Twenty-eight Professional Award winners represent the highest level of achievement in the landscape architecture profession
By Lisa Hardaway
ASLA has announced its 2022 Professional Awards. Twenty-eight Professional Award winners represent the highest level of achievement in the landscape architecture profession. All winners and their locations are listed below.
Jury panels representing a broad cross-section of the profession, from the public and private sectors, and academia, select winners each year. The 28 winners were chosen out of 506 entries.
The Professional Awards jury also selects a Landmark Award each year; this year’s Landmark Award celebrates “Crissy Field: An Enduring Transformation” by Hargreaves Jones for the Golden Gate National Parks Conservancy. Crissy Field, in San Francisco’s famed Presidio, features restored coastal habitat, recreational amenities and historical interpretation.
“ASLA Professional Awards for decades have recognized the most significant achievements by landscape architects nationwide, and we congratulate this year’s winners for their extraordinary contributions to their communities and the profession,” said ASLA President Eugenia Martin, FASLA. “Many of this year’s winning projects were focused on reconnecting communities to landscapes, illustrating the important role landscape architects play in creating places for communities to live, work, and play.”
“These award winners underscore how landscape architects are problem- solving some of the biggest challenges facing communities around the globe,” said ASLA CEO Torey Carter-Conneen. “From equitable community gathering spaces to addressing climate change, these winners represent the cutting edge of our industry.”
Michigan Gets $105M Grant from Feds To Turn I-375 in Detroit Into Boulevard – 09/15/2022, The Detroit News
“City leaders have envisioned the elimination of I-375 as a way to reconnect once-predominantly Black neighborhoods divided by the highway when it was built in the 1950s and ’60s, bulldozing the Black Bottom and Paradise Valley residential and commercial districts in the name of urban renewal.”
The Best of Urban Design 2022 – 09/15/2022, Fast Company
“See all the honorees of Fast Company’s 2022 Innovation by Design Awards in the Urban Design category.”
The Town Squares We Used to Have — and Could Have Again – 09/12/2022, Governing “This historic importance of town squares, in towns of all shapes and sizes, is impossible to dispute. The question is how badly we need them now — not just as picturesque garden spots but as gathering places for a functioning community.”
First Look at Frisco’s Newest Park – 09/07/2022, Local Profile
“OJB Landscape Architecture, the firm behind Dallas’ Klyde Warren Park, is handling the park’s design that’s centered around providing inclusive and accessible year-round arts and culture programming to reflect North Texas’ diverse character.”
“We asked ourselves — if we could move 1,200 trees through a city center for over 100 days, then imagine what else we could do,” said Bruno Doedens, a Dutch landscape architect and land artist, who created the wonderful Bosk public art installation in the city of Leeuwarden with his collaborator, the late Joop Mulder.
Over 100 days this summer, teams of volunteers pushed large and small trees along a 2.1-mile (3.5-kilometer) route as part of Arcadia, a triennial arts festival in Friesland.
The organizers explain that the installation moved in stages through neighborhoods on weekdays, led by traffic controllers and captains, “so the forest decreased in one place while growing somewhere else.”
Streets that had few trees temporarily became lush forests, changing the character of communities, significantly cooling air temperatures, and slowing the pace of life. The Guardian reported hotels and businesses also benefited from the traveling forest, though some residents were upset by having to park elsewhere.
The trees were planted in more than 800 wooden containers that were then loaded into wheeled carts. They included more than 60 native species, such as alder, ash, elm, maple, oak, and willow.
The Bosk team labeled each tree with a QR code, so residents could learn more about the species. Soil sensors also alerted the team when any tree needed more water.
Just planting 1,200 trees around the city would have perhaps been easier but “would have had less impact than a moving forest,” Doedens said. The logistical challenges of transporting trees through traffic in a coordinated way “forced citizens to really face the effect of a forest in the city center.”
“The success of Bosk lies in the combination of radical imagination and mobilizing large communities of people,” he argued. The residents of Leeuwarden can now imagine “a new relationship with nature — one based in the idea of enriching the planet rather than polluting and destroying.” With rising urban temperatures, a new relationship rooted in nature will become increasingly important.
The message of the interactive public art work was reinforced through a broader immersive program that included a “summer school for Leeuwarden neighbourhoods, a Bosk news program for primary school pupils, and a whispering garden full of inspiration,” the festival organizers write.
