The ASLA Awards Program is the oldest and most prestigious in the landscape architecture profession. They honor the most innovative landscape architecture projects and the brightest ideas from up-and-coming landscape architecture students.
“The ASLA Professional & Student Awards recognize the most innovative and impactful work in the profession,” said Tom Mroz, 2021 president of ASLA. “Our professional winners are leaders in the industry. Our student winners represent the best and brightest hope for the future. Each year, we get entries from all around the world. I can’t wait to see the creative projects this year’s Call for Entries brings.”
Award recipients receive featured coverage in Landscape Architecture Magazine and are honored at a special Awards Presentation ceremony in the fall.
ASLA bestows Professional Awards in General Design, Residential Design, Urban Design, Analysis & Planning, Communications, Research categories. In each of these categories, juries select a number of Honor Awards and may select one Award of Excellence. One Landmark Award is also presented each year.
The 2021 Professional Awards Jury includes:
Chair: Thaïsa Way, FASLA – Dumbarton Oaks
Virginia Burt, FASLA – Virginia Burt Designs, Inc.
Sahar Coston-Hardy, Affiliate ASLA – Sahar Coston-Hardy Photography
Perry Howard, FASLA – Greensboro, NC USA
Kene Okigbo, ASLA – RDG Planning & Design
Faith Okuma, ASLA – Surroundings Studio, LLC
Karen Phillips, FASLA – NYS Homes & Community Renewal
David Rubin, FASLA – David Rubin Land Collective
Emma Skalka, Hon. ASLA – Victor Stanley
ASLA bestows Student Awards in General Design, Residential Design, Urban Design, Analysis & Planning, Communications, Research, Student Community Service, and Student Collaboration. In each of these categories, juries select a number of Honor Awards and may select one Award of Excellence.
The 2021 Student Awards Jury includes:
Chair: Diane Jones Allen, FASLA – Design Jones LLC
Magdalena Aravena, ASLA – Lamar Johnson Collaborative
Jane Berger – Freelance Journalist
Rebecca Bradley, ASLA – Cadence
L. Irene Compadre, ASLA – Arbolope Studio
Gabriel Diaz Montemayor, ASLA – University of Arkansas
ASLA is accepting proposals for the 2021 Conference on Landscape Architecture in Nashville, Tennessee, November 19-22, 2021.
We are looking for education proposals that will help to drive change in the field of landscape architecture and provide solutions to everyday challenges that are informed by research and practice. Help us shape the 2021 education program by submitting a proposal through our online system by Wednesday, February 24, 2021 at 11:59 p.m. PT.
NEW for 2021
The 2021 conference education program will be organized across dynamic conference tracks. Before submitting your proposal, prepare by reviewing the seven track descriptions, which cover the topics most relevant to the practice of landscape architecture and cross-sector collaborations:
Education Session Submission Guidelines
Our session submission guides provide info on what you need to include, expert tips on putting together a winning proposal, and help to determine which session type best fits your proposal:
Speakers are welcome to use the submission Word templates to collaborate on proposals before completing the online submission. The templates provide descriptions of the required submission information and can be edited and shared:
Nominee Buttigieg Vows To Dismantle ‘Racist’ Freeways— 12/22/20, Streetsblog
“President-elect Biden’s path breaking pick for Transportation Secretary says he’ll reverse decades of discriminatory planning by expanding public transit and, most important, dismantling urban freeways that were built to destroy Black communities and led to decades of health and wealth inequity.”
City of Boston Is Working with Architectural Firm to Rethink Copley Square — 12/16/20, The Boston Globe
“’We have a much-loved square which hasn’t seen any updates since the late ’80s and wasn’t designed for the kind of traffic it now gets in the 21st century,’ said Kate Tooke, a landscape architect at Sasaki, a Watertown-based global design firm that has been hired by the Walsh administration to design upgrades for the square.”
If, like me, over the course of 2020 you’ve had thoughts like there has to be a better way or what the world needs now are better leaders, then Leadership for Sustainability: Strategies for Tackling Wicked Problems may just be the book you need to prepare for 2021 and beyond. Written for professionals working in sustainability and environmental security, the new book by authors R. Bruce Hull, David P. Robertson, and Michael Mortimer provides a roadmap of the challenges and opportunities of the Anthropocene, a leadership toolbox, and a storybook of wicked leadership in practice. This practical guide provides clear leadership strategies that support emerging and seasoned planning and design professionals alike.
Roadmap for the Anthropocene
Humanity is just 70 years into the Anthropocene, the age where “humans create Earth’s conditions that support or threaten civilization.” In our new epoch, the problems we have created and need to solve are “wicked.”
