Landscape Architecture in the News Highlights (September 1 – 15)

Kim Wilkie landscape / The Architectural Digest

Fire Pits Add Flare to the Backyard Gatherings The Los Angeles Times, 9/1/16
“Fire pits — which are portable or permanent troughs or bowls that contain the flames — are expected to be the most popular outdoor design element this year, according to a survey from the American Society of Landscape Architects.”

Clash of Titans? Opponents of Pier 55 Have Secret Backer, Media Mogul Says The New York Times, 9/4/16
“In their quest to build a huge new cultural pier on the West Side of Manhattan, the Hudson River Park Trust and Barry Diller, the media mogul who is paying for it, have faced one seemingly intractable opponent: the City Club of New York, a little-known civic group founded in 1892 that was all but dead a few years ago.”

How an Energy Company Turned a Strip Mine into a Massive ParkCurbed, 9/7/16
“Strip mining is one of the most environmentally unfriendly ways we extract resources from the earth, tearing up enormous swaths of land to access the valuable minerals buried underneath. In some cases, the practice leaves thousands of acres covered in barren waste rock incapable of sustaining plant or animal life.”

‘Ideal Section’ Paved Way for Modern Road ConstructionThe Chicago Tribune, 9/9/16
“After World War I automobiles and trucks were becoming increasingly important modes of transportation in the U.S. for everyone from farmers and manufacturers to tourists. And, of course, the old dirt roads did nothing to speed the way.”

A Glorified Sidewalk, and the Path to Transform AtlantaThe New York Times, 9/11/16
“Could this traffic-clogged Southern city, long derided as the epitome of suburban sprawl, really be discovering its walkable, bike-friendly, density-embracing, streetcar-riding, human-scale soul?”

Meet One of England’s Top Landscape ArchitectsThe Architectural Digest, 9/12/16
“English landscape architect Kim Wilkie prefers to intuit what a site wants to be rather than impose his will upon it. It’s an approach that has brought clients from around the world to the door of his farmhouse in Hampshire.”

Snøhetta Occupies the Edges

When Michelle Delk, ASLA, was young and too full of energy for a lengthy car ride, her parents would pull over at parks in northern Iowa to let her run around. She grew attached to one in particular: It had a huge boulder that was half in the park and half in the road, and she could scramble to the top and look down.

“The boulder literally interrupted the street,” said Delk, partner and discipline director for landscape architecture at the international, multi-disciplinary design firm Snøhetta. “If you’re driving along the street and someone’s coming in the opposite direction, you had to stop and wait, and then you had to drive around the rock. This was the beginning of my falling in love with unusual landscapes and the juxtaposition of elements within places.”

Delk shared half a dozen Snøhetta projects during a lecture at North Carolina State University’s College of Design, and all of these offer a sense of the unusual — some form or sequence of a places that capture the imagination and create a new human experience.

At the Snøhetta-designed Norwegian National Opera and Ballet in Oslo (see video above), the landscape is a series of tilted white planes that envelop the architecture and allow for a continuous journey up from the water’s edge, to the terrace level that connects to downtown, to the peak of the opera’s roof.

“It’s not a building or a landscape; it’s in fact both,” Delk said. “People sometimes say to me about Snøhetta: ‘Oh I understand, you’re trying to make invisible, to blur the distinction between architecture and landscape.’ While this happens, it’s not what we set out to do. In fact, the edge — the place where architecture and landscape come together — is a very special place. It’s the place we want to occupy.”

People have come to see the landscape of the opera house as a major civic space. The opera and ballet now simulcast some events and use the sloped terrace as a viewing amphitheater, where often more people are watching the events outside than inside. And all of this activity happens on a landscape that was previously off limits. Through pre-construction remediation of toxic soils, this project became part of a broader Oslo vision to transform the industrialized waterfront for public use.