In his essay Planet Paradise, Doedens argues that collective art projects like the walking forest can change mindsets and spur on greater climate action. They inspire communities to re-imagine what is possible. Designers and artists therefore play a critical role.
“Allow all creative minds from all cultural disciplines – music, dance, theater, poetry, literature, film, architecture, visual arts – together with scientists and pioneers from the practice to dare to dream and think big and even bigger. Give them room for imagination and intuitive thinking to radically reassess our current values and our actions. Allow them to develop new languages that touch our hearts and create new stories and images that help us realize we are walking in the mist, that seductive illusions intoxicate us, and that we need to change radically.”
Landscape architects and artists everywhere can create “new stories that reassure us in a playful way that we can reverse the negative effects of our treatment of the Earth into something positive. They must also be optimistic, empathetic, hopeful, and challenging without being blind to the sizeable and far reaching task ahead of us.”
The Bosk installation ended August 14, and the organizers have since found permanent homes for the traveling trees throughout the city, with many planted in underserved communities.
Can Nature-based Alternatives to Seawalls Keep the Waves at Bay? – 08/12/22, The Guardian
“’We can’t build single-purpose infrastructure any more,’ said Pippa Brashear, ASLA, project manager for the Living Breakwaters. The structure that comprises granite rocks and eco-concrete, along with the biological activity that will latch on to and grow out of these structures are intended to work together.”
Highway Removal a High Hurdle, Even With New Funding – 08/11/22, Governing
“Removing highways is a tricky business, a costly and time-consuming physical feat, but advocates say even a small commitment to addressing the harms of legacy highway infrastructure is a positive sign.”
RAISE Grants to Fund Complete Streets in Nearly Every State – 08/11/22, Streetsblog
“The U.S. Department of Transportation released the list of projects that were approved as part of the Rebuilding American Infrastructure with Sustainability and Equity grant programs, which funds roughly $2.2 billion across 166 initiatives spanning all 50 states, the District of Columbia, and Puerto Rico.”
A Landscape for Clean Water on the Chesapeake Bay– 08/09/22, Metropolis
“‘We understood the slope necessary for the historic structures up there, and still wanted to maximize the amount of shoreline that could survive,’ says Carlin Tacey, Waterstreet’s project manager. ‘We’re slowing down the water flow, and trying to use a planted landscape to absorb nutrients that would end up in the bay.'”
By Roxanne Blackwell, Hon. ASLA, and Caleb Raspler
Congress has passed and President Joseph Biden is expected to sign into law the U.S.’s most comprehensive response to the climate crisis to date — The Inflation Reduction Act. The legislation makes an historic investment of $369 billion to improve energy security, reduce greenhouse gas emissions, and help communities adapt to climate impacts.
Importantly, the Act recognizes and funds landscape architecture approaches to address climate change — from active transportation projects like Complete Streets and recreational trails, to nature-based water infrastructure, community tree planting, ecosystem restoration, and more. Additionally, the legislation makes significant strides in addressing environmental and climate justice and ensuring underserved communities receive resources to adapt to a changing climate.
Landscape architects are uniquely qualified to lead these projects. With their community engagement skills, they are particularly suited to partner with underserved communities. The Act provides tremendous opportunities for landscape architects to work with all communities to plan and design a more resilient and low-carbon future.
Significant funding for programs and projects traditionally led by landscape architects include:
ACTIVE TRANSPORTATION INFRASTRUCTURE
Neighborhood Access and Equity Grant Program: $3 billion to improve walkability, safety, and affordable transportation access through projects that are context-sensitive.
The program provides funding to:
Build or improve complete streets, multi-use trails, regional greenways, active transportation networks and spines or provide affordable access to essential destinations, public spaces, transportation links and hubs.
Remove high-speed and other transportation projects and facilities that are barriers to connectivity within communities.
Remove transportation projects and facilities that are a source of air pollution, noise pollution, stormwater, or other burdens in underserved communities. These projects may include noise barriers to reduce impacts resulting from a facility, along with technologies, infrastructure, and activities to reduce surface transportation-related greenhouse gas emissions and other air pollution. Solutions can include natural infrastructure, permeable, or porous pavement, or protective features to reduce or manage stormwater run-off; heat island mitigation projects in rights of way; safety improvements for vulnerable road users; and planning and capacity building activities in disadvantaged or underserved communities.