Wicked problems — climate change, inequality, urbanization, water scarcity, agriculture, energy, and the linear economy — are “extraordinarily difficult to define and even more difficult to solve.” Wicked problems are polarizing; exist across interconnected systems; span cultures, borders, institutions, governments, and markets; and “no one organization or sector of society can know in advance how to solve” them. Throughout these systems are people who adhere to diverse beliefs and whose values are often not in alignment with our own. How do we establish trust, facilitate meaningful communication, and hold space for the beautiful natural diversity that exists in our world to create a sustainable future? With leadership strategies for sustainability, of course.
For readers looking for an entry point that relates to their personal interests or area of professional focus, you may wish to start with a quick review of the “Introducing Leadership Stories” section. Specifically, the Navigating the Leadership Stories table, which maps Anthropocene challenges (stormwater, biodiversity, urbanization etc.) to the key actors and the leadership practices illustrated in the respective case study, while also referring to where in the toolbox the practice is explained.
Toolbox for Wicked Leadership
Wicked problems require leadership that empowers everyone to “lead from where you are,” regardless of title or recognized authority. To provide context, Hull and his co-authors unpack the necessary leadership practices required in wicked situations as compared to what is required in tame and crisis situations.
Leadership for wicked problems is defined by the concepts of “direction, alignment, and commitment,” which occurs only when “stakeholders agree on a direction for their efforts, align their resources as needed to achieve that direction, and commit to delivering those resources as well as supporting each other.”
A key point here is that everyone is responsible for achieving direction, alignment, and commitment. What makes this approach such a powerful tool is that it is clear, can be applied broadly, and it “works in most cultures, contexts, and situations,” as the case studies section demonstrates.
At this point in the book, the authors begin to illuminate a better way and introduce readers to leadership practices, which support professionals to “connect across space and time, collaborate across differences, and adapt to uncertainty” when problems are wicked. Caution is noted here: professionals need to understand that these practices must be used appropriately for the given set of circumstances.
To that end, specific strategies are detailed, which serve as a guide to achieving self and situational awareness, so that appropriate action plans can be implemented. For example, to connect across space and time leaders might establish a “community of practice,” so that “professionals can learn from each other and become more effective in their respective practices.”
In this reviewer’s opinion, the section on collaborating across differences is perhaps the most valuable because it provides strategies for navigating what often blocks individuals and groups from successful outcomes — our differences. How do we collaborate when people “hold different identities, agendas, factual beliefs, world views and values?”
The first step is self-awareness and requires understanding our individual preferences, values, influencing style, and approach to dealing with conflict, all of which evolve over time. With this awareness we can better communicate who we are, develop greater capacity for empathy and respect for difference. In turn, increased self-awareness better prepares us for the practices of adaptive leadership.
The chapter on “Adapting to Change, Uncertainty, and Failure” delves into achieving direction, alignment and commitment, when “situations are characterized by confounding uncertainty and dynamism.” Readers are introduced to a powerful sense-making tool, and strategies for collaborative innovation specific to sustainability.
Storybook: People Practicing Wicked Leadership
In the final section of Leadership for Sustainability, we meet the people in the field who have successfully implemented the leadership practices for achieving direction, alignment, and commitment — by leading from where they are to find solutions to the greatest challenges of our time. It is through their stories that we find our own opportunities and inspiration to make new connections, collaborate, and adapt our way to a better future. Thank goodness we now have a new set of tools that we can customize for the task.
Susan Apollonio is a leadership coach who writes from Phoenix, Arizona. She partners with natural resources and design professionals to develop their leadership presence for professional and personal success.
“Climate change and the gross disparities in economic means and access to education and employment across the world are threatening the human species. They’re equally threatening, and social upheavals can only get worse as disparities in income and opportunities continue to get wider.”
“For the past 30 years, since I wrote The Granite Garden, I’ve focused on restoring the natural environment of cities at the same time as rebuilding inner-city communities and educating and empowering young people who don’t have access to a high-quality education that will set them up for having a stake in society. Those are areas where I’ll continue to devote my efforts.”
– Anne Whiston Spirn, FASLA
In recognition of her lifetime of achievements as an author, professor, and thought leader in landscape architecture; her groundbreaking work in the field, from her book The Granite Garden to the West Philadelphia Landscape Project; and for her continuing drive to promote environmental justice, the American Society of Landscape Architects is proud to award the 2020 ASLA Medal to Anne Whiston Spirn, FASLA.
Since 1987, she has directed the West Philadelphia Landscape Project, an action research program that has the goal of restoring nature and rebuilding community through strategic design, planning, and education programs. Spirn is the recipient of Japan’s 2001 International Cosmos Prize for “contributions to the harmonious coexistence of nature and mankind;” IFLA’s Geoffrey Jellicoe Award; and the 2018 National Design Award for “Design Mind.”