The Snøhetta design for the James Beard Public Market in Portland, Oregon, also seeks to reclaim a derelict landscape. Here the landscape is the challenging pinched space between the on and off ramps for the historic Morrison drawbridge. It’s a parking lot and partially closed to foot traffic on three sides, creating a gap between downtown and the Willamette River. Delk said the Portland residents who attended Snøhetta’s public meetings on the design concepts were eager to see the site become a vibrant local food hub and connect the river to downtown.

By folding back the on and off ramps, the Snøhetta design team found it would be possible to build an open and airy market on the unlikely site. “The market will dip under the bridge and become one connected space that you can come into and out of in multiple ways,” Delk said. “It becomes very transparent and connected to the city.”

James Beard Public Market: current condition at top, design renderings middle and bottom, Portland, Oregon / Snøhetta
James Beard Public Market: current condition at top, design renderings middle and bottom, Portland, Oregon / Snøhetta

Down the road in Oregon City, another Snøhetta design will reconnect people to the water. Willamette Falls is the second largest waterfall in North America by volume, yet, for 150 years, it’s been inaccessible because of the industry on its edges, most recently a paper mill. Snøhetta is developing the Willamette Falls Riverwalk, which will leverage the site’s unique multi-layered history, create new possibilities for future programming and development, and feature the unusual drama of the waterfall itself next to an almost crumbling post-industrial landscape.

“Careful restraint, and thinking about editing, framing, and episodic experience, is very relevant here. We don’t want to wipe out what is here, but we wish, through careful editing and removal of components, to create new places for people to inhabit,” Delk said. “We wish to think about the ephemeral qualities so inherently beautiful here, and how we can bring those qualities into a design that connect people to the history, water, and the essence of this place.”

Willamette Falls Riverwalk, design rendering / Snøhetta
Willamette Falls Riverwalk, design rendering / Snøhetta

Delk closed her lecture by playing a video someone had sent a colleague: It showed a man on a motorbike careening up and down the tilted landscape of the Oslo opera house, popping wheelies and gathering an audience until a security guard comes to shoo him off.

“I don’t think this gentleman cares whether this is a building or a landscape,” Delk said. “This might be an extreme example of improvisation, but we love that the places we design can encourage people to do the unexpected.”

This guest post is by Lindsey Naylor, Student ASLA, master’s of landscape architecture candidate, North Carolina State University.

ASLA Announces 2016 Professional Awards

ASLA 2016 Professional General Design Award of Excellence. Underpass Park /
ASLA 2016 Professional General Design Award of Excellence. Underpass Park by PFS Studio / Tom Arban

The American Society of Landscape Architects (ASLA) is excited to announce its 30 professional award recipients for 2016. Selected from 456 entries, the awards honor top public, commercial, residential, institutional, planning, communications and research projects in the U.S. and around the world. The winners will receive their awards at the ASLA Annual Meeting and EXPO in New Orleans on Monday, October 24 at the New Orleans Ernest M. Morial Convention Center.

The September issue of Landscape Architecture Magazine (LAM) features the winning projects and is available for free viewing.

The following is a complete list of 2016 professional award winners:

General Design Category

Award of Excellence (see image above)
Underpass Park, Toronto, Ontario
by PFS Studio for Waterfront Toronto

Honor Awards
Framing Terrain and Water: Quzhou Luming Park, Quzhou City, Zhejiang Province, China
by Turenscape for the Quzhou City Government

Bishan-Ang Mo Kio Park, Bishan, Singapore
by Ramboll Studio Dreiseitl for the Public Utilities Board / National Parks Board, Singapore

Converging Ecologies as a Gateway to Acadiana, St. Landry Parish, Louisiana
by CARBO Landscape Architecture for St. Landry Parish Tourist Commission

The Metro-Forest Project, Bangkok, Thailand
by Landscape Architects of Bangkok (LAB) for PTT Public Company Limited

The Power Station, Dallas
by Hocker Design Group for The Pinnell Foundation

Corktown Common: Flood Protection and a Neighbourhood Park, Toronto, Ontario
by Michael Van Valkenburgh Associates Inc. for Waterfront Toronto in Partnership with Toronto Region Conservancy Authority (TRCA) and Infrastructure Ontario (IO)

