If you are looking for a unique book to give as a gift or just one for yourself to delve into over the winter break, explore THE DIRT’s top 10 books of 2018, our picks for the best on the environment, cities, and landscape:
In this delightful book by Jonathan Drori that features magical drawings by Lucille Clerc, the history of different tree species around the world comes alive. For thousands of years, humanity has depended on trees for food, medicine, and companionship.
Participatory design is “hands-on democracy in action,” argue the editors of the impressive book. Participatory design (also known as cooperative or co-design) is a process in which a designer actively involves all stakeholders in a design process. The editors call for making participatory design “truly democratic.” Furthermore, it must become “contextual, open, experiential, substantive, and holistic.” Read the full review.
This monograph provides real insights into the design process of Seattle-based firm Gustafson Guthrie Nichol (GGN), making it one of the best of this format. Thaïsa Way, FASLA, professor of landscape architecture at the University of Washington, partnered with GGN to dig deeper into how the firm has used “creativity and problem-solving” to “make and shape memorable places.” Read the full review.
Many have called Kongjian Yu, FASLA, president of Turenscape, the Frederick Law Olmsted of China. And with this book, one understands why. This collection of letters to Chinese president Xi Jinping and provincial governors, essays, interviews, and other advocacy pieces reveal how much Yu has invested in promoting his ecological, water-centric “sponge city” approach. His book demonstrates that every landscape architect can become a leader and a powerful force for improving environmental and human health in their community.
Edward Tufte, the world’s best known information designer, said Charles-Joseph Minard’s statistical map of Napolean’s 1812 invasion and then retreat from Russia was the greatest information graphic ever made. In this intruiging new book, author Sandra Rendgen uncovers the man who made the graphic as well as his many data visualization innovations. Read the full review.
Julian Raxworthy, a landscape architect and senior lecturer at the University of Cape Town in South Africa, calls for the “integration of landscape architecture and gardening. Each has something to offer the other: Landscape architecture can design beautiful spaces, and gardening can enhance and deepen the beauty of garden environments over time.”
Journalist Elizabeth Rush takes readers on a journey to places where sea level rise is already having an impact — from the Gulf Coast to Miami, New York City to the Bay Area. “For many of the plants, animals, and humans in these places, the options are stark: retreat or perish in place.”
For those who enjoy a deep dive into history, this book edited by Thaïsa Way, FASLA, professor of landscape architecture at the University of Washington, offers a rich exploration of how cities and rivers have shaped each over throughout the centuries. The intertwined history is also viewed through the lens of climate change and resilience. River City, City Rivers is the end-product of the excellent 2015 symposium on river cities at Dumbarton Oaks.
Roberto Burle Marx stands as one of the towering figures of 20th century landscape architecture, yet he left relatively little in the way of writing that describes, defends, or otherwise elucidates his work. A new collection of lectures, edited by Gareth Doherty, ASLA, helps fill that void. Read the full review.
This excellent book by landscape architects Catherine Seavitt Nordenson and Guy Nordenson and architect Julia Chapman, draws on years of research in design, art, policy, and engineering to argue for a new vision of our coasts. Structuresof Coastal Resilience is a significant contribution to the body of research on this topic. Read the full review.
Buying these books through THE DIRT or ASLA’s online bookstore benefits ASLA educational programs. And if you are based near Washington, D.C. we also recommend checking out the National Building Museum’s world-class book store.
Take a Look at Ambitious Plan to Transform Pease Park– Curbed Austin, 11/2/18
“A year after receiving a $9.7 million Moody Foundation grant to jump-start implementing its long-awaited master plan, the Pease Park Conservancy unveiled new drawings and details about the major transformation in store for the beloved central-city parkland.”
In her new book Resilience for All: Striving for Equity through Community-Driven Design, author Barbara Brown Wilson seeks to confront the failings of traditional planning and design practices in vulnerable low-income communities. While others have pursued landscape-based solutions to this issue — think community gardens — Brown suggests there is a larger role for landscape architecture and urban design in resilient, equitable community development.
