My Internship at Palm Beach County Parks and Rec– FIU News, 1/3/20 “During my time, I met landscape architects, directors, contractors, commissioners, as well as many other types of people. I didn’t try to only talk to designers or those who would help me in the future. I was just friendly and enjoyed each day as it came. By doing this, I would just stumble across friends.”
Seattle’s Asian Art Museum Readies for Reopening After Renovation and Expansion– Designboom, 1/14/20 “following a 24-month-long renovation and expansion, Seattle’s asian art museum will reopen to the public on February 8, 2020. the museum’s historic 1933 building closed in early 2017 to address critical needs of infrastructure, accessibility, and program space. now enhanced with a design by LMN Architects, working alongside landscape architect walker macy, the building reopens as ‘a modern museum within an historic icon’.”
Next to the Botanic Garden Is Another, Tinier Green Refuge – DCist, 12/3/19 “Bartholdi Park isn’t exactly hidden. Located at a busy intersection next to the Botanic Garden (which is celebrating its bicentennial this coming year) and mere steps from the U.S. Capitol, it’s got prime real estate. And that’s kinda the point.”
Whether you are looking for the perfect gift for your favorite landscape architect or an immersive read for yourself, explore THE DIRT’s top 10 books of 2019, our picks for the best on the environment, cities, and landscape:
These are two useful and beautiful books on how to design with trees. The Architecture of Trees — first published by Cesare Leonardi and Franca Stagi, two versatile Italian furniture, landscape, and architectural designers, in 1982 and now reprinted in 2019 — features 212 trees species depicted through 550 intricate quill-pen illustrations, each drawn to 1:100 scale. The Tree Book, written by arboreal guru Michael A. Dirr and Keith S. Warren, director of product development for the tree nursery J. Frank Schmidt and Son Co., includes images, botanical and common names, and the range and climate adaptability of some 2,400 species and cultivars. Read the full review of The Architecture of Trees.
This vivid collection of comparative maps and tableaux from the 19th century, organized by French researchers Jean-Christophe Bally, Jean-Marc Besse, Phillipe Grande, and Gilles Palsky, show how explorers, scientists, and artists imagined fantastical landscapes in order to better understand the true scale of the natural world. Their drawings and paintings laid the foundation for today’s geographical data visualizations.
Jeffrey Peterson, who was recently senior advisor responsible for climate change policy at the Environmental Protection Agency (EPA)’s office of water, has written a comprehensive new national policy approach to dealing with sea level rise, a roadmap for reforming the U.S.’s broken flood insurance system and steering development away from increasingly risky coastal areas.
At the ASLA 2019 Conference on Landscape Architecture in San Diego, former Environmental Protection Agency (EPA) administrator Gina McCarthy argued that telling the story of the dangerous health impacts of climate change will motivate greater public action to reduce greenhouse gas emissions. Air pollution, which causes the premature death of 7 million people worldwide each year, will only worsen with climate change. As Tim Smedley explains in Clear the Air and Beth Gardiner in Choked, the solutions to the climate and air pollution crises are largely the same: renewable power, clean cook stoves, electric vehicles, and green infrastructure.
Design with Nature Now is an accessible and well-designed companion book to the University of Pennsylvania’s Design with Nature Now symposium and exhibition, which marked the 50th anniversary of Ian McHarg’s seminal book Design with Nature. Edited by Frederick Steiner, FASLA, Richard Weller, FASLA, Karen M’Closkey, and Billy Fleming, ASLA, this collection of essays and projects should inspire any environmental policymaker, planner, or landscape architect to forge broader coalitions and act regionally and globally to save our fragile ecosystems and protect the future of humanity.
Designing a Garden, written by Michael Van Valkenburgh, FASLA, is a lucid and candid examination of the process of designing and constructing a single intimate project. Van Valkenburgh intends the book as a sort of how-to guide to landscape design, not unlike a cookbook in terms of detail and clarity. Read the full review.
An expanded and updated new edition of a now-classic book that launched the New Perennials movement, fundamentally changing landscape design. Edited by Noel Kingsbury, the book features the works and writings of High Line plant designer Piet Oudolf and late plantsman and designer Henk Gerritsen.
Journalist Tony Horwitz’s book on Frederick Law Olmsted is difficult to classify. It is a biography of Frederick Law Olmsted and a history of his America. It is also reportage from rural America and a thoughtful reflection on our times. Read the full review.
Buying these books through THE DIRT or ASLA’s online bookstore benefits ASLA educational programs. And if you are based near Washington, D.C. we also recommend checking out the National Building Museum’s fantastic book store.
Designing a Garden, the new book written by Michael Van Valkenburgh, FASLA, is a lucid and candid examination of the process of designing and constructing a single project: the Monk’s Garden at the Isabella Stewart Gardner Museum in Boston. Van Valkenburgh intends the book as a sort of how-to guide to landscape design, not unlike a cookbook in terms of detail and clarity. Of course a garden is more than the sum of its ingredients, and a design brief is not a soluble equation. But the book’s generous number of sketches, photos, construction documents, and written correspondence help immeasurably to illustrate a general process “common to the making of nearly all built landscapes.”