Low Carbon Transportation Materials Grants: $2 billion to incentivize the use of construction materials that have substantially lower levels of embodied greenhouse gas emissions in landscape architecture projects, including reimbursements.
NATIONAL PARKS AND PUBLIC LANDS
$250 million for conservation, protection, and resilience projects on National Park Service (NPS) and Bureau of Land Management (BLM) lands.
$250 million for conservation, ecosystem, and habitat restoration projects on NPS and BLM lands.
$200 million for NPS deferred maintenance projects.
$500 million to hire NPS personnel.
$250 million to the Fish and Wildlife Service for wildlife recovery and to rebuild and restore units of the National Wildlife Refuge System.
NATIONAL AND COMMUNITY FORESTRY
$200 million for vegetation management projects in the National Forest System.
$1.5 billion for competitive grants through the Urban and Community Forestry Assistance program for tree planting and related activities.
$550 million for planning, designing, or constructing water projects with the primary purpose of providing domestic water supplies to underserved communities or households that do not have reliable access to domestic water supplies in a state or territory.
$4 billion for grants, contracts, or financial assistance to states impacted by drought, with priority given to the Colorado River Basin and other basins experiencing comparable levels of long-term drought.
$15 million to provide technical assistance for climate change planning, mitigation, adaptation, and resilience to Insular Areas – U.S. territories.
National Oceanic and Atmospheric Administration (NOAA): $2.6 billion for grants, technical assistance, and cooperative agreements that enable coastal communities to prepare for extreme storms and other changing climate conditions. This includes projects to support natural resources that sustain coastal and marine resource dependent communities and assessments of marine fishery and marine mammal stocks.
$50 million for competitive grants to fund climate research related to weather, ocean, coastal, and atmospheric processes and conditions and impacts to marine species and coastal habitat.
ENVIRONMENTAL AND CLIMATE JUSTICE
$3 billion in competitive grants to address clean air and climate pollution in underserved communities.
$33 million to collect data and track disproportionate burdens of pollution and climate change on environmental justice communities.
$250 million for the General Services Administration to convert facilities to high performing buildings.
$2.1 billion to purchase low carbon materials.
$975 million for emerging and sustainable technologies and related sustainability programs.
$20 million for hiring new personnel to conduct more efficient, accurate, and timely reviews for planning, permitting and approval processes.
Department of Agriculture: $19.4 billion to invest in climate-smart agriculture practices and land interests that promote soil carbon improvements and carbon sequestration.
Department of Energy: $115 million for the hiring and training of personnel, the development of programmatic environmental documents, the procurement of technical or scientific services for environmental reviews, the development of environmental data or information systems, stakeholder and community engagement, and the purchase of new equipment for environmental analysis to facilitate timely and efficient environmental reviews and authorizations.
Department of Housing and Urban Development: $837.5 million to improve energy or water efficiency or the climate resilience of affordable housing.
Greenhouse Gas Reduction Fund (GGRF): The fund will help efficiently finance projects, including landscape architecture projects, to reduce emissions through active transportation, ecosystem restoration, energy and water efficiency, and climate-smart agriculture. The fund will receive $27 billion total, with $8 billion earmarked for low-income or otherwise underserved communities. Funds will flow through regional, state, local, and tribal green banks. And the GGRF will provide the institutional foundation for a National Climate Bank Act.
Roxanne Blackwell, Hon. ASLA, Esq., is director of federal government affairs, and Caleb Raspler, Esq., is manager of federal government affairs at the American Society of Landscape Architects (ASLA).
Led by climate leaders in the field of landscape architecture, ASLA is developing a profession-wide Climate Action Plan
ASLA has announced it is developing its first Climate Action Plan for the U.S. landscape architecture community. The ambitious plan seeks to transform the practice of landscape architecture by 2040 through actions taken by ASLA and its members focused on climate mitigation and adaptation, ecological restoration, biodiversity, equity, and economic development. The plan will be released at the ASLA Conference on Landscape Architecture, November 11-14, 2022, in San Francisco, CA.
The ASLA Climate Action Plan is led by a five-member Task Force and 16-member Advisory Group of climate leaders from the landscape architecture profession.
The diverse, intergenerational Task Force includes climate leaders at different stages of their professional life.