Monday, November 16, 1:00 pm – 6:00 pm EST
Tuesday, November 17, 1:00 pm – 6:00 pm EST
Wednesday, November 18, 1:00 pm – 6:00 pm EST
reVISION is big ideas
Landscape architects can maximize their capacity to realistically mitigate climate change. Explore the design track with speakers including Pamela Conrad, ASLA, LEED AP.
reVISION is important issues
Wildfire vulnerability in Australia and western states in the U.S. are causing us to focus more on resilience in these communities. Explore the climate change track with speakers including Greg Kochanowski, ASLA, AIA.
reVISION is hands-on information
Learn best practices from the experts all while discovering the newest products and techniques in the industry. Explore Design Day with speakers like Gina Ford, FASLA.
reVISION is GREAT VALUE.
Save up to 75% from the in-person event.
For ASLA members (full, associate, affiliate, corporate), registration is $199. For non-members, the rate is $299. ASLA student members can register for just $25. And emeritus ASLA members can register for $75.
Join prominent educators and practitioners as they share their experiences teaching and coordinating studios as part of the Green New Deal Superstudio, a national conversation on how the framework of the Green New Deal’s key tenets of jobs, justice, and decarbonization can be translated from policy into actual projects with regional and local specificity.
Dumbarton Oaks, a Harvard University research institute, library, museum, and garden in Washington, D.C., has a number of fellowships open to landscape architecture academia and practitioners focused on race, democracy, and urban landscapes.
2021-2022 Mellon Fellowships in Urban Landscape Studies: These are available as part of the Mellon-funded initiative on “Democracy and the Urban Landscape: Race, Identity, and Difference.” Fellowships are for cross-disciplinary scholars, with a preference for those with PhD or master’s of landscape architecture degrees. Apply by December 1.
Mellon History Teaching Fellowships: These are for current faculty members in universities and other post-secondary educational institutions. Apply by December 1.
Garden and Landscape Fellowships and Project Grants: Awarded for an academic year or a semester, research fellowships are available to scholars with a terminal degree. Junior fellowships are available for degree candidates who have fulfilled all preliminary requirements for a terminal degree.
According to Dumbarton Oaks, project grants are “intended to support primary research of a specific site. Project grants may be used for a broad array of projects including field research, site analysis, botanical surveys, heritage conservation and restoration planning, with the goal of promoting the preservation and understanding of historic gardens and other significant designed landscapes.” Apply by November 1.
Another opportunity worth exploring for those who design classical gardens like Dumbarton Oaks:
The Institute of Classical Architecture & Art (ICAA) is accepting submissions for the Bunny Mellon Landscape Design Prize, “which recognizes the excellence and creativity of a project from an emerging landscape or architectural design professional whose work is inspired by classical or traditional design, holistically considers the symbiosis between outdoor environments and physical structures, and interweaves garden and architectural elements within their design.”
The winner will receive a $1,500 cash prize and will be recognized at the ICAA Southeast Garden Symposium: An Exploration of Architecture & Landscape, May 30-April 1, 2021 in Atlanta, Georgia, with weekend and travel expenses paid. Apply by December 15.
The prize is part of ICAA’s Bunny Mellon Landscape Curricula, which offers programs in landscape architecture for designers, students, and the public. According to ICAA, “this curricula, the first to be named in honor of Bunny Mellon, honors her commitment to landscape design, and her deeply-held belief that architecture is firmly linked to its surrounding landscape.”
It is especially gratifying to be recognized on the 120th anniversary of the birth of the man who established landscape architecture as “the mother of all arts”—Sir Jellicoe himself.
My Roots in the Village
I’d like to begin by talking a bit about my childhood, which ultimately had a profound influence on the way I’ve come to approach my work. I was born to a peasant family in Dong Yu village in southeast China’s Zhejiang Province. The village is located where White Sand Creek and the Wujiang River meet.
I swam in the creek during the summer and caught big fish when the monsoon season came. When I was small, I took care of a water buffalo, which grazed along the waterways and between the paddy fields. There were seven ponds, a patch of sacred forest and two big camphor trees in front of the village, under which many legendary stories about my ancestors were told.
The land was extremely productive. We planted three crops throughout the year, including canola, wheat, buckwheat, rice, sugar cane, peanut, sweet potato, corn, soybeans, carrot, turnip, radish and lotus.
The land and water were precious, but the weather could be unpredictable, so we had to design and manage our farm fields wisely, following nature’s cycle and wasting nothing, and adapting in order to make a living.
We worshipped the Earth God, Water God, and Yu the Great, the legendary king who knew how to manage water and plan the land. We also worshipped our ancestors, who had the wisdom of adapting to nature and cultivating the land.
In all likelihood, I would have followed in the footsteps of my father, who taught me how to cultivate the land, manage water, and be a productive farmer.
