Saving the Tamarind – The Bangkok Post, 2/7/16
“For over a century, 783 tamarind trees have encircled the sacred ground of Sanam Luang. They were there, like stoic sentinels, during ceremonial pomp and political upheavals, come rain or shine.”
Channeling Steve Jobs, Apple Seeks Design Perfection at New ‘Spaceship’ Campus– Reuters, 2/7/17
“Apple Inc’s sprawling new headquarters in Cupertino, California, will be a fitting tribute: a futuristic campus built with astonishing attention to detail. From the arrangement of electrical wiring to the finish of a hidden pipe, no aspect of the 2.8 million-square-foot main building has been too small to attract scrutiny.”
Waterfront Upgrade Phase 2: Time for Public to Pipe up–The San Diego Union Tribune, 2/13/17
“Three years after jacarandas, a hip cafe and a widened bayside promenade transformed a section of the downtown waterfront, the San Diego Unified Port District is jumpstarting talk of Phase 2.”
Good landscape design is intrinsically sustainable. While a certain level of ecological sustainability may be achieved by adhering to a checklist of environmental best practices, long-term sustainability is achieved by engaging broader cultural, economic, and socio-economic goals. It’s now widely recognized that city dwellers tend to live a less wasteful and more energy-efficient lifestyle than those who live in the suburbs or rural areas. So if well-designed urban public spaces are able to counteract the discomforts of high density, then more people will live happily, and sustainably, in cities. This was the crux of the argument made by landscape architects Martha Schwartz, FASLA, Ken Smith, FASLA, and Thomas Balsley, FASLA, in a recent panel discussion organized by the New York chapter of ASLA.
During the course of their long careers, these renowned designers have experienced two major shifts in the field of landscape architecture. One is the greater inclusion of ecological principles in design. The other is a shift in our cultural attitudes towards cities — from viewing them as unfavorable to celebrating them.
Each presented projects that engage sustainability on multiple levels and time scales.
Perk Park, a one-acre park in downtown Cleveland, was a vestige of 1970s-era landscape architecture, when parks were designed as places to protect oneself from the stress of the surrounding city. “What happened, in fact, is that the space became inaccessible, it didn’t have sight lines. There were places to hide. Eventually, people wouldn’t even go in there, so it really held back the growth and vitality of the neighborhood,” said Thomas Balsley. His firm, SWA/Balsley, re-designed the park so it celebrated and engaged with the surrounding environment, blurring the edges between the park and the city (see image above).
One popular element of Perk Park is its “urban porch,” a linear pergola covering seating that lines the sidewalk. “You can sit at the porch and be in touch with the streetscape but also the park and be in dialogue with both.” The park became so vibrant that local corporations and retail began to occupy the surrounding buildings, just to be near the park.
By preserving existing trees and including new permeable green space in the densest and most impervious area of a major city, basic elements of urban ecological sustainability were achieved. Moreover, by providing what Balsley calls “a stage for daily urban life to happen,” the park achieves a long-term and nuanced form of sustainability.
“Really great design makes a difference, and it makes more of a difference than OK design,” said Schwartz. “What we see affects us psychologically and emotionally. How a space looks can determine whether or not it will be used, and therefore maintained.” The public will become active stewards of a well-designed space, but if a space is not considered valuable, “all the technologies and the well-meaning environmental practices we bring to it will disappear over time.”
For Schwartz, a successful public space is both resilient and heavily used. She achieves these goals by weaving a narrative specific to each site, as well as creating landscapes that challenge and intrigue the public. Grand Canal Square by Martha Schwartz Partners in Dublin, Ireland, uses towering, off-kilter red poles, criss-crossing paths, and a paved red “carpet.” Built before much of the surrounding development, the square’s acclaim has ushered in economic resilience. The Dublin offices of Google and Twitter are now the square’s neighbors, and the property values surrounding the square stayed steady during a time of economic downturn.
In terms of providing a measurable ecological boost in the context of the East River, this 65-foot-long prototype of a constructed mussel habitat is likely only a drop in the bucket. However, being able to see the tides move up and down a slope as it fosters aquatic life is a unique sight in New York City, where hard vertical edges dominate the waterfront. Reminders that these natural processes occur amid the industry and infrastructure of the city can bring a sense of wonder to visitors, and perhaps encourage stewardship.
The common belief is that good design means sacrificing sustainability or vice versa. But these landscape architects challenged this assumption. Schwartz said: “To have something work sustainably in terms of its ecological processes, it doesn’t have to look a certain way. Sustainability doesn’t have an aesthetic. If you use your creativity, there’s no reason why there is any separation between design and sustainability.”