“Landscape architects are leaders in designing solutions to the climate and biodiversity crises that also provide multiple environmental, economic, social, and health co-benefits. ASLA purposefully included both established and emerging climate leaders in this critical Task Force, which will shape the profession far into the future,” said Eugenia Martin, FASLA, ASLA President.
Task Force members include:
Chair: Pamela Conrad, ASLA, PLA, LEED AP, Principal, CMG Landscape Architecture, and Founder, Climate Positive Design, San Francisco, California
Conrad built Climate Positive Design into a global movement with the goal of ensuring all designed landscapes store more carbon than they emit while providing environmental, social, cultural, and economic co-benefits.
Diane Jones Allen, FASLA, D. Eng., PLA, Director, Program in Landscape Architecture, University of Texas at Arlington (UTA), and Principal Landscape Architect, DesignJones, LLC, Arlington, Texas and New Orleans, Louisiana
José M. Almiñana, FASLA, SITES AP, LEED AP, Principal, Andropogon Associates, Ltd., Philadelphia, Pennsylvania
Sarah Fitzgerald, ASLA, Designer, SWA Group, Dallas, Texas
Vaughn Rinner, FASLA, PLA, Former ASLA President, Seattle, Washington
The goals, objectives, and action items of the plan are also shaped by a Climate Action Plan Advisory Group of 16 diverse climate leaders, who are based in 12 U.S. states and two countries and in private and public practice and academia. The Group consists of nine members who identify as women, seven as men, two as Black, four as Asian and Asian American, one as Latina, and one as Native American.
“ASLA believes equity needs to be at the center of climate action, because we know climate change will disproportionately impact underserved and historically marginalized communities. It is important that the group guiding the Climate Action Plan and the future of the profession mirrors the diversity of the landscape architecture community and its breadth of educational and practice areas,” said Torey Carter-Conneen, ASLA CEO.
Advisory Group members include:
Monique Bassey, ASLA, Marie Bickham Chair, Louisiana State University, Baton Rouge, Louisiana
Scott Bishop, ASLA, RLA, Principal, BLD | Bishop Land Design, Quincy, Massachusetts
Keith Bowers, FASLA, RLA, PWS, Founding Principal, Biohabitats, Charleston, South Carolina
Pippa Brashear, ASLA, RLA, Resilience Principal, SCAPE Landscape Architecture & Urban Design, New York, New York
Meg Calkins, FASLA, FCELA, Professor of Landscape Architecture, North Carolina State University, Raleigh, North Carolina
Chingwen Cheng, ASLA, PhD, PLA, LEED AP, Program Head and Associate Professor of Landscape Architecture, Urban Design, and Environmental Design, The Design School, Arizona State University, and President-Elect, Council of Educators in Landscape Architecture (CELA), Tempe, Arizona
Jose de Jesus Leal, ASLA, PLA, IA, Native Nation Building Studio Director, MIG, Inc., Sacramento, California
Kate Orff, FASLA, Professor, Columbia University GSAPP & Columbia Climate School, and Founder, SCAPE Landscape Architecture & Urban Design, New York, New York
Jean Senechal Biggs, ASLA, Transportation Planning Manager, City of Beaverton, Portland, Oregon
Adrian Smith, FASLA, Staten Island Team Leader, New York City Department of Parks & Recreation, New York, New York
Matt Williams, ASLA, Planner, City of Detroit Planning & Development Department (PDD), Detroit, Michigan
Dou Zhang, FASLA, SITES AP, LEED AP BD+C, Director of Shanghai Office, Sasaki, Shanghai, China
In 2021, ASLA joined with Architecture 2030 to call for the landscape architecture, planning, architecture, development, and construction professions to reduce greenhouse gas emissions in their projects and operations by 50-65 percent by 2030 and achieve zero emissions by 2040.
In 1989, the Loma Prieta earthquake damaged the Doyle Drive Bridge in the north end of San Francisco, which had moved vehicles through the Presidio to the Golden Gate Bridge since the 1930s. As a result, California’s department of transportation (Caltrans) embarked on a planning effort to re-engineer the roadways and interchanges through the Presidio. During those discussions in the 1990s, landscape architect Michael Painter, designer of the parkway system within the 1,500-acre Presidio, offered a plan for replacing the viaduct, which had severed the upper areas of the Presidio from Crissy Field, with tunnels. His idea was that with tunnels, the city could then use the space on top for a new park. More than thirty years later, James Corner Field Operations has realized this vision with Presidio Tunnel Tops, a 14-acre park designed for kids and their families.