But it was a difficult time. Although we were a peasant family, we had also been landowners. During Mao Zedong’s Cultural Revolution, my family was labeled as members of the “landlord class.” Our land was seized and redistributed to communes, after which we collectively farmed it. More significantly for me, children from the landlord class were prohibited from attending school.
But in 1978, an army veteran who came to teach in my village, Mr. Zhou Zhangchao, caught up with me one day while I was riding my water buffalo home. He told me that Deng Xiaoping had reversed the policies that barred the children of the landlord class from going to school. I immediately enrolled in school and began studying hard to catch up.
In 1980, after 17 years working on the commune, I passed the national university entrance examination. I was the sole lucky university entrant out of 300-plus students in our rural high school.
On the Shoulders of Giants
By chance, I was chosen to enroll in Beijing Forestry University as one of 30 students in the entire nation to study gardening, which had been cancelled for ten years during the Cultural Revolution. I was fortunate to have some of the best landscape gardening professors in the nation as my mentors, including Wang Juyuan, the founder of the Landscape Gardening Program at the Beijing Forestry University; Chen Youming, my Master’s thesis advisor; and Sun Xiaoxiang and Chen Junyu.
In a certain sense, leaving the dusty countryside to make beautiful gardens in the city was a dream for me and my parents.
But when I finished college and was starting my career of teaching and making beautiful gardens for the city, I returned home to find that my village had been destroyed. The sacred forest and the camphor trees had been cut and sold off. The creek itself had become a gravel quarry, and the fish disappeared.
I began to ask myself: Was there something more I should be doing? What about my village and my fellow villagers? What about the land beyond the garden walls and beyond the city walls—where, at the time, almost three-quarters of a billion Chinese lived?
At this same time, I began looking abroad to learn more. In 1992, I was accepted at Harvard’s Graduate School of Design. I spent the next four years working with Carl Steinitz, Hon. ASLA, along with landscape ecologist Richard Forman and GIS and computing expert Stephen Ervin. I would often encounter Ian McHarg, Michael Van Vulkenburgh, FASLA, Peter Rowe, and others in the hallways.
For me, it was a tremendously exciting time. It was a chance to meld the village-level concepts of the Earth God, Water God, and Yu the Great, from my childhood, with the ideas of the great Chinese “gardening” masters—and some of the best minds in the West.
The concepts of landscape and urban ecology, people-oriented urbanism, landscape perception and revolutionary anthropology, landscape and architectural phenomenology, etc., enlightened the left side of my brain. Design works by contemporary masters including Peter Walker, FASLA, Laurie Olin, FASLA, Michael Van Valkenburgh, FASLA, Richard Haag, FASLA, Maya Lin, Martha Schwartz, FASLA, Peter Latz, Bernard Tschumi, and so on, inspired the right side of my brain.
It happened to be a time of great debate within academia, and I found myself fascinated by the tensions between design as political procedure versus design with nature, and art versus ecology.
I was captivated by two questions, which have subsequently driven my entire career:
Conservation vs. Development: Spatial planning based on the idea of balance –when land and space are limited, how can we balance ecological protection with development?
Sustainability vs. Beauty: The creation of Deep Form — what is the relationship between sustainability and beauty, how can we unite ecology and art?
After graduating, I was recruited by SWA in Laguna Beach, California. There, I was able to work with Richard Law, FASLA, on luxury properties, new urban development, and projects in the booming Asian market. Life on the beach was pretty good.
But while I was happily designing luxury properties and imagining the grandeur of new cities, I found that the land at home was under assault. Old buildings were torn down; hills were leveled; lakes and wetlands filled and polluted; rivers channelized and dammed; and public squares and boulevards were built at gargantuan size. It was the opposite of everything I had learned about how to create livable cities and landscapes.
And it turned out to be a national-scale challenge. Over 80 percent of Chinese cities suffer air pollution, which kills 1.2 million people each year. Flooding causes some US$ 100 billion in damage. Four hundred of 662 cities suffer water shortages. Seventy-five percent of the nation’s surface water is polluted, and 64 percent of cities’ groundwater is polluted. 50 percent of wetlands have disappeared in past 50 years, resulting in tremendous losses of wildlife habitat.
Meeting the challenges
(1) Start with Education and a New Identity
I landed at Peking University as a professor in 1997 and was immediately joined by my lifelong friend Li Dihu. Together we started the landscape architecture program in the Department of Geography. We hoped to help an important new profession establish a foothold across a vast landscape. But we had humble beginnings: We started with a grand total of 3 students. (Today, we have 200 students enrolled, with more than 600 graduates.)
But people still tended to see me simply as “a gardener,” with no relation to urban development, land and water management, flood control, or ecological restoration.