This guest post is by Chella Strong, Assoc. ASLA, a recent master’s of landscape architecture graduate, Harvard University Graduate School of Design.
People feel happier, healthier, and more social when they engage with nature. Their cognitive abilities go up and stress levels go down. So why is nature so often thought to be found only “out there” in the wilderness, or perhaps suburbia? For Timothy Beatley, a professor at the University of Virginia, nature should be found everywhere, but especially in cities. Cities must remain dense and walkable, but they can be unique, memorable places only when they merge with nature. If well planned and designed, a city’s forests, waterfronts, parks, gardens, and streets can make out-sized contributions to the health and well-being of everyone who lives there. In his latest excellent book, the Handbook of Biophilic City Planning & Design, Beatley brings together all the established science, the important case studies, the innovative code and design practices from around the world in one place. Even if you think you already know a lot about how best to incorporate nature into cities, there will be some interesting new facets in this book for you to explore.
Some 54 percent of the world’s population now lives in cities, some 4 billion people. That number is expected to reach 70 percent by 2050. As more of the world goes urban, we have a fundamental task ahead: to make the world’s cities ecologically-rich and emotionally satisfying. As Beatley puts it, we must use the “power of nature” to improve the experience of city life. As has been laid out elsewhere, increased amounts of urban nature and improved access to it can boost happiness, creativity, and cognitive abilities, reduce stress and crime, make communities wealthier and more social and resilient. Study after study demonstrate these benefits.
But Beatley unearths fascinating examples like the Mappiness Project in the UK. More than 60,000 Brits out and about in their daily lives were pinged by an iPhone app that asked them at random times to indicate how happy they were. Responses were then geo-coded to locations, with their relevant natural features. The study found “people are happiest when they are in nature. This is one of the main conclusions of the project.”
He also details the many ways cities can create room for nature. While creating connections to waterfronts and planting more trees are no-brainers, he calls for “an integrated, multi-scalar approach,” in which biophilic experiences are embedded at “interconnected scales and levels.” Biophilic encounters reinforce each other, and as they accumulate, the benefits increase. On a daily basis, people experience “doses” of urban nature in different ways — on their porch, walking down the street, on a park bench — and together these make up their overall “urban nature diet.” He recommends spending time a park or greenspace at least once a week, but the science is still out on what that ideal amount of time is. Beatley argues for direct contact in outdoor settings, like sitting under a tree, over indirect exposure to nature, like found in indoor environments or natural history museums.
Beatley has long held up a few cities as model biophilic cities, but he goes into more detail about what they offer. He explores Singapore’s sky-bridges that course through forests and vertical gardens set in skyscrapers, and Wellington’s comprehensive efforts to bring back bird song by restoring habitat and its pioneering launch of the world’s first marine bioblitz.
But he also includes lesser-known success stories, like Milwaukee, Wisconsin, where 3,000 vacant parcels are being re-imagined as gardens and urban farms, and San Francisco’s Please Touch community garden, designed so the blind and visually impaired so can also have a multi-sensory nature experience.
We then get to the nitty-gritty of how to make biophilic cities happen — through smart policies, thoughtful urban planning regulations, and breakthrough designs. There are 80 pages of interesting examples, with many works of landscape architecture, including Paley Park in New York City, designed by landscape architect Robert L. Zion, which he rightfully identifies as a unique multi-sensory experience that demonstrates the “power of water.” With its 20-foot-tall fountain, this tiny park, at just one-tenth of an acre, demonstrates the incredible potential of small, left-over urban spaces.
So many other projects are worth reading about — like the Aqua in Chicago, which is a bird-friendly skyscraper; the Philadelphia Orchard Project, which plants fruit trees in poor communities; Milkweeds for Monarchs in St. Louis, which incentivized citizens to plant hundreds of gardens for threatened Monarch butterflies; the Healthy Harbor Initiative in Baltimore, which is taking steps to achieve a swimmable, fishable harbor by 2020; the Vertical Forest, a residential tower in Milan, Italy, which extends trees upwards through 27 stories; and the 54-acre Qiaoyuan Park in Tianjin, China, which repairs a damaged ecosystem while storing stormwater and creating wildlife habitat.
