose” of nature? What health conditions do these doses actually help with? Does duration and frequency of dose matter? How long do the benefits last? Does who you are and where you live impact how beneficial exposure to nature will be? And how does technology help or interfere with our connection to nature?
As our cities evolve, and what people want from their public spaces changes, should Modernist parks, plazas, and streets be saved? For lovers of Modernism, the answer is always yes. But, in reality, if the public, and their representatives, choose to keep these spaces, many will need to better respond to contemporary expectations. The question then is how can they be “respectfully honored and adapted?,” asked Brad McKee, editor of Landscape Architecture Magazine, in an event at the National Building Museum at Washington, D.C.
While green infrastructure is needed to manage stormwater and cool the air in our cities, these systems, as currently designed, aren’t enough. In the future, they must also boost biodiversity and help forge richer connections between humans and nature, argued a set of policymakers, academics, planners, and landscape architects, who are part of the nascent biophilic design movement. At the Biophilic Leadership Summit, which was hosted at Serenbe, an agricultural community outside of Atlanta, and organized by the Biophilic Institute, the Biophilic Cities Project, and Serenbe founder Steven Nygren, the main themes of biophilic urban planning and design were explored in an effort to achieve greater definition. Much work, however, still needs to be done to codify, measure, and popularize the strategies discussed.
The first generation of net-zero communities, which were designed to add no carbon to the atmosphere, are entering their second decade. Beddington Zero Energy Development (BedZED) in London is about 15 years old now; and the first phase of Dockside Green in Victoria, Canada, is now 10 years old. In a session at the 2017 Greenbuild in Boston, Steven Dulmage with Urban Equation and Justin Downey at RNWL outlined lessons learned from these early sustainable communities and how they informed second-generation developments, such as Zibi in Ottawa, Canada, and Hazelwood Green in Pittsburgh, Pennsylvania.
“It’s easy to be cynical or pessimistic” about the the state of the global environment, said David J. Skorton, secretary of the Smithsonian, at the opening of the Earth Optimism Summit in Washington, D.C. “We’re not blind to the realities, but if organizations and individuals work together, obstacles can be overcome.” Over three days, an audience of 1,400 heard one inspiring environmental success story after another. While no one forgot that climate change, biodiversity loss, and ecosystem degradation have created a global environmental emergency, there was a concerted effort to change the narrative — from one of relentless anger and despair to one of progress and a cautious optimism about the future. The goal was to highlight was is working today and figure out the ways to replicate and scale up successes.
The call for nominations is open for the 2018 ASLA Honors. These prestigious awards recognize individuals and organizations for their lifetime achievements and notable contributions to the profession of landscape architecture.
Nominations are also open for Honorary ASLA memberships. Honorary ASLA memberships recognize persons other than landscape architects whose achievements of national or international significance or influence have provided notable service to the profession of landscape architecture.
The deadline for all nominations is January 30, 2018.
Any ASLA professional member or ASLA chapter may submit nominations for ASLA honors, and the process is very simple. Nominations will be reviewed by the Executive Committee and forwarded with recommendation to the Board of Trustees for action at the spring meeting in April.
Louisville, Kentucky, has some of the worst air in the country. Given the city is a transit hub, tens of thousands of planes, trucks, and trains pass through the city each year, not to mention all the cars. Louisville is also an industrial center where chemicals are manufactured. Heart disease, strokes, asthma and other conditions caused by excessive pollution are found at very high levels. Last year, the city received a failing grade from the American Lung Association in its annual report.
In order to see if trees can help combat the negative health impacts of the city’s deadly air pollution, University of Louisville Medical Center, the Nature Conservancy, Hyphae Design Laboratory and other organizations are coming together in the Green Heart project, the first clinical trial where “nature is the pharmaceutical.”
According to the Nature Conservancy, “this ambitious effort will conduct a first-of-its-kind medical study by planting trees in strategic locations across a cluster of Louisville neighborhoods and observing precisely how they impact residents’ health.” The study is financed by the National Institutes of Health and Louisville-based philanthropies.
Dr. Aruni Bhatnagar at the University of Louisville Medical Center and his colleagues, who essentially created the field of “environmental cardiology,” are doing a controlled experiment to test the impact of nature, as if it was a drug, on a neighborhood scale.
The challenge is “a neighborhood is not a laboratory, where variables are easily controlled. And this project would be far beyond the scale of prior research that identified connections between neighborhood greenness and health.”
Bhatnagar said: “there has never been a rigorous scientific study that quantified the health effects of urban greening. This will be the first attempt to understand, is nature a viable, replicable therapy?”
This past October, the project has its official launch, with a community workshop and the start of baseline data collection. “Temperatures, particulate matter levels, volatile organic compounds in the air will all be tracked by a network of more than 50 passive air monitors as well as more elaborate monitoring arrays mounted on towers and even an electric car.”
Starting next fall, some 8,000 trees, shrubs, and other plants will be planted in South Louisville, according to a map devised by the Nature Conservancy, based in data on where likely impacts will the greatest benefit. As has been noted, trees catch small particulate matter in their leaves, reducing nearby air pollution by a third in some cases; and, if planted near highways, they can act as a buffer, reducing pollution by up to 60 percent.
The Green Heart project is now recruiting 700 neighborhood residents to “participate in several rounds of medical tests, tracking the residual evidence of air pollution in their blood and urine.”