According to Richard Kennedy, ASLA, principal-in-charge and head of the San Francisco office of Field Operations, Caltrans had offered to form the soil from the tunnel excavation and other landscape work into a flat top and a triangular edge. But the Presidio Trust, the National Park Service, the Golden Gate Park National Parks Conservancy, and Field Operations had other ideas. They would rather sculpt the land. “We decided to create a topographical design,” Kennedy said, eventually using more than 90,000 cubic yards of soil. And in order to do this, they first had to look deep underground.
Given San Francisco is an active seismic area, the Presidio Parkway tunnels, which were completed in 2012, had to be engineered for stability. This meant the rest of the adjacent Tunnel Tops landscape, a project that started in 2014, also needed to be engineered in a similar way. “That way, in the event of another earthquake, everything would move as a contiguous system with no differential settlement,” Kennedy said.
MKA, a Seattle-based engineering firm, set the tunnel park on 40-foot-deep stone columns arranged in a 10 by 10-foot grid. Each column, comprised of gravel, is 3 feet in diameter. This complex subterranean work isn’t apparent on the surface of the park, but for Kennedy it shows that the park is also infrastructure, and that infrastructure investment is needed for landscape architects to realize their vision.
“It’s a new vision for this area of the Presidio — open public parkland. Before, the perception was the Presidio was a kind of commercial office park. Our goal was to invite the public in with disarming and sometimes obvious elements. On opening day, there were over two thousand children in the playground,” Kennedy said.
Field Operations organized Tunnel Tops into three landscape zones. The first zone is a “platform,” a flat landscape on top of the tunnels at the same level of the Presidio’s main parade, which essentially acts as an extension of the historic military base.
“We purposefully designed it as a platform to leverage the incredible panorama. This elevation of 40 feet enables visitors to turn 360 degrees and see everything — from Marin to the Golden Gate Bridge, to Alcatraz Island, the Presidio, and the Palace of Fine Arts. This is an experience visitors couldn’t have had when the viaduct blocked views.”
The second landscape zone is what Field Operations calls the Cliff Walk, a set of trails and gathering places that intentionally focus visitors on landmarks at vantage points. “We used the slope to a great extent. As visitors wind through the trail, their body position moves, so they see different elements of the horizon. It’s surprising, awesome, and highlights the drama of being on the edge,” Kennedy said.
Along this edge are charismatic benches made of cypress trees that had been culled from the Presidio. Kennedy said Field Operations had hoped for sculpting a large piece of driftwood but no such trunk large enough appeared on the park coastline (another was found and used in the playground). Instead the benches are sculptured out of 9.5-inch wide planks and “assembled Jenga-style” into a curvature that resembles a tree. He said as cypress wood dries, it becomes metallic grey and when it catches the light sparkles like a silver fish. The perfect wood for a vista over the Bay.
The Outpost, an interactive play landscape, is the third zone. It’s where most visitors may enter Tunnel Tops, off of Mason Street, which bisects the upper area of the Presidio and Crissy Field. Other draws here include the new Crissy Field Center and adjacent Field Station, two environmental learning centers designed by architecture firm EHDD, with exhibition designers at Studio Terpeluk, which will teach kids about anthropology and ecology. This area is “designed to appeal to a broader sweep of families,” Kennedy said.
Given the upper portion of Tunnel Tops needed to be flat and highlight the panorama, Field Operations could use the lower portions nestled in the slope to add more intricacy without obstructing views.
Custom play elements are designed to bring children into the vistas. For example, there is a gap in the Outpost’s climbing wall on axis with Golden Gate Bridge. “Moments like this can create positive memories and life-long connections to the outdoors,” Kennedy argued.
The Outpost is also designed so that as the plants grow in overtime, the playground will feel more like the marshlands of Crissy Fields. The same plant species are found in the play area. “Labyrinthine trails will form, adding a layer of mystery.”
Play elements extend east from the Crissy Field Center creating an inclusive environment for toddlers to preteen children. The elements escalate in complexity as children move outwards from the buildings.
Near the Field Center, there are simple play areas comprised of sand and water for the youngest children. Older children can then enjoy a tunnel through a large driftwood trunk, which lets them to burrow through or climb above, along with slides set in boulders.