Grand Teton National Park Craig Thomas Discovery and Visitor Center, Moose, Wyoming
by Swift Company LLC for the National Park Service, Grand Teton National Park Foundation and Grand Teton Association

Eco-Corridor Resurrects Former Brownfield, Ningbo, China
by SWA for Ningbo Planning Bureau – East New Town Development Committee

Analysis and Planning Category

ASLA 2016 Professional Analysis and Planning Honor Award. The Copenhagen Cloudburst Formula: A Strategic Process for Planning and Designing Blue-Green Interventions. Ramboll and Ramboll Studio Dreiseitl / Ramboll and Ramboll Studio Dreiseitl
ASLA 2016 Professional Analysis and Planning Honor Award. The Copenhagen Cloudburst Formula: A Strategic Process for Planning and Designing Blue-Green Interventions. Ramboll and Ramboll Studio Dreiseitl / Ramboll and Ramboll Studio Dreiseitl

Award of Excellence

The Copenhagen Cloudburst Formula: A Strategic Process for Planning and Designing Blue-Green Interventions, Copenhagen, Denmark
by Ramboll and Ramboll Studio Dreiseitl for the Municipality of Copenhagen

Honor Awards
Central Puget Sound Regional Open Space Strategy, Puget Sound Region, Washington
by University of Washington Green Futures Lab for The Bullitt Foundation and The Russell Family Foundation

Rebuild by Design, The Big U, Manhattan, New York
by Starr Whitehouse Landscape Architects and Planners for the United States Department of Housing and Urban Development, Rebuild by Design

Memorial Park Master Plan 2015, Houston
by Nelson Byrd Woltz for the Houston Parks and Recreation Department, The Memorial Park Conservancy, and Uptown Houston

Baton Rouge Lakes: Restoring a Louisiana Landmark from Ecological Collapse to Cultural Sanctuary, Baton Rouge, Louisiana
by SWA Group for the Baton Rouge Area Foundation

Bayou Greenways: Realizing the Vision, Houston
by SWA Group for the Houston Parks Board

Communications Category

ASLA 2016 Professional Communications Award of Excellence. What's Out There Guides / The Cultural Landscape Foundation
ASLA 2016 Professional Communications Award of Excellence. What’s Out There Guides / The Cultural Landscape Foundation

Award of Excellence
What’s Out There Guidebooks
by The Cultural Landscape Foundation

Honor Awards
Roving Rangers: Bringing the Parks to the People
by BASE Landscape Architecture, for the Golden Gate National Parks Conservancy, Santa Monica Mountains National Recreation Area and the Santa Monica Mountains Fund

Activating Land Stewardship and Participation in Detroit: A Field Guide to Working with Lots
by Detroit Future City, published by Inland Press

Landscape Architecture Documentation Standards: Principles, Guidelines and Best Practices
by Design Workshop, published by John Wiley & Sons

PHYTO: Principles and Resources for Site Remediation and Landscape Design
by Kate Kennen, ASLA, and Niall Kirkwood, FASLA, published by Routledge, Taylor and Francis Group

DredgeFest Event Series
by The Dredge Research Collaborative

Sea Change: Boston
by Sasaki Associates Inc.

Research Category

Honor Awards
Weather-Smithing: Assessing the Role of Vegetation, Soil and Adaptive Management in Urban Green Infrastructure Performance
by Andropogon Associates Ltd. for the University of Pennsylvania

Residential Design Category

ASLA 2016 Landmark Award. Michigan Avenue /
ASLA 2016 Professional Residential Design Honor Award. DBX Ranch by Design Workshop / D.A. Horchner / Design Workshop, Inc

Award of Excellence
DBX Ranch: A Transformation Brings Forth a New Livable Landscape, Pitkin County, Colorado
by Design Workshop Inc.

Honor Awards
Kronish House, Beverly Hills, California
by Marmol Radziner

The Restoring of a Montane Landscape, Rocky Mountains, Colorado
by Design Workshop Inc.