The Nature Conservancy writes that “different chemical signals will be monitored, including the presence of cortisol and adrenaline that are produced when the body is under stress. Participants’ physiological reactions to air pollution will be studied over five years, because some compounds appear within hours of exposure while others take months or years to emerge.” Residents are essentially “human environmental monitors,” said Ray Yeager, PhD, a researcher with the University of Louisville Medical Center lab.
At the end of the five year study, the researchers will have a set of data on residents’ health — looking at both before and after the trees were planted, and, for comparison’s sake, data from people who live nearby but didn’t get new trees. It will be interesting to see if five years is enough to test the benefits of trees — newly-planted, young trees would appear to have less capacity to catch particulate matter and serve as buffers than mature, fully-grown trees with broad canopies.
Unhealthy air is estimated to claim 4 million lives a year. If Dr. Bhatnagar and his colleagues discover medical benefits from the strategic tree placements, the results of this study could result in a new public health model that can help reduce urban pollution-related deaths. Yeager is confident: “what we learn in Louisville is going to affect people all over the world.”
If benefits are proven, the study could also positively affect Louisville, reducing health inequities. The Nature Conservancy refers to data showing that life expectancy in the “leafy suburbs” of the city is 13 years longer than in South and West Louisville neighborhoods with lower incomes and less access to nature, proving once again that “zip code is a reliable indicator of health.”
If the results show positive benefits from trees, the city government should first address inequities and partner with local community groups to build robust tree canopies in the neighborhoods that lack them. With solid data, the city could also further invest in the existing urban forest, which loses about 55,000 trees every year.
At Spaulding, patients recovering from traumatic injury are rejuvenated by good medical care, but also sunlight, garden terraces, and views of the surrounding Charles, Mystic, and Chelsea Rivers. The hospital landscape is a multi-functional therapeutic space where therapists aid patients in the air and sun. In a tour of the 132-bed facility at the 2017 Greenbuild, Jeffrey Keilman, an architect with Perkins + Will and Sean Sanger, ASLA, principal at landscape architecture firm Copley Wolff Design Group explained how the facility heals, but is also one of the most sustainable and resilient hospitals in the country.
Spaulding picked this brownfield site in part because rehabilitating it would help tell the story of resilience to its patients. If a toxic place can become a place of healing, then a broken person can return to health stronger as well.
The LEED Gold-certified hospital — designed by Perkins + Will, with Copley Wolff Design Group and Hoerr Schaudt Landscape Architects — has all the usual green building features, but its the extra, humane elements that make it something special — the custom-made sinks so that a patient in a wheel chair can more easily wash their hands; the tall wall of windows in the main rehabilitation room that offer views of the river; the light and views every patient enjoys from their rooms; the garden terraces with horticultural therapy spaces, as well as the gardens just for staff; and the multi-functional therapeutic landscape.
The landscape — which was ingeniously designed by Copley Wolff Design Group to significantly reduce the impact of flooding in a 500-year storm event — is both for patients and the public. Like the building, the landscape has small but thoughtful features that exemplify patient-centered design.
For example, there are small brass sculptures of animals spread throughout. While these can be enjoyed by visitors and the public, they are really there for patients recovering from traumatic brain injuries who search for them in scavenger hunts in order to rebuild cognitive abilities and memory.
A multi-functional space for physical therapy was designed for “active use.” Patients and caregivers didn’t just want “a space for respite and solitude. They wanted a space for activity, so they can get mentally and physically ready to re-enter society,” explained Sanger.
The space offers a “beginner’s walk,” with a slight grade and handrails. Throughout, there are benches, so patients can take a break.
Sculptural rock forms on poles are actually therapeutic tools for building upper body strength.
Amid the gardens, there is also a ramp for teaching patients how to use a wheelchair.
In warmer months, the hospital puts recumbent bikes on the waterfront harbor walk. Rails along the walk were specially designed so people in wheelchairs can use them to pull themselves up.
Our tour then moved over to MGH’s Yawkey Outpatient Center, where cancer and other patients are treated in downtown Boston in a maze of co-joined buildings. Here was a therapeutic landscape that feels like the opposite of the one at Spaulding: a small but impactful place of respite and restoration.
As you enter the roof garden, which was added later after the building had been built, the broad trees and gorgeous views of the Charles River momentarily awe. The space is a welcome surprise in the midst of the vast hospital complex.
Designed by Robert Adams, ASLA, principal at Halvorson Design Group, the garden is well-loved by adults and children undergoing cancer treatment.
The enclosed entry pavilion, with expansive glass windows, is open year round. Cancer patients often have a terrible, metallic taste in their mouth, so any metal fittings were painted over so as to not remind them. A journal is available for patients to write in. A giant urn is filled with rocks. Patients take the rocks to keep as touchstones; and survivors often bring back stones from their journeys, replenishing the urn, which has a “most sacred” duty, Adams said.
And the garden itself, with its simple shade-covered walking loop, benches facing the river, and sculptures, is open in warm months. “You’ll often see patients with their IV in tow walking the loop.”
For Adams, the only wrinkle is the garden has become so popular staff can no longer easily access. Before, staff were eating lunch there and visiting often. This is a sign that “staff need open spaces, too.” As author Clare Cooper Marcus described in a recent interview, over-worked and stressed doctors and nurses means more deadly medical errors. Just a 15-minute break for these critical workers outdoors can help boost their cognition and lower stress.
Why aren’t more hospitals creating restorative spaces not only for patients but also for their staff? Spaulding and Yawkey, two of the best hospitals in the country, offer models for how to bring nature into healthcare environments that other facilities can learn from.