The bird’s nest sculpture, which is modeled after an oriole’s teardrop nest, enables children to climb on the outside and perch at the top, or climb from inside the nest and “poke their head out like small birds.”
The most difficult element is the forest den, which is a pile of logs. The interior of the structure has a small room filled with ropes and nets. “The exterior of the pile is purposefully challenging to climb and was designed to provide a sense of graduated risk. I have watched as some children became very nervous as they climb further towards the top. While the children can play safely, they can experience challenges, which also challenges themselves. I have seen children form teams. It asks them to be more brave,” Kennedy said.
On opening weekend Kennedy also saw teenagers climbing to the top of the logs to experience the view. For them, Field Operations has also designed seating areas that will eventually be enshrouded in marshes.
The new park includes over 200,000 plants of 200 varieties, many of which support birds and pollinators. Approximately 50 percent are native and drought-tolerant plants, chosen for what the climate will be in a few decades. The native plants were grown from seed in a nearby Presidio nursery to ensure they are “genetically specific to this landscape,” Kennedy said. The Presidio Trust “invested in plant communities that will last and can coexist with existing natural resources in the national park.”
The upper level landscape, which is connected with the manufactured military landscape of the Presidio, offers Mediterranean plants from countries like Chile and South Africa that will better blend with the existing non-native cypress and eucalyptus trees and gardens. In the Outpost, Field Operations focused on incorporating 100 percent native plants.
Presidio Tunnel Tops was made possible by a number of organizations. The Presidio Trust, a non-profit organization, has a mandate to preserve the historic military base and has restored 150 acres of landscape to date. The Presidio in turn is part of the 80,000-acre Golden Gate National Recreation Area, managed by the National Park Service, the country’s largest urban national park. The Golden Gate National Parks Conservancy is the non-profit arm of the park and raised $98 million of the $118 million project, while the Presidio Trust provided the other $20 million.
The Tunnel Tops is just one part of a broader revitalization of the Presidio. CMG Landscape Architecture, a San Francisco-based firm, is creating a plan to update Crissy Field, the beloved landmark designed by HargreavesJones that opened in 2001.
In a few years, the 11th Street Bridge Park will span the Anacostia River, finally realizing the ambitious vision to bring both sides of Washington, D.C. together through art, landscape architecture, and a shared commitment to equitable development. As the project nears final design and the construction process is set to begin, four new works of public art were commissioned by a team of local residents, landscape architects, and public art curators. According to Scott Kratz, senior vice president, Building Bridges Across the River and director of 11th Street bridge park project, these art works “help embellish the park’s soul and ensure it will be reflective of the community.”
Through over a thousand public meetings about the bridge park, the team, which includes landscape architecture firm OLIN and architecture firm OMA, heard that residents want to see public art integrated into the project. “For us, public art is a key strategy for amplifying the voice of the community,” Kratz said.
The team that selected the artworks included a local high school student, an 82-year-old nearby resident, OLIN, OMA, Forecast Public Art, and D.C.-based artist Irfana Jetha Noorani.
OLIN and OMA were also engaged early in the process to ensure the public art works would be “deeply integrated” into the bridge. “We didn’t want to just do plop art,” Kratz said. The design team worked closely with the artists to site the works and will continue to partner with them on design, installation, and maintenance.
The bridge park team only accepted submissions from artists with D.C. area connections. Out of 60 entries, four women artists from the D.C. area were selected. Each artist received a stipend for their submissions and then will receive an additional $15,000 – $50,000 to create and install the work.
Baltimore artist Becky Borlan created Biophilia, a 10-foot wide disc comprised of “overlapping mirrored cut-outs” inspired by the “native and non-native plant life” that grows along the Anacostia River edge. “Despite hundreds of years of human intervention, this wild flora continues to populate the banks of the Anacostia,” Borlan said. “I am fascinated by its resilience and the multitude of forms that these plants embody.” The disc will be installed under the bridge, near the Anacostia side, and be lit at night.
Mickey Demas and Nicole Bourgea’s mural Our Land will be found at the Navy Yard entrance wall and will reflect the “heritage of those living on and caring for DC’s land,” featuring members of the “native Piscataway Tribe among a field of tobacco plants, which hold historical and spiritual significance for the Tribe, and Ward 8 farmer, JJ Boone, propagating a native Paw Paw tree.”