The communities featured in Resilience for All struggle with many of the same afflictions: environmental injustice, neglect, and lack of resources. These are vulnerable communities that face high exposure to economic and environmental shocks and disinvestment. Landscape and urban design improvements are relatively cheap, widely-accessible method of addressing these issues. Green infrastructure and streetscape improvements figure prominently in the book’s many case studies.
Importantly, Brown believes there is a fundamental relationship between social and ecological systems that, when leveraged, benefit both communities and their environments.
Consider the case of Cully, a low-income, ethnically diverse neighborhood in Portland, Oregon, that suffers from flooding streets, a lack of sidewalks, and languishing parks. Gentrification is also making its inroads.
Ordinarily, progress on the infrastructure front might invite gentrification. But a neighborhood coalition of community members and non-profits has made a point of linking infrastructure goals with wealth-building and anti-displacement goals. This means new parks associated with new affordable housing, construction on these projects performed by community members, and training provided by community organizations. This holistic approach has led to notable successes by Cully’s residents.
As Brown writes, green infrastructure improvements provide economic and health benefits. It’s logical to ensure those benefits serve communities directly and in as many ways as possible. Brown calls this approach “green infrastructure as antipoverty strategy.”
Resilience for All shows community development progress comes in phases, with one success usually priming the next.
In the neighborhood of Denby in Detroit, the local high school worked with non-profits to introduce urban planning and city improvements into the senior class curriculum. Students, concerned with local crime, initially set their sights on getting a nearby abandoned apartment building torn down. They aggregated resident organizations into the Denby Neighborhood Alliance and adopted a vision to target blight on a larger scale. They and thousands of volunteers combined efforts to board up vacant homes and reduce blight on more than 300 city blocks and used this cleanup effort to install wayfinding artwork and planter boxes to mark new safe routes to Skinner Playfield, their revitalized school playground.
Landscape improvements did not come to these communities without considerable effort and without help from a network of friendly actors. And the projects often operate on a humble scale.
Each case in Resilience for All represents innovation and progress for the communities and is fleshed out by a mix of empirical research and Brown’s own analysis to paint a picture of what worked, what didn’t, and how those lessons might be absorbed and applied elsewhere. Resilience for All is also bookended by two useful sections: a brief history of community-driven design and an encapsulation of the case studies’ lessons.
Resilience for All is a useful handbook for landscape architect’s wondering how their skill sets might apply to community-led planning and design. It demonstrates how landscape can be a powerful resource for vulnerable communities. And it also shows how communities can positively impact landscapes.
A class action lawsuit in Houston asks that question. The residents of a master-planned community that flooded during Hurricane Harvey are suing the engineering firm that designed the neighborhood’s stormwater management system.
While that suit targets engineers, it nonetheless represents the heightened risk landscape architects face from climate impacts on their projects.
In a panel discussion at the ASLA 2018 Annual Meeting in Philadelphia, Conservation Law Foundation (CLF) director of environmental planning Deanna Moran and CLF attorney Elena Mihaly gave a crash course on the changing landscape of liability in the age of climate change.
“Climate impacts are becoming more and more evident,” said Moran. “What does that mean for us when we know these impacts exist? When there is more public recognition of them, but we aren’t addressing them or acknowledging them in a concrete way?”
“How might a design professional –– like a landscape architect –– expose themselves to legal liability for failing to account for and adapt to climate impacts?”
Moran and Mihaly have studied these and other questions, releasing their findings earlier this year in a report published by the CLF.
Moran said there are three factors contributing to climate liability risk for design professionals:
First, increased media coverage and general awareness of climate change means landscape architects are increasingly obligated to understand the climate-related risks that might apply to any given project.
“The more we talk about risks publicly,” the greater “the foreseeability of climate impacts,” increasing potential exposure to liability, Moran said.
Second, government agencies are investing in increasingly-powerful modeling tools to conduct vulnerability assessments and climate adaptation planning. Often, agencies make this information public and open-source.