Chilmark: Embracing a Glacial Moraine, Martha’s Vineyard, Massachusetts
by Stephen Stimson Associates Landscape Architects

The Rivermark, Sacramento, California
by Fletcher Studio for Bridge Housing Corporation

Water Calculation and Poetic Interpretation, Carmel, California
by Arterra Landscape Architects

ASLA 2016 Landmark Award. Michigan Avenue Streetscape /
ASLA 2016 Landmark Award. Michigan Avenue Streetscape by Hoerr Schaudt Landscape Architects for the City of Chicago / Steven Gierke

The Landmark Award
Michigan Avenue Streetscape: 20 Years of Magnificent Mile Blooms, Chicago
by Hoerr Schaudt Landscape Architects for the City of Chicago/Michigan Avenue Streetscape Association

The professional awards jury included:

  • Kona Gray, ASLA, Chair, EDSA, Fort Lauderdale, Florida
  • Keith Bowers, FASLA, Biohabitats Inc. Baltimore
  • Jennifer Guthrie, FASLA, Gustafson Guthrie Nichol, Seattle
  • Mami Hara, ASLA, Philadelphia Water Department, Philadelphia
  • Christopher Hume, Architecture Critic, Toronto Star, Toronto, Ontario
  • Lee-Anne Milburn, FASLA, California State Polytechnic University, Pomona, California
  • Willett Moss, ASLA, CMG Landscape Architecture, San Francisco
  • Suman Sorg, FAIA, DLR Group | Sorg, Washington, D.C.
  • Laurinda Spear, ASLA, ArquitectonicaGEO, Miami

Landscape Architecture in the News Highlights (August 16 – 31)

Avenida Atlantica, along Rio's Copacabana Beach / The Los Angeles Times, via Burle Marx Landscape Design Studio / Jewish Museum
Avenida Atlantica, along Rio’s Copacabana Beach / The Los Angeles Times, via Burle Marx Landscape Design Studio / Jewish Museum

A Park Steeped in a Poetic Past Shanghai Daily, 8/23/16
“Suzhou is famous for its classic Chinese gardens, but one doesn’t have to leave home to appreciate the tranquility and grandeur of gardens that once attracted and inspired scholars and artists. This series will visit the most famous classic gardens in Shanghai — a panoply of pavilions, ponds, ancient trees, sculptures, flowers and rockeries right on our doorstep.”

What’s Next for Hermann Park?The Houston Chronicle, 8/18/16
“The designer of Hermann Park’s next 20-year master plan believes dreaming is as important as doing.”

More Images Reveal What James Corner’s Underline Project Will Look LikeThe Architect’s Newspaper, 8/19/16
“A pop-up preview of James Corner Field Operations’(JCFO) ‘Brickell Backyard’ will be unveiled Tuesday next week. The temporary mini-gym and fitness area has been designed and installed by Miami-Dade Parks and Recreation and will provide a six-month sneak preview of what is to come for the Underline project.”

How to Build a Better Skatepark CityLab, 8/19/16
“‘If a landscape architect is designing a space like this, they need to take the time and map land that’s accessible, but far enough away from residential areas so as to not disturb local neighborhoods,’ Saario says.”

Christchurch Dilemmas: How to Rebuild the City’s Heart – Stuff, 8/22/16
“Even before the earthquakes of 2011, Christchurch’s CBD was struggling. But with up to 70 per cent of the buildings in the center of the city scheduled for full or partial demolition, Christchurch has been left with an even larger hole at its center. Christchurch Dilemmas asks, how can the city rebuild its heart?”

When Parks Were Radical The Atlantic, August issue
“A century and a half ago, city dwellers in search of fresh air and rural pastures visited graveyards. It was a bad arrangement. The processions of tombstones interfered with athletic activity, the gloom with carefree frolicking. Nor did mourners relish having to contend with the crowds of pleasure-seekers. The phenomenon particularly maddened Frederick Law Olmsted.”