Beatley concludes with a few thoughts that resonated with me about how the whole biophilic cities movement needs to evolve. As we green cities, we must aim to achieve a “just biophilia” in which everyone benefits. Given study after study demonstrate that access to nature can improve and even lengthen lives, it’s deeply unfair that not every community gets to have the healing benefits of nature. Plus, we must also must figure out how to reach an increasingly technology-fixated public, who are often interacting with nature through their phone’s camera. He promotes Sue Thomas’ book Technobiophilia, which argues we can better foster connections to nature through cyber-parks — real parks that leverage the Internet.
The Global Street Design Guide is the latest in a series of publications from the National Association of City Transportation Officials (NACTO) that re-imagines our urban streets as more multi-dimensional, aesthetic, efficient, safe and enjoyable spaces. The Global Street Design Guide uncovers what works in cities around the world, the cities that are trying to use streets for place making and city building. This invaluable guide brings together extremely useful information and metrics that can assist city administrations, urban designers, planners, landscape architects, and the public in forging new directions in street design. That said, this guide really needs to target city administrations and their engineering departments if it is to truly become an effective, transformative tool.
There still is a formidable battle going on out there between those who see streets as the domain of the automobile and those who don’t. For many cities, this polarized view has become extreme, perhaps, ironically, more so in progressive cities that have tried hard to integrate alternate forms of transportation and uses into the existing network. This guide can help make the case for multi-modal or, as otherwise known, complete streets.
Because many cities have differing standards, customs, and uses for their streets, this book cannot serve as a template for a specific design (nor do I think it’s intended to be). However, this guide contains all the background data, standards, and dimensions needed to help any designer build a layered, competent, and thorough street design in any part of the world. At the very least, it will help in reducing the guess work and sometimes incorrect assumptions that many designers make when it comes to how streets really work.
My own experiences in China highlight that streets there are very different than from those in Western countries. For example, it is not uncommon, along both major and secondary streets, to see commercial frontages, with widened pedestrian areas planned as public places, be partially or wholly taken over by parking. This parking then disrupts pedestrian flows and the ability to use streets as public spaces. Designers must deal with this reality and patiently try to transform practices.
In China, city planners typically set broad goals for better street design, but decisions to proceed one way or the other are made at a political level, then filter back down to the administrative level, before becoming a part of the design parameters of most streetscape projects. Nonetheless, things are changing. I can see the information in this book as being extremely helpful with developing strategic opening salvos during the preliminary stages of large scale streetscape projects in cities where I currently practice.
Additionally, the practical dimensional information in the guide should be well received by city planners in Asia, where in most cities Western urban design ideas are held in high regard. Because the information contained in this book has been guided by some of the world’s leading thinkers on city building, transportation, and open space design, it becomes an even more potent and convincing arrow in the urban design quiver.
There is a chapter on phasing and interim strategies that I found particularly compelling, since from experience, this is indeed a good way to build consensus with nervous or skeptical stakeholders.
I appreciate the book’s graphic style. The many illustrative drawings include diagrams, plans, sections and well-modeled, 3-D birds’ eye views. They are unadorned, factual, simple, and clear.
Clear, concise sectional geometry options and how they respond the various user needs. This type of tool could be helpful when deciding which geometries could serve a particular project best.
But I also found a few faults with the book. Including many global urban case studies is helpful and informative. However, from my own experience, there are many more good examples out there. Appreciating that a book like this simply cannot feature them all, perhaps a more comprehensive listing of lesser known, but exemplary global examples could be included in the next edition. Readers could then search more on their own.
The overall quality of the photographs is somewhat lacking. They could have perhaps been better placed, higher quality, and more impactful. In some cases they just didn’t seem like the right shot to communicate the idea. A few of the two page spreads register rather poorly along the spine margin resulting in some of the information irritatingly obscured.
All in all, the NACTO Global Street Design Guide should finds its way onto the shelves of all design and planning firms responsible for improving urban streets, regardless of where they practice. As important, it should also be in the hands of politicians, administrators, and engineers who collectively are very much in control of the direction our cities are heading.
Greg Smallenberg, FASLA, is a principal at PFS Studio, a global planning, urban design, and landscape architecture firm based in Vancouver, Canada. In addition to his North American and European work, he often undertakes large-scale planning, design and streetscape projects in Asia with Conglian Landscape Architecture and Planning Shanghai Ltd., a strategically allied joint enterprise with offices in Shanghai, Ningbo and Guangzhou, China.