“These tools are more sophisticated and accurate than they’ve ever been,” giving landscape architects access to high-quality modeling of potential impacts from climate change at a local level. With that increased access comes an increased expectation that designers and engineers will factor in potential climate impacts.
Finally, Moran argued the failure of previous litigation against major greenhouse gas emitters could lead to “a shift in focus on the design community as defendants” in the realm of climate change litigation.
Mihaly said the first two factors –– public awareness and readily-available data –– contribute to what is known as a “standard of care,” a key concept in negligence litigation.
The standard of care owed by a design professional is determined by the courts on a case-by-case basis. Courts will look at a number of different factors to determine the standard of care owed by a landscape architect in any given case, including specific contract language, applicable codes and regulations, industry customs, and the foreseeability of harm.
When it comes to knowledge of future events or the foreseeability of harm, Mihaly said: “it’s not just a question of ‘did you know this could happen?,’ but ‘should you have known that this could happen?”
Because of the growing awareness of climate impacts and access to models and data, the answer to that question will increasingly be “yes.”
Mihaly cautioned that the inherently uncertain nature of climate change is not a sufficient defense in a negligence lawsuit. “Even unprecedented events have been held, in courts of law, as being foreseeable due to modeling.”
She also warned that mere compliance with a jurisdiction’s building or zoning codes does not protect a designer from liability if the codes do not actually prevent the harm that the designer has a responsibility to avoid.
“Compliance alone isn’t necessarily a liability shield. The key question is: do those codes and standards actually contemplate the harm you are trying to prevent against?”
Industry standards and customs also offer scant protection. “A whole practice could be relying on an unreasonable behavior, and that doesn’t necessarily make it reasonable,” Mihaly said, referring to the 1932 case T.J. Hooper v. Northern Barge Corp.
In that case, a tugboat operator was found liable for cargo lost at sea because the operator did not use a radio system to receive advance warning of a dangerous weather system. At the time, it was not common industry practice for tugboat operators to use such systems, even though they were readily available.
Judge Learned Hand, writing for the court, held that while “a whole calling may have unduly lagged in the adoption of and available devices, there are precautions so imperative that even their universal disregard will not excuse their omission.”
It’s clear “the standard of care expected of a design professional is rising due to climate change and improvements in climate science. The threat of liability is real, and there is already litigation in this space,” Mihaly said, referring to the lawsuit in Houston.
“Design professionals are the target we’re seeing crop up more and more,” she added.
While this changing nature of liability in an age of climate change may appear threatening, Moran and Mihaly instead argued for a positive outlook. “Liability lawsuits are incredibly effective at shifting industry perceptions and behavior,” Moran noted.
“This could be an opportunity for the design community to really pioneer this space and use liability to proactive in the face of climate impacts,” added Mihaly. “The threat of liability can turn what is dreamed about into the standard.”
There are just a few full-time architecture critics left at national and metropolitan newspapers in the U.S. But as Robert Campbell, long-time architecture critic for The Boston Globe, noted: “We’ve survived without architecture critics in the past — and will do so again.”
With the rise of highly-local and specialized blogs and Facebook pages examining all aspects of design and development, architecture critics may indeed go the way of the dodo. But it will be a loss for us all.
At the National Building Museum, Campbell and Inga Saffron, architecture critic for The Philadelphia Inquirer, both Pulitizer Prize winners, were given the Vincent Scully Prize for their role in elevating public discourse on the built environment. They are influential voices who have not only shaped the debate in their own cities but have also informed other communities around the world.
Here are some highlights from a panel discussion led by Blair Kamin, Pulitzer Prize-winning architecture critic for The Chicago Tribune.