In China, there’s a legend about “The Land of Peach Blossoms,” a magical realm of peace, a sort of Shangri-La. To a certain extent, I have always thought of Dong Yu village, where I grew up—with the two big camphor trees under which I heard the stories of my ancestors and the sacred forest where they rest–as the Land of Peach Blossoms. And landscape architecture, to me, seemed a way to recover the lost Land of Peach Blossoms.
So I felt compelled to reclaim the importance of landscape architecture itself and began describing it as “The Art of Survival.” In doing this, I was inspired by Ian McHarg’s pugnacious call to arms: “Don’t ask us about your garden. Don’t ask us about your bloody flowers …. We’re going to talk to you about survival.”
We launched a new magazine, Landscape Architecture Frontiers, to promote our new approach. We brought in top thinkers in the field to lecture and held over 15 landscape architecture conferences to educate a young generation and begin creating a consensus.
(2) Trying to reverse the damage and inspire policy change
We felt that immediate action had to be taken to reverse the damage, so we launched the concept of “Inverse Planning” (反规划 fǎn guīhuà), which emphasizes the protection of existing natural functions and prioritizes what is not built—what should be protected instead.
I also realized that the only way to reverse the damage caused by conventional planning procedure was to convince decision makers to change the policies. So I kept writing and talking and lecturing to decision makers, from top authorities to township leaders. I delivered over 300 lectures to municipal decision makers and ministers.
In 2006, I made a proposal to then-Premier Wen Jiabao that, to my surprise and gratification, initiated the process of national security pattern planning and ecological red line regulation.
These two concepts help identify and protect critical landscapes to safeguard natural, biological, cultural and recreational values and functions, thus securing this wide range of ecosystems services essential for sustaining human society. The State Council has since issued four state regulations to safeguard national ecological security.
(3) The “Big Foot” Revolution
I also realized that bad decisions were being made simply because of a misguided mentality about civilization and misguided aesthetic sensibilities. For thousands of years, the “civilized” urban elite worldwide has insisted on the privilege of defining civilization, beauty, and good taste. Bound feet, deformed heads, and twisted bodies are only a few such expressions of cultural practices that, in trying to elevate city sophisticates above rural bumpkins, have rejected nature’s inherent principles of health, survival, and productivity.
In China, for more than a thousand years, young girls were forced to bind their feet in order to be able to be considered beautiful enough to marry urban elites. Natural, “big” feet were considered rustic and rural. The obsession with “little feet” sacrificed function and dignity for ornamental value.
Today, landscaping and city building, by far, are the most visible and extensive manifestations of the folly of civilization and aesthetic standards defined from above—what I think of as “little foot” urbanism and the “little foot” aesthetic.
On one hand, the “manicured little foot” grey infrastructure simply lacks resilience and is a waste of energy and materials. On the other hand, urban elites with “little foot” aesthetics trying to elevate city sophisticates above rural peasants have rejected nature’s inherent goals of health and productivity.
These kinds of “little foot” grey infrastructure and aesthetics are not only expensive, but also wasteful and unsustainable. China’s carbon emissions in 2017 accounted for 28 percent of the world total. And according to 2018 figures from the World Economic Forum, China consumes 59 percent of the world’s cement and 50 percent of its steel and coal.
So I began advocating for what I call a Big Foot Revolution. This movement begins with questioning some of the basic values I have mentioned above, and my hope is that it will mirror an earlier revolution in the way Chinese thought about their own bodies and culture.
In the early 20th century, The New Cultural Movement was launched by teachers and students at Peking University, and ultimately led to the rejection of foot binding and a re-embracing of the natural beauty of the human form.
I believe the Big Foot Revolution will happen at three levels of action:
Planning the Big Feet (planning ecological infrastructure across scales)
Creating Working Big Feet (creating nature-based engineering models inspired by ancient wisdom)
Making Big Feet Beautiful (new aesthetics to create deep forms).
“Planning the Big Feet” or planning ecological infrastructure across scales, is critical for securing ecosystems services, and weaving green infrastructure together with grey infrastructure. Inspired by the ancient concept of sacred landscape—and by modern game theory¬—I developed the concept of the Landscape Security Pattern, which focuses on protecting the critical landscape patterns needed to ensure that natural processes can continue.
“Creating working Big Feet” means creating nature-based engineering models inspired by ancient wisdom, particularly from agriculture. We have developed replicable modules based on traditional farming techniques of terracing, ponding, diking, and islanding to address climate change and related problems at a massive scale in a cost-effective manner.
In China, all rivers are dammed and channelized with concrete flood walls. China has more than half of the world’s dams greater than 15 meters in height. More than US $20 billion is invested to control flooding each year, but US $100 billion is lost and 10 million people are affected every year. We need to accept and embrace flooding as a natural phenomenon, and turn grey infrastructure into green to help temper the damage of inevitable floods.