Brazil’s Modern Look: Why Olympic Viewers Should Know the Name Roberto Burle Marx The Los Angeles Times, 8/31/16
“The great Brazilian landscape architect Roberto Burle Marx, who died in 1994 at 84, has emerged as a mute and minor star, a compelling bit player, of these Summer Games.”

How the National Park Service Should Evolve

San Gabriel Mountains National Monument / Conservation Alliance
San Gabriel Mountains National Monument / Conservation Alliance

As the National Park Service (NPS) celebrates its centennial, it’s time to look ahead and think about how America’s national parks should evolve over the next 100 years. A new report from the Center for American Progress (CAP) argues that the NPS will need to become far more inclusive to meet the needs of the mostly urban, majority-minority country we’ll have by 2043. The NPS will also need to identify areas for conservation amid the rapidly-sprawling cities of Western states before it’s too late. Already many poorer Latino and African American communities out west have been under-represented among national parks and have none nearby to enjoy. The key message of the report: put national parks closer to diverse, urban populations, and then further remove barriers preventing these populations from enjoying these places.

A recent poll conducted for CAP found that “77 percent of Americans believe the United States benefits a great deal or a fair amount from national parks. Furthermore, 55 percent of voters believe they personally benefit a great deal or a fair amount from the country’s parks and public lands.” Research from Harvard University Kennedy School of Government, confirms the enormous value of the parks: they are estimated to be worth some $92 billion to the American people.

But the reality is national parks benefit some more than others. The National Park Service is still dealing with the legacy of Jim Crow-era laws that enforced segregation in many parks. “In some cases, these laws made parks entirely off limits to African Americans.” While everyone today, by law, has equal access to national parks, “the majority of visitors remain white, aging, and fairly affluent.” And, as has been noted, 80 percent of NPS employees are white.

CAP’s polling found that 55 percent of all respondents to their survey had visited a national park, monument, or other area in the past three years. But if results are broken out by race, it looks a bit different: 59 percent of whites have visited, while 47 percent of Hispanic respondents, and only 32 percent of African Americans said the same thing. And NPS’s own 2009 survey apparently showed similar disparities: 78 percent of park visitors were white, while only 9 percent were Hispanic, and 7 percent, African American.

The report also finds there are differences in visitation among different income groups. “Only 39 percent of Americans with incomes below $40,000 reported visiting the National Park system in the last three years.” In comparison: 59 percent of those who made between $40,000 and $75,000 visited, as well as 66 percent of those who made more than $75,000.

While the NPS is now designating more places diverse populations want to go to, there is still more to do. Only 112 of the 460 designated units of the NPS, or 24.3 percent, have a focus on diverse groups. This is not thinking ahead to meet the needs of a mostly-minority country.

Recent steps — like creating the Stonewall Inn National Monument in New York City, which preserves the site of the Stonewall riots that started the LGBT rights movement, and the Cesar E. Chavez National Monument, which honors an important Latino civil rights activist — are steps in the right direction, but the report argues more of these protected places need to be created. This is because “parks aimed at preserving traditionally underrepresented histories and stories in fact attract higher visitation rates than the national average from groups that they aim to honor.” For example, some 37 percent of visitors to the Nicodemus National Historic Site, a park that preserves a western town established by African Americans, are themselves African American, in comparison with around 9 percent of visitors, on average, for other parks.

The report also makes the case for preserving natural area in the West, where development “disproportionately affects communities of color and low-income communities.” Poorer and minority-heavy communities are typically more developed than average, which means these groups grow up in areas with fewer natural resources — and national parks and monuments.

The report argues these communities need both more small neighborhood parks and more preserved large natural areas. “Congress, the U.S. Department of the Interior, and the president should create and enhance public lands in accessible places — so-called frontcountry recreation areas. Frontcountry areas offer close-to-home natural settings and outdoor experiences, which allow people to experience nature without needing to travel to a far-off destination. Emphasis should be placed on accessible frontcountry parks near communities of color, low-income communities, and urban areas.”

A prime example of what NPS needs more of: the San Gabriel Mountains National Monument, which President Obama designated in 2014 and is just a 90-minute drive for the 15 million-strong, diverse, urban population of Los Angeles.