On the rapid pace of urban redevelopment:
“Cities have really changed over the past twenty years. Before, the fear was Philadelphia would become the next Detroit and go into free fall, but now there is too much construction and the fear is gentrification.” — Saffron
“Banks and developers are now driving architectural forms. Architects have become an afterthought. They have so little control; I feel bad for them. The heroic architect myth is not reality.” — Saffron
“Developer-driven buildings aren’t very good. There are three firms that do about 90 percent of buildings in Boston. Redevelopment work is built quickly to minimal standards.” — Campbell
On the importance of place:
“I write about places, not buildings. There is an art to making great places. A great place can be a bedroom, lawn, neighborhood, city, or region.” — Campbell
Kamin then asked both Campbell and Saffron to name a great place.
For Campbell, a prime example is Commonwealth Avenue in Boston, which has “rows of homes dressed up in their tuxedos,” and for Saffron, Rittenhouse Square in Philadelphia, “which is permeable and enables you to flow through.” (see images above).
On Washington, D.C.:
Saffron, who is known for her cutting critiques, had nothing good to say about the new NoMA district:
“It looks like the world’s biggest office park. They will likely run out of window patterns eventually. These buildings maximize every inch of floor space. They are all the same shape. It’s dispiriting.”
But Campbell is a big fan of the Washington, D.C. Metro system, designed by architect Harry Weese. As Kamin remarked: “It looks like civilization — those concrete vaults.”
On their learning and writing process:
“If you don’t know what you are looking at, it forces you to look more closely.” — Campbell
“I’m a civilian, like every other citizen. We have a civic obligation to know how our cities are being built. I’m a big explainer. I don’t use jargon because I don’t want to lose my audience.” — Saffron
“I’m very embedded in a city. I’m a militant pedestrian and bicyclist. Walking and biking offers a more intimate pace. But dull stretches of streets will affect your whole mood.” — Saffron
“It’s easy to see the built world as a bar graph, a result of all these legal, financial, and political developments, nourished by bankers and developers deep in the caverns. But the physical environment merits its own evaluation, without looking at the subterranean forces.” — Campbell
And, lastly, advice for other writers of the built environment:
“Always go to the building or site. There is no substitution for being present. Renderings and photography can lie. See it with your own eyes.” — Saffron
“Inhabit the space. That’s the only way to see the relationships with other things — the context with other buildings and surroundings.” — Campbell
The Dutch Can’t Save Us From Rising Seas– CityLab, 10/17/18
“In nearly every major coastal city on Earth, elected officials are going Dutch—placing their faith and the future of their communities in the hands of Dutch engineering firms who are exporting their brand of climate adaptation to anyone that will listen.”
Asia’s First Vertical Forest Could Reshape How Cities Fight Climate Change – South China Morning Post, 10/24/18
“It might seem like blue-sky dreaming to imagine a Chinese city where you cannot see the buildings for the trees. But Italian architect Stefano Boeri can see it, and is crafting its beginnings in Nanjing, which he says will be home to the first vertical forest in China and Asia.”
Digging the School Day –The Altoona Mirror, 10/31/18
“Twenty-five students and adult volunteers placed all 500 plants in an hour and a half — about half the time the school had allotted for the work, according to rain garden designer Chris Foster, a landscape architect with Stiffler McGraw and Associates, and Chelsey Ergler, coordinator of the Intergovernmental Stormwater Committee, of which the city is a member.”
The landscape architects at CMG, all of you, and your colleagues across the country have much to offer a world that, more than ever, needs responsible stewards of the built and natural environments. For those of us on staff at ASLA, it is a privilege to be an advocate for what you do.
Before I get started, you may have noticed that ASLA has a fresh, new graphic identity. We think it not only works well in all contemporary media, it better reflects the energy and forward-thinking nature of the Society and its members, while remaining connected to our heritage and our values. Importantly, it will also help unify and strengthen the identity of the Society at the national and chapter levels.
Of course our identity doesn’t just come from our graphics. It comes from what we do and who we are.
I’m happy to announce that the Board has added inclusion and diversity to our statement of corporate values and culture.
The summits, and our work throughout the year, reflect our unwavering commitment to increasing diversity in the Society and within the profession, and to build future leaders who truly reflect the communities we serve.