This process of redesigning the existing Monk’s Garden at the museum in the early 2010s begins with a frenetic diagram sketched on a yellow file folder. Here, Van Valkenburgh faces his first challenge: how do you wander in a space so constrained? The space for the Monk’s garden, hemmed in by the museum, is a mere 52 feet by 150 feet. The wandering path becomes not only a central design element but also a device with which to engage the space.
It is also this story’s charismatic central character. Van Valkenburgh and his team get to work tailoring it to the site. Instinct and experience help generate the first ideas, but those must be refined through design inquiry. For the path’s material, the idea of pine needles is considered and quickly withdrawn, deemed impractical. Bricks, initially dismissed as too common, come back in to the fold. But what size and material? Samples are procured and configured into mock-ups. The design team scrutinizes them from every angle and in every quality of light. Van Valkenburgh remarks that he’ll even hold the materials to his nose, testing for a scent and another data point. He admits it doesn’t usually help, but it probably doesn’t hurt. Black manganese bricks, rich in color with a clean edge, are settled on for the moment. But material is a question the team will regularly revisit.
Meanwhile, path layout tests are staged on site with a garden hose. When the result is too imperfect, the team falls back on surveyor string, until finally getting their hands on the bricks. Hundreds of iterations are born and fizzle on site, in scale models and sketches. Planting ideas begin to take shape and inform the path.
Van Valkenburgh, a renowned planting designer, illustrates his approach to plant selection in vivid terms. Branches are scaffolding, and the space between them is air. “Airiness,” like figure and spread, is a quality by which a tree can be judged, Van Valkenburgh assures us. “Don’t be confounded by the difficulty of finding words to describe what the space of a tree feels like.” Those fluid qualities are worth consideration and cannot be specified in a drawing.
All of these decisions are made via trial, error, and regular conversation between Van Valkenburgh and Anne Hawley, the museum director at the time. The book opens with a semi-formal letter from Hawley to Van Valkenburgh requesting his services and describing the desired outcome for the garden. Among other attributes, it should be a garden “where Proust could contemplate.”
As for the path, Michael and his team feel it come to life when they decide to incorporate schist as a balance and foil to the manganese. In an email to Hawley explaining the decision, Van Valkenburgh, writes: “All too often people reduce Proust to madeleines, forgetting that the real magic is found in madeleines and mint tea together.”
Designing a Garden is a small but outstanding text culminating in a smaller outstanding text, The Gardner Gets a Garden, an essay by Laurie Olin, FASLA. Olin offers effusive appreciation. He contextualizes the garden in relation to other art works and Van Valkenburgh’s own body of work. Van Valkenburgh, Olin writes, has demonstrated a career-long interest in the sensual and perceptual. In this book rich with illustrated and photographic insight, we can understand that conclusion.
The American Society of Landscape Architects (ASLA) announced the 2019 Professional and Student Award winners.
Chosen from 544 submissions, this year’s 36 Professional Award winners represent the best of landscape architecture in the General Design, Residential Design, Analysis & Planning, Communications, and Research categories. In addition, a single Landmark Award is presented each year.
Chosen from 368 submissions, this year’s 26 Student Award winners represent the bright future of the landscape architecture profession in the General Design, Residential Design, Analysis & Planning, Research, Communications, Student Collaboration and Student Community Service categories.
“ASLA’s Professional and Student Awards programs are the oldest and most prestigious in the profession. This extraordinary and diverse array of winners represent both the best of landscape architecture today and the brightest hope for our future,” said ASLA President Shawn T. Kelly, FASLA.
“This year’s awards reflect the global nature of landscape architecture and demonstrate to professionals and the public alike how our profession addresses some of the world’s most pressing problems, including climate change and resilience, livability, and the creation of healthy and equitable environments.”
All Professional and Student Award recipients, their clients, and advisors will be honored at the awards presentation ceremony during the ASLA Conference on Landscape Architecture on Monday, November 18, in San Diego, California. There are still complimentary press passes available.
Background on the ASLA Awards Programs
Each year, the ASLA Professional Awards honor the best in landscape architecture from around the globe. Winners of these prestigious awards are chosen by a jury that represents the breadth of the profession, including private, public, institutional, and academic practice, and exemplify diversity in professional experience, geography, gender, and ethnicity. Submissions are judged blind.
Professional Awards are presented in six categories: General Design, Residential Design, Analysis & Planning, Communications, Research, and the Landmark Award. In each of the first five categories, the Jury may select one Award of Excellence and any number of Honor Awards. It is not guaranteed that an Award of Excellence will be selected each year, as it is up to the jury’s discretion. Only one Landmark Award is presented each year.