The Mesmerizing “Liquid Shard” Brings Pershing Square Back to Life

The moribund Pershing Square Park in downtown Los Angeles briefly came back to life over the past few weeks, thanks to artist Patrick Hearn’s monumental and mesmerizing Liquid Shard, which is made of holographic mylar and monofilament and spans some 15,000 square feet. Riding invisible wind currents, the piece undulates along a span 15 feet high to the top of the park’s tower, at 150 feet high.

According to Hearn, “the inspiration comes from observing nature and the feeling that we are only aware on a very surface level of what is really going on around us. Unexpected things are revealed in time-lapse or hyper-spectrum photography that fascinate me. Like fractals recurring progressively, we feel the currents of air on our skin but do not see the larger movements.”

The video above also shows the incredible capabilities of video-enabled drones. A technology largely unavailable even a few years ago, video-enabled drones now allow artists and designers of all kinds to tell new stories about the places they have created. The value for landscape architects is clear.

As the temporary installation Liquid Shard comes down, Paris-based landscape architecture firm Agence Ter soon start their work redesigning the unloved park. According to The Architect’s Newspaper, “the French landscape firm’s approach is notable for the ‘town square’ approach taken to the site, where a large canopy located at the western edge of the park will house cafés and other amenities that open onto a grassy knoll at the center of the park.”

Los Angeles city council officials hope the new park will open by 2019.

Science Lab Protected by Ingenious Wave Landscape

MAX IV laboratory / Snohetta
MAX IV laboratory / Snohetta

In Lund, a city in southern Sweden, the MAX IV Laboratory houses a synchrotron, a giant particle accelerator. Unfortunately, scientists there found the facility was buffeted by ground vibrations from a nearby highway. They discovered even the smallest vibrations could throw off their precise studies. Instead of finding a new site, the lab decided to use smart landscape design to create a solution. Working with Fojab Architects, landscape architects with Danish multidisciplinary design firm Snohetta created a 19-hectare park that absorbs vibrations while creating public space, a constructed meadow land, that also captures stormwater.

On their web site, Snohetta writes that ground vibrations are “commonly created by wavelengths between 10 to 40 meters in height and follow the surface of the ground.” If a landscape is flat, their models showed, vibrations could reach the laboratory. But experiments with different types of wave topography found that certain forms could actually absorb the vibrations.

Snohetta used the software program Grasshopper to model the effects of vibrations, defined at 10 to 40 meters at an amplitude of 4.5 meters, on their site.  The primary lab building had to be a circle. But they decided to twist and raise it, creating a “dynamic shape based on the Möbius strip,” which is a surface with one side and one boundary. And then they went further, creating a sort of Möbius volume. Landscape wave forms radiate out in a pattern that breaks up incoming vibrations. According to Snohetta, “the more chaotic combinations of waves, the better.”

Model / Snohetta
Model / Snohetta

To build this intricate landscape, Snohetta uploaded the 3D model directly into to the GPS systems guiding the bulldozers who carved the shapes. For the firm, it was like “having a giant 3D printer producing the project on a 1:1 scale.”

MAX IV laboratory  / © Mikal Schlosser
MAX IV laboratory / © Mikal Schlosser

On top of blocking the vibrations, the designers also brought a sustainable design approach — soil was cut on site and then filled in elsewhere to create the waves. They argue this will help ensure the site can return to agricultural use if the synchrotron is no longer used.

The waves also help channel stormwater into ponds designed to accommodate both 1-year and 100-year rain events.

MAX IV laboratory / © Mikal Schlosser
MAX IV laboratory / © Mikal Schlosser

And throughout the park, there are native meadow grasses, planted from seeds gathered at a nearby nature reserve. The lab will bring in sheep to help manage the grasses.

MAX IV laboratory / © mikal schlosser
MAX IV laboratory / © mikal schlosser

Even though the location looks fairly suburban, there is also ample bike parking for lab employees and visitors.