In addition to diversity, our other top priorities are advocacy and public awareness.
On the federal level, we maintained our strong advocacy efforts to protect important federal programs and policies, including the Land and Water Conservation Fund. Although the LWCF expired on September 30, it is still funded through December 7, 2018, and a bill to permanently reauthorize this critical program was approved in both the House of Representatives and Senate committees.
Thanks to your advocacy, multiple amendments that would have derailed this legislation were defeated by wide margins, allowing the bill to move forward. Unfortunately, the fight is not over. Both the full House of Representatives and the Senate now must pass a final bill before December 7. Please continue to contact your legislators to support LWCF.
Also under active consideration in Congress—and getting closer to final passage—are bills to address the maintenance backlog in the national parks and continue the Every Kid in a Park program. Our Government Affairs team worked with coalition partners and allied organizations to move these critical bills through Congress. Your continued support and participation in our iAdvocate Network has been critical—and will continue to be critical—every step of the way.
On the state side, this year we again saw record numbers of challenges to licensure. Some specifically targeted landscape architects along with other professions and occupations. Some were more indirect threats—including broad licensure reform legislation and executive orders for licensure review.
Our chapters are hard at work countering the attacks—and working pro-actively to educate their legislators about the work of the profession and its impact on public health, safety, and welfare. This year we expanded our annual state Advocacy Summit. In a partnership with the Council of Landscape Architectural Registration Boards, our member advocates were joined by their counterparts from the state licensing boards. The joint summit has already resulted in stronger communications and partnerships in many states—all of which will enhance our licensure defense efforts in the coming years.
On the priority of public awareness, we have continued our successful programs, like World Landscape Architecture Month, and our PARKing Day activities, and have also taken on new initiatives. Our signature “This is Landscape Architecture” campaign continues to be extremely popular—and very successful at increasing our visibility and enhancing public understanding of the profession. This campaign will continue again next April during World Landscape Architecture Month—with an added focus on involving more of the global landscape architecture community.
Just started this year is a multiyear communications initiative in collaboration with our partners in what we call the Presidents Council—ASLA, the Council of Landscape Architectural Registration Boards, the Landscape Architecture Foundation, the Landscape Architectural Accreditation Board, and the Council of Educators in Landscape Architecture. We have engaged the FrameWorks Institute to help develop a comprehensive communications strategy for communicating about the profession—and its value. What makes FrameWorks so interesting, and why we selected them for this project, is that they focus on how underlying cultural values shape attitudes—and use that as a frame for identifying communication messages and strategies that resonate with those deep-seated values.
In the first phase of the work, FrameWorks is mapping the gaps between the public understanding of landscape architecture and how those within the profession think and talk about it. Early next year, FrameWorks will report back on the gaps and deliver preliminary recommendations on how to bridge them. In the next phase, they will develop and test specific messages and strategies for effectively communicating the value of the profession.
Getting the public to really understand—and appreciate—the profession of landscape architecture has been a longtime goal. And while we have seen a significant increase in media coverage over the last 10 years, we have a long way to go. Developing a better understanding of the profession will support not only our public awareness goals, but also our government affairs advocacy, and our efforts to build a more diverse pipeline of future professionals.
Landscape architects, of course, operate at the nexus of the built and natural environments, which means that by definition this profession has a crucial role to play in addressing the issues of climate change, sustainability, and resilience.
This summer we released Smart Policies for a Changing Climate, the report and recommendations of the ASLA Blue Ribbon Panel on Climate Change and Resilience. The report identifies the most important design and planning approaches for creating healthy, climate-smart, and resilient communities. And it makes specific public policy recommendations to support those approaches. The recommendations are informing our professional development programming and our advocacy and communications priorities. We are promoting the recommendations directly with public policy makers, as well as through our coalition networks and partnerships.