Each year at the ASLA Annual Meeting, some of the world’s top landscape architects and designers explain themselves in front of audiences of hundreds. These designers give in-depth presentations, explaining the logic behind their designs and their latest projects. Now, ASLA has made these presentations available online for free. From the ASLA 2016 Annual Meeting in Chicago, you can watch more than 6 hours of videos:
Inside the LA Studio with DesignJones (see video above)
Join speakers Diane Jones Allen and Austin Allen as they discuss their years of professional and academic practice. They will share their experiences pursuing environmental justice projects, ground up approaches to planning and design, intricately linking Research and practice on all projects regardless of scale, and unique approaches to community outreach regarding critical social and infrastructure urbanism problems.
Watch Austin Allen, ASLA, associate professor, Robert Reich School of Landscape Architecture, LSU, New Orleans; Diane Jones Allen, ASLA, principal landscape architect, DesignJones. Moderated by Jennifer Reut, senior editor, Landscape Architecture Magazine.
Inside the LA Studio with Michael Van Valkenburgh Associates
The leaders at MVVA see new projects as more than just business. Each design is an opportunity to challenge our assumptions, learn through experimentation, and grow both individually and collectively. In this session we will use case studies to explore the value of teaching and learning through practice as means to achieve design excellence.
Watch Chris Donohue, ASLA; Scott Streeb, ASLA, landscape designer; Michael Van Valkenburgh, FASLA, President and CEO; and Andy Wisniewski, ASLA, senior designer, all with Michael Van Valkenburgh Associates, Inc. Moderated by Shannon Nichol, FASLA, founding partner, Gustafson Guthrie Nichol.
Inside the LA Studio with Oehme, van Sweden & Associates
An award-winning practice, OvS has garnered international recognition for pioneering a systemic approach to sustainable design. The firm’s body of work illustrates what is possible when art, science, and environmental sensitivity equally drive the design process. Now, under its second generation of leadership, the partners will discuss the firm’s continued innovation.
Watch Sheila A. Brady, FASLA, vice President, principal; Lisa E. Delplace, ASLA, CEO + principal; and Eric Groft, FASLA, principal, Oehme, van Sweden & Associates. Moderated by Charles A. Birnbaum, FASLA, president/CEO, The Cultural Landscape Foundation.
Inside the LA Studio with Rana Creek Design
Rana Creek is a renowned ecological design firm specializing in landscape architecture, environmental planning, native plant propagation, landscape construction, and habitat restoration. This diverse team believes passionately in the mission to design and build landscapes that connect people, places, culture, and ecology.
Watch Blake Jopling, ASLA, project manager + designer; Marta Kephart, vice president and COO; Sina Yousefi, design associate; and Matthew P. Yurus, ASLA, principal landscape architect; and Paul Kephart, ASLA, ecologist, all with Rana Creek Living Architecture. Moderated by José Alminana, FASLA, principal, Andropogon Associates.
It’s been 20 years since the publication of Ecological Design and Planning, the collection of essays that established ecological design as the defining innovation of 20th century landscape architecture. Not only has this mode of design informed all thinking about landscape since Ian McHarg first championed it, but designs eschewing this approach have risked irrelevance.
The ensuing two decades since Ecological Design and Planning’s publication have seen two major global changes. First, climate change has emerged as a force that will shape our future. Second, cities have grown to such an extent that their populations account for half of the Earth’s total. The world has not stood still, but, as Nature and Cities: The Ecological Imperative of Urban Planning demonstrates, neither has landscape architecture.
Nature and Cities, edited by Frederick Steiner, FASLA, George Thompson, and Armando Carbonell, was intended to be Ecological Design and Planning’s successor, Steiner said. It follows a similar formula: A collection of essays from both well-established and up-and-coming landscape architects with big ideas and projects that showcase them.
Steiner believes Nature and Cities can entice readers outside the fields of landscape and planning, despite its niche topic. The book is handsome and visually rich, and the essays are warmer than they are academic. They vary in subject matter. Richard Weller, ASLA, examines urban forms and formation; Kate Orff, ASLA, and Kongjian Yu, FASLA, explore aqueous landscape design. Several of the most thought-provoking essays make valiant attempts at applying to design our growing understanding of systems, resilience, and the myth of ecological equilibrium.
If these issues don’t interest you, you can use the book to check in on the state of the “landscape architecture: science or art” debate. Nature and Cities offers several worthy contributions to it. Of course, it’s not a question of either or, but as James Corner, ASLA, writes in his essay, there’s a tendency to allow science to govern our designs to the exclusion of the subjective and aesthetic. In our current design atmosphere, improvisation and beauty strain under the yoke of performance metrics. Corner argues that more honest applications of biophilic design would incorporate the errant, much as real ecosystems do, as a means of enrichment.