Due to the monsoon climate, over 62 percent of Chinese cities suffer from urban flooding. How much more flooding could be managed better if nature-based solutions were implemented nationwide? Using sponge city concepts would greatly increase water resilience.
In China, 75 percent of surface water is contaminated. Globally, 85 percent of sewage goes untreated. But the landscape can be a living system to clean water. Terraced, constructed wetland can be used to remove nutrients through biological processes.
We have already incorporated many of these ideas at several parks throughout China. In Zhejiang Province’s Taizhou City, we redesigned the Yongning Park as a “floating garden” with ecological embankments that can reduce peak flood flow by more than half, and create a seasonally flooded natural matrix of wetland and natural vegetation that sustains natural processes. This park demonstrates an ecological approach to flood control and stormwater management, while also educating people about new and forgotten solutions to flood control beyond engineering.
In Zhejiang’s Jinhua City, water-resilient terrain and planted vegetation were designed to adapt to monsoon floods. A resilient bridge and path system was designed to adapt to the dynamic flows of water and people. The river currents, the flow of people, and the gravity of objects are all woven together to form a dynamic concord. This is achieved through meandering vegetated terraces, curvilinear paths, a serpentine bridge, circular bioswales, planted beds, and curved benches.
In Harbin, in the far north, we turned the Qunli Stormwater Park into a “green sponge” that filters and stores urban stormwater while providing other ecosystem services, including the protection of native habitats, aquifer recharge, recreational use and aesthetic experience, which together help foster sustainable urban development.
At Dong’an Wetland Park on Hainan Island, off the coast of southern China, creating a green sponge in the center of the urban environment was an essential adaptation strategy for increasing resilience to climate change, particularly in an area where tropical storms can easily overwhelm conventional drainage systems.
In this case, a heavily polluted 68-hectare site was filled with non-permitted buildings and illegally dumped urban debris. Inspired by the ancient pond-and-dike systems and islanding techniques in the Pearl River Delta, and using simple cut-and-fill methods, a necklace of ponds and dikes was created along the periphery of the park that catches and filters urban runoff from the surrounding communities.
In the central part of the park, dirt and fill were used to create islands that are planted with banyan trees to create a forested wetland. Both ponding and islanding will dramatically increase the water-retention capacity of the park and increase the eco-tones between water and land to speed up the removal of nutrients. The constructed wetland can accommodate 830,000 cubic meters of storm water, dramatically reducing the risk of urban inundation.
Along the Huangpu River in Shanghai, we designed Houtan Park as a regenerative living landscape on a former industrial brownfield. The park’s constructed wetland, ecological flood control, reclaimed industrial structures and materials, and urban agriculture are integral components of an overall restorative design strategy to treat polluted river water and recover the degraded waterfront in an aesthetically pleasing way. The 10-hectare park, which is 1,700 meters long, filters phosphorous and other nutrients from 2,400 cubic meters of water per day, which is enough water for 5,000 people.
The Meshe River in Haikou has suffered flooding due to the monsoon climate and water pollution caused by sewage and non-point source pollution from urban and suburban runoff. The river had been channelized with concrete for the sole objective of flood control, which destroyed its ecological resilience.
We used nature-based solutions to create resilient green infrastructure that has revived the river. The concrete flood walls have been removed and the river was reconnected to the ocean so that tides could once again enter the city. Wetlands and shallow river margins were reconstructed so that mangroves could be restored. A terraced mosaic of wetlands along the banks of the river was designed as natural water-treatment facilities that catch and cleanse nutrient-laden runoff, and a significant amount of wildlife habitat has been recovered in the dense city center.
The Mangrove Park in Sanya City, on the island of Hainan, is another example of nature-based climate resilience. To mitigate urban flood risk caused by climate change, it was critical to restore mangrove along the waterways and coastal shorelines. One of the key challenges was finding an efficient and inexpensive method to reestablish the mangrove habitat that had been extensively destroyed due to rapid urban development. To that end, fill composed of urban construction debris and concrete from the demolition of the flood wall was recycled on site.
Cut-and-fill techniques were subsequently used to create a gradient of different riparian eco-tones for diverse fauna and flora, particularly different species of mangroves. An interlocking-finger design was used to lead ocean tides into the waterways, while also attenuating the impact of both tropical storm surge and flash floods originating in the urban and upland area upstream, both of which can harm establishment of mangroves. This also maximized habitat diversity and edge effects, which increase the interface between plants and water; this, in turn, enhances ecological processes such as nutrient removal from the water.