Last month I was honored to represent ASLA as a delegate at the Global Climate Action Summit. The conversations there were both deeply alarming and very encouraging. But I came away with one very clear takeaway for ASLA and the profession. While there are many voices and many experts leading the charge on reducing carbon emissions, there are fewer voices and even fewer experts who understand what needs to be done to help communities adapt to the changing climate.
How important is all of this? Two weeks ago the U.N. Intergovernmental Panel on Climate Change released a startling new report outlining the catastrophic consequences if the global community fails to take significant action in the next 10 years. The U. N. report reinforces the need for all those responsible for shaping human environments to redouble their efforts to mitigate climate effects and to ensure the resilience of communities already seeing the effects of the changing climate.
This commitment to action is why ASLA has also signed on to the We Are Still In initiative. This coalition of over 3,500 organizations from all sectors of society is a way of publicly standing by the Paris Climate Agreement and its goals of reducing emissions and fostering resilience.
Finally, I want to talk about a very special project ASLA is undertaking in Washington, D.C.
With urban infrastructure in crisis, ASLA believes it’s time for new thinking on how the civic realm can better serve public needs and meet environmental goals. What better place to put those ideas into action than the street on which ASLA’s headquarters sits in the Chinatown neighborhood of Washington, D.C.? The Chinatown Green Street project will renew the entire block using a blend of green, complete, and smart street strategies—a “test kitchen” of innovative concepts. It will serve as a national case study for design professionals, municipal officials, policymakers, advocates, and the public.
Unlike many organizations, ASLA is willing to make its principles more than just ideas on paper. We make them tangible and visible. With landscape architects at the forefront, ASLA first demonstrated its commitment to a sustainable future with a pioneering Green Roof on its headquarters building. Then, we transformed the building itself into the Center for Landscape Architecture following the highest standards of sustainable design and occupant wellness. Now, we are taking our principles directly to the street and the city.
Rotterdam in the Netherlands is the largest port in Europe. This 800-year-old city, which has a population of 630,000, is split into north and south sides by the River Nieuwe Maas. While the river is a major asset, it also increases vulnerability to climate change as sea levels rise. In a session at the ASLA 2018 Annual Meeting in Philadelphia, Dutch government officials, landscape architects, and planners discussed efforts to adapt Rotterdam and the rest of Holland to new realities.
After flooding in the early 1950s killed some 1,800 people, the Dutch were determined this would never happen again. According to Tim Van Der Staaij, a resilience officer with the Rotterdam city government, the country created a multi-layered system of “delta works” — a series of dikes, polders, and sluices to defend land against water. This system made Rotterdam, most of which is 6-7 meters below sea level, and its port possible.
But in recent years, climate change has made the intricate system that protects Rotterdam vulnerable. Van Der Staaij said the water management system has become “more unpredictable due to sea level rise, river discharge, groundwater rise, and excess rainfall.”
Given the city is already below sea level, Rotterdam has taken the approach that “we must accept the water; it’s better than fighting.” Once that conclusion was reached, city leaders saw an opportunity to redesign the city as part of a new Rotterdam resilience strategy, a set of “holistic, multi-level, multi-stakeholder” approaches.
In the past few years, the Dutch have invented new ways to “accept water,” including the water square by landscape architecture firm De Urbanisten, which is usually a public plaza with basketball court, but in extreme rain events becomes a temporary water storage space that “holds the water while the sewage system is over-taxed and then lets the water go later.”
Van Der Staaij said the city is now working on redesigning all public spaces to store water, including the new central station now in development. As part of this, Rotterdam has invested heavily in putting all that water to good use through its “water sensitive city” program, which invests in green roofs, tree planting, street-level gardens, and new green “tidal parks” along the river.
Han Dijk, an urban planner working with the city on its resilience plans, highlighted the tidal parks along the Nieuwe Maas — also to be designed by De Urbanisten — as central to creating a Rotterdam that can bounce back from repeated flooding. “The city will build new land with fill, soften the river’s coasts, and open up and connect islands.”