MAX IV laboratory / Snohetta
MAX IV laboratory / Snohetta

See larger images at DesignBoom.

Landscape Architecture in the News Highlights (August 1–15)

Rail Deck Park / City of Toronto, via The Architect’s Newspaper

Working to Make Public Space for Everyone in BaltimoreThe Baltimore Sun, 8/1/16
“For writer D. Watkins, it’s a sense of exclusion from what he called the ‘new’ Baltimore. For student activist Diamond Sampson, it’s a feeling of being unwelcome around the Inner Harbor.”

Will Replacing Thirsty Lawns with Drought-Tolerant Plants Make L.A. Hotter?  – The Los Angeles Times, 8/2/16
“Last summer, a revolution occurred in Los Angeles landscaping: Across the city, tens of thousands of homeowners tore up their water-thirsty lawns and replaced them with gravel, turf, decomposed granite and a wide range of drought-tolerant plants at a rate never seen before.”

How Noted Landscape Architect Jim Burnett Counters Dallas’ Concrete Jungle The Dallas Morning News, 8/2/16
“The 55-year-old is best known worldwide as the landscape architect of Klyde Warren Park. But he’s also created visions of greenery throughout Uptown and the Arts District and was part of the team that produced the outdoor master plan for Parkland Memorial Hospital.”

Why Landscape Architects Are the Urban Designers of TomorrowCurbed, 8/4/16
“For landscape architects, the ground has shifted in serious ways over the last few decades. Earlier this summer in Philadelphia, at a mid-June summit organized by the Landscape Architecture Foundation, members of the profession looked back at the changes the last half-century has brought to their profession.”

City of Toronto to Build 21-Acre Park Over Downtown Railroad Tracks The Architect’s Newspaper, 8/8/16
“Toronto Mayor John Tory has announced plans to protect 21 acres of downtown real estate for the future Rail Deck Park.”

Ben Bradlee’s Mausoleum Sets Off a Gossip-Laden SquabbleThe New York Times, 8/11/16
“It lacked the pageantry of the funeral nearly a year before, but when the body of Benjamin C. Bradlee, the longtime editor of The Washington Post, was re-interred in a Georgetown cemetery here last October, it had an air of permanence.”

A New Look at the Trail Blazing David Williston

David A. Williston / TCLF
David A. Williston / TCLF

David August Williston
is a name little known today, even in the world of landscape architecture. But according to Dr. Douglas Williams, Student ASLA, Ph.D graduate from the University of Illinois at Champaign-Urbana, he is one of the trail blazers of the field. One of the first African American landscape architects, Williston designed some of the major campuses of historically African American colleges like Booker T. Washington’s Tuskeegee Institute and Howard University in Washington, D.C. In his lifetime, he never experienced full integration, having passed away in 1962 at the age of 94, but managed to accomplish a lasting legacy of built work.

In a talk at Howard University’s School of Architecture, Williams wondered why Williston is so little celebrated. In part, he blames the lack of diversity in core landscape architecture texts, like the Landscape of Man, published in 1970, and Landscape Design, in 2001. “Where are the black people in these texts?”

He also pointed to the paucity of published books on African American cultural landscapes. Celebrated African American landscape architect Walter Hood, ASLA, published a book of his own work, but that was back in 1997. (Apparently, he is at work on a second book on his “hybrid landscapes”). The 2004 book African American Architects: A Biographical Dictionary, 1865-1945, an overview of some 100 designers, includes only 5-6 landscape architects. Williams bemoaned that mainstream attention to these designers only gets paid in a cursory fashion during Black History Month.

Williams highlighted a few examples of what he considers to be excellent African American scholarship on landscape: from J.B. Jackson’s The Necessity of Ruins and Other Topics, which states that “the garden landscapes of blacks are some of the least known and richest,” to We Shall Independent Be: African American Place-Making and the Struggle to Claim Space in the United States, a compendium edited by Angel David Nieves and Leslie M. Alexander, which explores the stories of African American communities displaced by Frederick Law Olmsted in the creation of Central Park.