Bourgea explained that “Our Land is a recognition of the people who have cared and are still caring for the land where the Bridge Park will be constructed.” “It is also a welcome to all communities to enjoy and protect our precious natural resources,” Demas added.
At the peak of the span, OLIN and OMA designed a Hammock Grove, where visitors can enjoy views of the city and river.
There, the actual hammocks will be designed by D.C.-based artists Aliana Grace Bailey, Rhea Beckett, and Syreeta C. “Each hammock and its posts will boast a unique collage design honoring a theme, story, or place relevant to the city’s culture,” the bridge park team writes.
Syreeta C explained that “current residents already understand the value here. They need not be effaced.” Bailey said: “Our goal is for DC natives to feel seen. While community engagement enriches our process, we want to ensure that priority is also felt through the end product long-term.” “Our approach would preserve and reflect the District’s vibrancy and Black culture as mass development efforts persist,” Beckett added.
An additional Small Business Kiosk by The River East Design Center (REDC) will serve as a “multi-functional mobile unit” that supports the park’s comprehensive equitable development plan, which leverages the park development as a tool for local jobs creation, business development, and home ownership, and has resulted in more than $86 million in support to the surrounding community and $3.5 million in direct cash payments during the height of the pandemic.
A prototype of the mobile unit will be tested at the Anacostia River arts festival that the bridge park team organizes annually, Kratz explained. “The kiosk will help build a pipeline of Black entrepreneurs in the creative economy ready to engage when the park opens in early 2025,” the bridge park team notes.
Earlier this year, the bridge park team announced a $400,000 commission — Anacostia’s Sunrise/Sunset Portals — by D.C.-based artists Martha Jackson Jarvis and Njena Surae Jarvis of Jackson Jarvis Studio, which will be sited near the Anacostia bridge landing. “The notion of energy and rhythm of a capillary wave as it moves across the river brings light, color, and reflection into the landscape and into the Anacostia community,” said Martha Jackson Jarvis.
GGN’s Design for Umekita Park in Osaka, Japan Is Under Construction – 06/27/2022, Archinect
“Seattle-based landscape architecture firm GGN’s design for an urban park in Osaka, Japan is now under construction. This public/private collaboration is focused on creating sustainable urban public spaces and ecosystems that realize quality of life improvements for residents and visitors to Osaka, Japan.”
Where Did All of the Public Benches Go? – 06/27/2022, Arch Daily
“The design and functionality of public spaces in cities are always under scrutiny. But now a new issue and one that lives at a smaller scale is starting to arise- where did all of the public seats go?”
The Living City: Weaving Nature Back Into the Urban Fabric – 06/23/2022, Yale Environment 360
“Urban ecologist Eric Sanderson focuses on the natural history of cities. In an interview with Yale Environment 360, he explains why recovering and restoring streams, salt marshes, and woodlands should be a vital part of how cities adapt to climate change in the 21st century.”
He’s Turning Dodger Stadium into a World-Class Garden, One Native Plant at a Time – 06/23/2022, Sunset Magazine
“It took five years for Perea and his crew to wholly reimagine and replant the hillsides and concrete planters, and meet the requirements for official accreditation from Botanic Gardens Conservation International. But today, the former hodgepodge of geraniums and petunias, ivy and lantana is now home to dozens of California natives, dotted with succulents, complete with a ‘tequila garden’ brimming with spiky agaves.”
Designer Julia Watson on Reaching the Age of the Symbiocene – 06/16/2022, Metropolis
“[Watson’s] 2019 book, Lo-TEK: Design by Radical Indigenism, spotlighted nature-based infrastructures that have been honed over millennia, from the Living Root Bridges of the Khasis people in India to the floating island homes of the Ma’dan in Iraq, made from qasab reeds. As the creative world searches for planet-positive design solutions in the face of climate change, the book shows they have existed for centuries but have been overlooked.”
HGA and Nelson Byrd Woltz Complete Design Refresh at Monticello’s Burial Ground for Enslaved People – 06/16/2022, The Architect’s Newspaper
“The UNESCO World Heritage Site-designated mountaintop plantation was designed and inhabited by the third president of the United States from 1770 until his death in 1826. The Burial Ground serves as a final resting place for an estimated 40 enslaved African people who lived and toiled on the (originally) 5,000-acre plantation, cultivating tobacco and later wheat.”