And Gerda Roeleveld, a landscape architect with Deltares, a independent research institute, explained how the Netherlands has invested in 3D simulated models to help local policymakers, planners, and designers — as well as the general public — understand the potential impacts of climate change.
She showed off some sophisticated animations that visualize climate impacts, including the distribution of water — from the national to the site-levels. A set of these adaptation support tools, based in real-time data, are supporting Dutch communities in their efforts to devise new climate resilience and adaptation strategies, which they obligated to create by 2019.
If you are on your phone reading this page, simply click on this URL and watch it in your YouTube mobile app: https://www.youtube.com/watch?v=nQ2geeXMThI (please note that this video will not work in your mobile browser)
Be sure to turn around while watching so you can see all angles of the park!
Use the sphere icon to navigate through the park! Note: the 360 video will not work in Firefox or Internet Explorer.
Option 2: Watch a 3D 360 Video on Samsung Gear VR
If you own a Samsung Gear VR headset and compatible Samsung phone, go to Samsung Gear via the Oculus App and search for “Brooklyn Bridge Park” or “ASLA” to find our video.
Why Brooklyn Bridge Park?
ASLA selected Brooklyn Bridge Park because it won the ASLA 2018 Professional General Design Award of Excellence. Less than one percent of all award submissions receive this honor.
Our esteemed jury, made up of leaders in the field, described Brooklyn Bridge Park this way: “The plan allows for and encourages different experiences in the different spaces, from being wide open and being fully engaged with the people around you to intimate, forested places. It’s remarkable.”
The award also highlights Brooklyn Bridge Park because it’s a prominent example of how to transform abandoned post-industrial waterfronts into spaces for people and wildlife. These spaces litter cities and represent so much untapped potential.
Why Virtual Reality?
The communications world is increasingly image- and video-driven. With video, you can pack in even more information about a work of landscape architecture, much more than you can in simply a photo or text. With video, you can get a sense of the sight, sound, and “feel” of a place. You can see people interacting with the design, bringing it to life.
Virtual reality takes video to the next level. As you move your phone or VR headset, you control your experience in the landscape. It more closely mimics the experience of exploring a place in person. In part, it recreates that sense of discovery one gets in real life.
Why did ASLA make this VR film?
Virtual reality has proven to be a powerful tool for explaining how the places people love – like Brooklyn Bridge Park – are designed experiences. Virtual reality can educate the public about landscape design in a compelling way.
The video has multiple goals: promote the potential of virtual reality among the landscape architecture community, which totals approximately 25,000 design professionals in the U.S. and Canada; explain the incredible value of landscape architecture to the public; and demonstrate the ability of landscape architects to turn an unloved place like a cut-off, post-industrial waterfront into a beloved community park.
Why should landscape architects use VR?
Virtual Reality is a powerful tool for landscape architects, architects, planners, and developers – really anyone involved in designing our built and natural environments. In the example of Brooklyn Bridge Park: many will never have the opportunity to visit the park in person, but with our video, they can get a good sense of what’s it like to be there.
For landscape architecture firms, this is an excellent way to really show clients that a place they’ve designed works – that people enjoy hanging out there, that kids love playing there, that people are drawn to events there.
ASLA VR Film Credits
Producer: American Society of Landscape Architects (ASLA)
Production Company: DimensionGate, Toronto
Director: Ian Tuason
Director of Photography: Ian Tuason
Production Assistants: Ward Kamel and Idil Eryurekli
Narrator: Michael Van Valkenburgh, FASLA, President and CEO, Michael Van Valkenburgh Associates Inc.
Post Production: Callum Wilkin Gillies
Thank you to Jamie Warren and Onika Selby at Brooklyn Bridge Park for making this all come together. At Michael Van Valkenburgh Associates, Inc, we appreciate the kind assistance of Michael Van Valkenburgh, FASLA, Hilary Archer, Jane Lee, and Lucy Mutz.
The ASLA 2018 Annual Meeting officially commenced Saturday morning in Philadelphia with outgoing ASLA president Greg Miller, FASLA, making the case for the importance of landscape architecture in a world facing many challenges.