Referring to Outliers: The Story of Success by Malcolm Gladwell, which argues that geniuses are less isolated phenomena than important nodes in deep and rich social networks, Williams argued that Williston also collaborated widely. He tried to imagine Williston’s African American contemporaries, many of whom remain unknown. He tried to imagine how Williston was able to create an entirely African American system to achieve his landscape designs in the segregated deep South. And he tried to imagine how Williston, without access to white-owned nurseries, could have sought out native plants in the woods and cultivated them on his own. (Williston was one of the first African Americans to earn a bachelor’s degree in horticulture from Cornell University; there, his love of plants grew into a considerable expertise on plant propagation and cultivation.)

Williston taught horticulture to African American college students while also serving as a campus landscape architect for numerous historically black colleges. He spent 20 years at Booker T. Washington’s Tuskegee Institute, where he also worked with African American architect Robert R. Taylor to lay out the physical campus. According to The Cultural Landscape Foundation, he then settled in Washington, D.C. at the onset of the Great Depression, where he started his own firm. He designed the expansion of Howard University, and numerous other colleges, working well into his early 90s.

Williams’ hope is to completely digitize Williston’s archives and make them accessible online for future researchers, using them as a basis to create 3-D models of now-lost planting schemes, so more people can experience a Williston landscape.

Building the Next Generation of National Park Advocates

Grand Teton National Park / Image Credit:

The National Park Service (NPS) will celebrate its centennial on August 25. One hundred years after its creation, the U.S. national park system stands as the “best national park system in the world,” according to National Park Service (NPS) director Jonathan Jarvis, who spoke at the National Press Club in Washington, D.C. But he insisted that future success should not be taken for granted.

“Our centennial goal has been to create the next generation of visitors, supporters, and advocates for our national parks and our public lands,” Jarvis said. Failure to do so will result in losing the parks to “selfish interests,” or private development for short-term gain.

One way that Jarvis and the NPS have tried to create this next generation of park enthusiasts is by advertising the parks as part of America’s story.

“When I became director in 2009, we recognized that there were gaps in the American narrative as told by the national parks.” During Jarvis’ tenure, the NPS has taken into its stewardship 22 new sites, including several that speak to the contributions of minorities to America and America’s history of slavery and oppression. The latest place to be designated a national monument is The Stonewall Inn in Greenwich Village, New York City, considered the birthplace of the gay liberation movement.

With a backlog of $12 billion needed for park services and repairs, Jarvis was asked how the NPS considered taking on even more sites into its stewardship.

“In almost every case, we have minimized the actual amount of land or resources we need to take care of, and we have brought in philanthropic partners to assist with that. It does add to our overall responsibility, but I think we’ve been very judicious in ensuring it does not add significantly.”

No one can suggest that the park system has not been successful under Jarvis’ leadership. 2015 saw 312 million people visiting the park system. That is more than the visitors to Disney, the NFL, MLB, NBA, MLS, and NASCAR combined, according to Jarvis.

Still, support for the NPS has been steadily declining in congress. According to the Center for American Progress, members of Congress filed at least 44 bills or amendments that attempted to slash protections for parks and public lands in the last 36 months.

Jarvis said that he and his team are doing their best to partner with corporations and philanthropic bodies to offset certain costs. “The basic operation of a national park is the responsibility of appropriators. Philanthropy gives us that margin of excellence on top of that.”

Jarvis smiled as he waved off suggestions that sponsorship of parks on the part of private partners might lead to signage reading, “The Grand Canyon, brought to you by Exxon.”

“We have always had relations with corporate America. It was the railroads that built most of the major lodges. We are protecting these assets from branding and labeling.”

Asked where he sees the future of the NPS heading, Jarvis reiterated the importance of inspiring a new generation of conservationists and preservationists to “bring the concept of conservation back into their own communities. Many of the initiatives that we have launched, like the studies around the contributions of Latinos and women and Asian American Pacific Islanders, and LGBT community, will be carrying on into the next administration. I don’t see this ending.”