The dynamic aquatic environment that follows the rise and fall of tides and provides several aquatic species with the daily water-level fluctuation they need for survival. Terraces between city streets and the river have been augmented with bioswales to catch and filter urban stormwater runoff. In just three years, an area of lifeless land fill within a concrete flood wall in the center of the city was transformed into a lush mangrove park. This type of mangrove rehabilitation can be implemented at a large scale efficiently.
In China, 60 percent of urban soil is contaminated, and conventional remediation is usually very expensive. In Tianjin’s Qiaoyuan Park, I wanted to show how we can let nature do the work, by using nature-based soil remediation techniques. Through regenerative design and by sculpting land forms and collecting rainwater, the natural process of plant adaptation and community evolution was introduced to transform a former shooting-range-turned-garbage-dump into a low maintenance urban park. The park provides diverse nature-based services for the city, including retaining and purifying storm water to regulate pH, providing opportunities for environmental education and creating a cherished aesthetic experience.
Making Big Feet Beautiful means promoting the new aesthetics to create deep forms. In this, I was inspired by Anne Whiston Spirn’s New Aesthetics that “encompasses both nature and culture, that embodies function, sensory perception, and symbolic meaning, and that embraces both the making of things and places and the sensing, using, and contemplating of them.”
The timeless interdependence of culture and nature is most visible in the bond between peasants and their farmlands, and practices such as cut and fill, irrigate and fertilize, frame and access, grow and harvest, recycle and save — all of which embody some of the principles of new aesthetics that inspired my design.
In Qinhuangdao, I put a ribbon on the river to frame and transform the messy nature into an ordered urban park. Winding through a background of natural terrain and vegetation, the “red ribbon” spans five hundred meters and integrates lighting, seating, environmental interpretation and orientation. This project demonstrates how a minimal design solution can dramatically improve the landscape, while preserving as much of the natural river corridor as possible during the process of urbanization.
China has 20 percent of the world’s population, but only 8 percent of the world’s arable land—10 percent of which has been lost in the past 30 years due to urban development. Our project on the Shenyang Jianzhu University Campus uses rice paddies to simultaneously define the structure of the landscape design and introduce a productive landscape into the urban environment. It is a demonstration of a method to resolve the tension between urban development and food production in today’s developing world.
In Quzhou’s Luming Park, we embraced the concept of agricultural urbanism. On a site surrounded by dense new urban development, we created a dynamic urban park by incorporating the agricultural strategy of crop rotation and a low-maintenance meadow. An elevated floating network of pedestrian paths, platforms and pavilions creates a visual frame for this cultivated swath and the natural features of the terrain and water. Using these strategies, a deserted, mismanaged landscape was dramatically transformed into a productive and beautiful setting for urban living, while preserving the natural and cultural patterns and processes of the site.
I have also tried to show the possibilities of reusing and recycling. While China has been on an incredible building boom, it has also demolished large parts of its cities. In 2003, for instance, some 325 million square meters of new buildings were constructed, while 156 million square meters was demolished. Thousands of villages and factories were wiped out.
The Zhongshan Shipyard Park near Guangzhou, inaugurated in 2002, was an effort to show that existing building and other structures can be incorporated into new development. The park reflects the remarkable 70-year history of socialist China and has been lauded as a breakthrough in Chinese landscape architecture. The original vegetation and natural habitats were preserved and only native plants were added. Machines, docks, and other industrial structures were retained not only for functional purposes, but also to educate and because of their aesthetic appeal. The park demonstrates how landscape architects can create environmentally-friendly public places full of cultural and historical meaning on sites not previously designated for attention and preservation. Its design supports use by the common people, as well as the environmental ethic that “weeds are beautiful.”
For over 20 years, we have tested and built over 500 projects in 200-plus cities and showcased numerous replicable models for healing and transforming our land at various scales.
Looking back, I have a better understanding of how my village-level landscape experiences, melded with modern concepts of landscape and urbanism, sustainability and aesthetics, which were developed by my many teachers and mentors, have helped me to address some of the common challenges that our profession is facing today.
I find myself thinking often of my roots in Dong Yu village. I think of King Yu the Great, who had the vision of healing the earth and living with nature. I think of the peasants who transform the landscape in which they live with their own hands. And I want to think like a king, but act like a peasant.
This is an incredibly sobering time to contemplate the relationship between humans and the natural world. The global pandemic is a powerful reminder that any belief in the conquest of nature is pure folly. We are all living in a new era of humility.
Yet I also believe that the pandemic—together with climate change—is also highlighting how important it is to create landscapes that can not only heal bodies and minds, but also the planet itself.
It is such a great honor to be in the company of the many great and thoughtful landscape architects who come together under the banner of IFLA. As former IFLA president Martha Fajardo said in 2005: “Landscape architect is the profession of the future.”