While the problems of climate change, inequality, strained resources, and aging infrastructure are daunting, they also create opportunities for the field to expand its influence and scope of activity. “These are exciting times for landscape architects,” who are “solving complex issues with simple solutions that meaningfully impact peoples’ lives.”
“Seeing what is being accomplished across the spectrum of landscape architecture, I’ve realized that we’re defined by our wisdom, and that is what has put us in a position to take the profession to new heights.”
Miller said this wisdom is composed of “knowledge (the easy part), experience, perspective, foresight, and judgement. When these come together, the results of our wisdom are beautiful and special. Through our actions, we can make people’s lives better, protect our lands, and craft a better world.”
Laurie Olin, FASLA, and NPR special correspondent Susan Stamberg then took the stage for a wide-ranging conversation on Olin’s influences and current work.
Olin initially studied architecture but found himself shifting to landscape after traveling in Europe and being “absolutely blown away” by the landscapes.
At the same time, Olin was beginning to bristle at architecture’s limitations. “I realized architecture really didn’t satisfy some of my concerns. The 60’s were a turbulent time. Buildings were objects and didn’t seem to involve society, the public realm, and other factors I thought were really important.”
Olin said that his travel in Europe ignited his love for and interest in cities and urban design. “I had gone off to Europe to look at one thing, and then I discovered cities, and fell in love with them. I realized there was a structure to cities, and they could be organized around public spaces. I learned that people were actually designing the streets and linking public spaces before the buildings came. I thought that’s really important.”
Olin also observed these same influences were critical for Frederick Law Olmsted, who “channeled all this energy and these ideas about health and public spaces and fresh air and parks” into his work in the United States.
In Europe, Olin discovered “you had to go see it for yourself. Part of learning is being out there and actually seeing things. The books don’t do it; the slides don’t do it. The problem with landscape is it’s diverse, big, and in lots of places. You have to travel, and it takes a while to see it. Finding the good stuff is like raisins in the pudding – it’s not everywhere.”
His work as a designer has been shaped by these early insights and grew out of the same humane impulses that animated Olmsted’s work.
In his redesign of New York City’s Bryant Park, Olin sought to highlight the park’s characteristically-French elements but also make a space for people.
“I realized looking at it that it was a very French park,” he said. “It was basically a bunch of quotes from the Jardin du Luxembourg.” So, “if it’s going to be this French park, we should have movable furniture,” a simple move that “radically changed the place.”
At Battery Park City, also in New York City, Olin worked with Alex Cooper to create a master plan to draw people to the edge of the Hudson River. “It seemed so clear that what we had to do was get people out of the city onto the edge of the river and give the entire perimeter over to the public.”
In the wake of 9/11, Olin won a competition to redesign the base of the Washington Monument to deter a terrorist attack. However, the site needed much more than just security upgrades.
“People forget, it was a kind of nasty place in some ways. It was a complete ruin of the public realm in a place that was supposed to be the most generous and welcoming.”
Olin’s goal was “to make it as if it had always been a beautiful place,” he explained. “Why don’t we make it the way people think it always was?”
To achieve this effect, Olin’s design referred to the low retaining walls used on the opposite end of the mall by none other than Olmsted and Vaux. These walls encircle the monument, directing visitors and preventing a vehicle from getting too close. “The answer was right there, except at the other end of the mall!”
Stamberg brought the conversation to a close by asking Olin to reflect on the future of the profession.
“The future is always going to be a distorted view of the present,” he said. “We don’t know how the pieces will play out.”
He identified climate change as a uniquely-pressing issue both for landscape architects and the world at large. Olin urged landscape architects to assert themselves in important conversations on the world’s most difficult challenges.
“As a profession, we can help society find out where it wants to go. We should not wait for the phone to ring. We should be leading.”
“We have to become political in a thoughtful, non-strident, but effective way.”
“How to make the world safe for children in the next generation is your job,” he said to the audience. “It’s our job.”