Let’s not forget metrics are good for business, Laurie Olin, FASLA, points out in his essay. And if you can put an exclamation point on those metrics with a beautiful design, all the better. His firm accomplished this with a designed marsh on Yale’s campus. Students enjoyed it so much they added fish, leading to a richer ecosystem and indirectly saving the purchase of an additional 1.8 million liters of water per year. Social buy-in can occur when sustainable design is made evident.
“The more I understand the dynamics associated with global climate change and urbanization, the more I want to make sense of it all with other human beings,” writes Kristina Hill, Affiliate ASLA, in her essay. It’s for this reason, Hill argues, that designers should create aesthetic experiences that address this rapid and destabilizing change. Rising sea levels and water scarcity can be frightening, but new aesthetic experiences can help us better understand those threats.
Part of Nature and Cities’ purpose, Steiner said, is to showcase the contributions that landscape architects have made to our cities and environment. “When Susannah Drake, ASLA, and her colleagues want to clean up the Gowanus Canal, that’s heroic,” Steiner said, referring to her essay. “And that they’ve made as much progress as they have is quite remarkable.”
Sizable ambition certainly shines through the successes touted in the book, but reading about them, one wonders if these efforts are adequate in scope to the environmental challenges we face. Adequate or not, isn’t it great that landscape architecture has something to say about it all?
Expand Sanctuary Concept Beyond the Undocumented – Philly.com, 12/18/16
“I believe now is the time to expand this sanctuary city concept; to make all our cities refuges for learning, for health and safety, for tolerance and inclusion, and environmental quality.”
Revamped City Planning Aims at Neighborhood Revivals– The Detroit Free Press, 12/19/16
“The City of Detroit’s Planning Department used to do remarkably little planning. Mostly the staff processed federal grant money for public housing or demolitions. One director of the Planning department confided to me years ago that he had more accountants on his staff than planners.”
Celebrating a Rugged Vision of Landscape Architecture– The New York Times, 12/23/16
“These bold environments, strung across an eight-block section in the city center, were designed by the modernist landscape architect Lawrence Halprin and his firm between 1965 and 1970.”
Eight Rooftop Gardens That Top the Lot– The Sydney Morning Herald, 12/26/16
“When summer rolls around, as it will be doing before much longer, there’s absolutely nothing better than spending all day on a rooftop garden with friends, a fridge full of cold drinks, good music and never-ending views.”
The Urban Design Forum sees a “crisis of maintenance” in New York City, which has an estimated backlog of $50 billion in unmet infrastructure repair needs. In an innovative new ideas competition, they invite landscape architects, urban planners, developers, and architects to respond to the question: “How can we use design thinking, creative financing, new technology, and community organizing to maintain our physical and social infrastructure?”
They are looking for novel ways of improving maintenance for streetscapes, parks and plazas, in addition to housing, transportation systems, and civic and social infrastructure.
“We are looking for bold ideas with real world applicability. We welcome napkin sketches, policy proposals, detailed designs, essays, videos, etc. Ideas may apply to sites in the City of New York or the greater New York area. Examples from other cities that can be applied to New York City are also acceptable.”
The Urban Design Forum asks those who submit to think through the hard issues involved in maintenance, to ask themselves questions like: “How can we design public assets that minimize maintenance costs and adapt for future uses? How can we more equitably maintain parks and public spaces beyond high-income neighborhoods? How could we engage new stakeholders in the stewardship of public assets and public space?”
The winning ideas will become part of the forum’s “Maintaining” program, which will feature presentations and roundtable debates from March through September 2017. Winning ideas will also be included in a publication to be released in December 2017. The Forum expects the winning ideas to spread beyond New York.
Also, in Bandirma, a city of 143,000 on the Sea of Marmara in northwest Turkey, officials have announced an international design competition for a new park that can serve as a gateway to this port city. The first-place winner will receive 100,000 Euros. Register by February 3 and submit by February 24.
Living with the Legacy of Capability Brown – The Telegraph, 12/5/16
“The rolling terrain of this part of flat-landed Lincolnshire is not of the Exeters’ making, but Lancelot ‘Capability’ Brown’s, the world’s most famous landscape architect, who worked on the estate from 1754.”
Sexy Infrastructure and Other Notable Developments in 2016– The Huffington Post, 12/12/16
“Judging by the heaps of praise for projects, including Governors Island in New York City, Chicago’s Navy Pier, the Lower Rainier Vista at the University of Washington in Seattle, and plans for Dallas’ hugely ambitious 10,000-acre nature district, infrastructure is sexy.”