Thank you, and I wish everyone the best in collectively keeping ourselves and our loved ones safe.
Landscape architects, urban planners, and architects can build solidarity with the social and environmental justice movements by creating conferences that use diversity, equity, and inclusion as a guiding framework. This is what we did with the 2019 ASLA Florida Chapter Conference in Orlando, Florida, where I was given the privilege to lead a diverse team of ASLA Florida volunteers as the 2019 conference chair.
As a member of the Puerto Rican diaspora residing in Orlando, I focused the conference team on the role landscape architects can play in moving forward social and environmental justice. ASLA members and allied professionals were invited on Common Ground (the theme of the conference) to discuss these issues. With the support of the ASLA Florida Chapter executive committee, we partnered with Black, Indigenous, and People of Color (BIPOC) and women leaders in landscape architecture who could guide us through the hard conversations.
During his keynote speech at Common Ground, Walter Hood, ASLA, a landscape designer, artist, and founder of Hood Design Studio, said, “some words are hard to hear.” But it was the words of these diverse leaders that increased member attendance by 25 percent and vendor participation by 27 percent in comparison with previous state conferences. These gains in attendance and engagement are evidence that national planning and design organization need to commit to a diversity, equity, and inclusion framework.
I have highlighted three commitments that you can adopt in your conference planning process:
Commit to Creating a Platform for Diverse Voices
BIPOC designers are not a monolith. We cannot check a box for diversity and assume diversity, equity, and inclusion has been achieved. Including the voices of Latinx, women, and Black landscape architects and educators was a conscious choice that we understood would enrich the conversation.
However, the four days we had for the conference was not enough. When we talk about inclusion and diversity, we cannot add one or two people of color to a panel and think we have accomplished our goal. This is why the majority of our keynote speakers needed to be people of color and women.
Meghan Venable-Thomas, Gina Ford, FASLA, Diane Jones Allen, FASLA, Kofi Boone, FASLA, Walter Hood, FASLA, Christina Hite, ASLA, Kimberly Garza, ASLA, Kona Gray, FASLA, and Emily O’Mahoney, FASLA, represented different perspectives as keynote speakers. They nourished our hunger to learn about our roles in social and environmental justice, but their voices weren’t drowned out.
Commit to Making Our Leaders Accessible to BIPOC Students
Conferences often highlight gaps between us. But a conference planned around diversity, equity, and inclusion bridges those divisions, especially for BIPOC students. A big step is removing financial barriers for students by making conferences free for student members. We committed to making it free for all registered students to attend.
Just like the fight for curb cuts in 1972, which increased access to people with different abilities, we needed to fight for a conference culture that cuts through the invisible barriers that separate BIPOC students from accessing leadership.
To address those invisible barriers, we created a volunteer position within the conference committee for a mentor to train student volunteers ahead of the conference. Students were eager to volunteer even though the conference was free. With professional training and access to leadership within ASLA, the students saw the incentive to attend the conference and volunteer. The result was record student turnout.
Commit to Stewardship
When I was a student, perhaps the idea that most attracted me to ASLA was, by joining, I too could become a “steward of the land.” In my student chapter, we co-opted this title and called ourselves “stewards of the land in training” because we understood that as aspiring stewards, we had to facilitate the change we want to see.
Now, as an emerging professional, I believe conferences are an opportunity to practice stewardship in a contextual manner. The conference committee reached out to local Black artists — two painters and one poet. We hired them to interpret who we are through their art. Jamile B. Johnson and Genevieve DeMarco painted eight scenes depicting the Black experience in our parks and public spaces. Blu Bailey, the poet, gave the gift of words with a powerful recital for Walter Hood (see video above).
The threads that binds these commitments are leading by stepping aside, elevating marginalized voices, and empowering the future leaders of our profession. Planning conferences with diversity, equity, and inclusion will help us do just that.
Daniel Rodriguez, Associate ASLA, is a landscape designer with Destination by Design, a multi-disciplinary economic development firm based in Boone, North Carolina.
Last year, a group of landscape architects and planners — Gina Ford, FASLA; Steven Spears, FASLA; Jamie Maslyn Larson, ASLA; Cinda Gilliland, ASLA; and Rebecca Leonard, FAICP — founded WxLA, an advocacy initiative for gender justice in the field of landscape architecture.
After raising $10,000, the organization sent a group of seven young women to the ASLA 2019 Conference on Landscape Architecture. This year, WxLA is back, offering scholarships to a new group of emerging leaders so they can attend ASLA’s upcoming virtual program.
WxLA states that the purpose of the scholarship is to aid in the “professional development and success of young and emerging leaders” by covering costs associated with a virtual program. Applications are due August 15.
For upcoming educational content the team has planned, WxLA also asks landscape architecture professionals to fill out this survey.