This year’s Professional Jury included: Andrea Cochran, FASLA (Chair); Henri Bava; Kofi Boone, ASLA; Gina Ford, FASLA; Deb Guenther, FASLA; John King, Honorary ASLA; Pam Linn, FASLA; John Vinci; and Keith Wagner, FASLA. Joining the Professional Jury for the selection of the Research Category were representatives on behalf of the Landscape Architecture Foundation (LAF) and Council of Educators in Landscape Architecture (CELA): Stephanie A. Rolley, FASLA and Galen Newman, ASLA.
Student Awards are presented in seven categories: General Design, Residential Design, Analysis & Planning, Research, Communications, Student Collaboration and Student Community Service. Like the Professional Awards, the jury may select one Award of Excellence and any number of Honor Awards. It is not guaranteed that an Award of Excellence will be selected each year, as it is up to the jury’s discretion.
This year’s Student Jury included: Linda Jewell, FASLA (Chair); Diana Fernandez, ASLA; David Gouverneur; Robert Gray, ASLA; Damian Holmes; Kendra Hyson, ASLA; Maki Kawaguchi; Signe Nielsen, FASLA; and Daniel Tal, ASLA.
A Santa Monica Backyard Is Remade for Outdoor Entertaining – The Los Angeles Times, 8/22/19
“Landscape architect Joseph Marek’s clients made do with their Santa Monica backyard for six years, but eventually they decided that previous owners’ “improvements” just didn’t fit their lifestyle.”
The C&O Canal in Georgetown Is Not in Danger of Being ‘High Lined’ – The Washington Post, 7/19/19
“If you have ever felt overwhelmed by overcrowding on the otherwise beautiful High Line, you might agree with Stephen A. Hansen’s June 30 Local Opinions essay, “Don’t ‘High Line’ Georgetown’s C&O Canal.” Unfortunately, the call to ‘rethink this proposal from scratch’ is based on mischaracterizations.”
America’s Greatest Gardening Partnership Produced This Place – Forbes, 7/21/19
“There is no better Art Deco garden anywhere in the United States than the Blue Steps at Naumkeag. A series of dark blue painted grottos climb up a steep hillside, connected by stairs and placed against a backdrop of white birch trees.”
At The Gardner, ‘Big Plans’ Looks At How Big-Thinkers Reformed Our Cities– 90.9 WBUR, 6/18/19
“They were four intellectuals famous in the world of culture and art. Frederick Law Olmsted was a journalist and social critic turned landscape architect. Lewis Wickes Hine was a sociologist-photographer. Charles Eliot was a landscape architect and city planner, and Isabella Stewart Gardner was an art collector and philanthropist.”
Designing Women – Sacramento Magazine, 6/21/19
“What makes a city great? Landscape architect Kimberly Garza believes public spaces—our parks, waterfronts, plazas, gardens and other gathering spots—are the foundation of a vibrant city.”
Brazilian Modern: The Living Art of Burle Marx, the largest botanical exhibition ever put on by the New York Botanical Garden (NYBG), features the work of creative polymath Roberto Burle Marx, realized through extensive and lush gardens filled with Brazilian native plants and exhibitions of his paintings and drawings. The gardens were designed by Miami-based landscape architect Raymond Jungles, FASLA.
Burle Marx’s instantly recognizable landscapes, paintings, textiles, and jewelry have been the subject of two major museum retrospectives in New York in the past 30 years, but his environmentalism in his native Brazil has been largely overlooked.
In Brazil and the U.S., recently-elected populist presidents Jair Bolsonaro and Donald Trump have gutted decades of established environmental regulation. Their actions set the stage for the symposium Burle Marx: A Total Work of Art, which kicked off the NYBG exhibition by turning the focus to Burle Marx’s tenacious environmental advocacy.
Burle Marx promoted his environmentalism as cultural counselor to the Brazilian state, a position he held for seven years under a series of repressive military regimes. During this time he gave eighteen impassioned “depositions” in which he argued it was the duty of the state to protect the landscape not as a productive resource, but as a crucial aspect of Brazilian cultural heritage.
The symposium also featured two speakers who knew Burle Marx personally: Raymond Jungles, a self-described member of Burle Marx’s “entourage,” and Isabel Ono, executive director of the Burle Marx Institute and daughter of Burle Marx’s closet collaborator, Haruyoshi Ono. Both recalled touching personal details about their time spent with him, painting a picture of his boundless whimsy and curiosity.
Burle Marx, an avid horticulturist and plant conservationist, was known for his epic excursions into the Brazilian wilderness to search for rare plants to add to his gardens. Jungles recounted eagerly taking the front seat of the van while accompanying Burle Marx on these excursions so that he could listen to his stories as he drove.
When Jungles pulled out a book during some down time on one of these trips, Burle Marx gently chided him: “Raymond, put it away. Out here, we study nature.”
The Living Art of Burle Marx runs through September 29, 2019.
This guest post is by Chella Strong, Assoc. ASLA, a landscape designer with Ecopolitan.