MUSK SEE: Three Reasons Why Congestion Decreases When Cities ‘Delete’ Road Lanes — 05/13/2022, Streetsblog USA
“A wildly inaccurate comment from Elon Musk about the traffic impacts of deleting lanes for drivers is prompting a conversation about the little-known phenomenon of ‘reduced demand’ — and how advocates can better debunk common congestion myths that powerful, but often ill-informed, people continue to promulgate.”
Security Features For Outdoor Living Trend In Latest Houzz Survey — 05/10/22, Forbes
“It’s no secret that outdoor living has become a huge trend. ‘It has exploded over the past five years with homeowners desiring to have resort-like backyards,’ declares Reno-based landscape architect and franchisor Ron DuHamel, president of FireSky.
Justice Department Unveils New Environmental Justice Moves (2) — 05/05/2022, Bloomberg Law
“The Department of Justice announced a trio of major environmental justice actions on Thursday, including the launch of a new office and the resurrection of a popular enforcement tool scrapped during the Trump administration.”
A Smarter Urban Design Concept for a Town Decimated by Wildfires— 05/03/2022, Fast Company
“SWA Group—a winner of Fast Company’s 2022 World Changing Ideas Awards—is helping Paradise, California, imagine a safer and more sustainable future with a design that buffers the town with parks, athletic fields, and orchards—areas less likely to burn than forests.”
New Park Brings Residents of Los Angeles’ Chinatown Together— 05/01/2022, Parks and Recreation Business
“Designed by the landscape architecture and planning firm, AHBE/MIG, Ord and Yale Street Park represents the transformation of a once-vacant, one-acre hillside into a new pocket neighborhood park for the community.”
The ASLA Awards Program is the oldest and most prestigious in the landscape architecture profession. They honor the most innovative landscape architecture projects and the brightest ideas from up-and-coming landscape architecture students.
“The ASLA Professional and Student Awards recognize the most impactful work in the profession,” said Eugenia Martin, FASLA, President of ASLA. “Our professional winners advance planning and design at all scales, while our student winners are our future design leaders. Each year, the ASLA Awards increase globally, with submissions from around the world.”
Award recipients receive featured coverage in Landscape Architecture Magazine and are honored at a special Awards Presentation ceremony in the fall.
ASLA bestows Professional Awards in General Design, Residential Design, Urban Design, Analysis & Planning, Communications, Research categories. In each of these categories, juries select a number of Honor Awards and may select one Award of Excellence. One Landmark Award is also presented each year.
The 2022 Professional Awards Jury includes:
Chair: Dennis Otsuji, FASLA – Wimmer Yamada and Caughey
Juan Antonio Bueno, FASLA – Falcon + Bueno
David Garce, (Catawba), ASLA – GSBS Architects (Retired)
Kimberly Garza, ASLA – ATLAS Lab
Zack Mortice – Design Journalist
Taner Ozdil, ASLA – The University of Texas at Arlington (Representing CELA)
Lesley Roth, FASLA – Lamar Johnson Collaborative
Glenn LaRue Smith, FASLA – PUSH Studio
Matty A. Williams – City of Detroit, Planning & Development
Gena Wirth, ASLA – SCAPE Landscape Architecture
Emily Vogler – Rhode Island School of Design (Representing LAF)
ASLA bestows Student Awards in General Design, Residential Design, Urban Design, Analysis & Planning, Communications, Research, Student Community Service, and Student Collaboration. In each of these categories, juries select a number of Honor Awards and may select one Award of Excellence.
The 2022 Student Awards Jury includes:
Chair: Mark Hough, FASLA – Duke University
Monique Bassey, ASLA – Lamar Johnson Collaborative
Jessica Canfield, ASLA – Kansas State University
Aida Curtis, ASLA – Curtis + Rogers Design Studio South
Latoya Kamdang, AIA – Moody Nolan
SuLin Kotowicz, FASLA – VIRIDIS Design Group
Christopher Nolan, FASLA – Central Park Conservancy
Clients are looking to landscape architects to provide nature-based solutions to climate impacts, with street trees, bioswales, and native, drought-tolerant plants in high demand.
ASLA has released its first national survey on demand for landscape architecture planning and design solutions to climate change. 563 landscape architects, designers, and landscape architecture educators in the U.S. responded to the survey in October 2021.
Nationwide, demand for planning and design solutions to climate change has increased over the past year. 77 percent of landscape architects and designers responding to the survey experienced at least a 10 percent increase in client demand for these solutions in comparison with 2020. And, of these, 38 percent of landscape architects and designers experienced more than a 50 percent increase in demand over the past year.
According to the survey results, city and local governments are the foremost drivers of demand for climate change-related planning and design projects. Non-profit organizations, state governments, and community groups, which may or may not be incorporated non-profit organizations, are also key drivers of demand.
Clients are concerned about a range of climate impacts, but are most concerned with:
Increased duration and intensity of heat waves
Increased intensity of storms
Increased spread and intensity of inland flooding
Loss of pollinators, such as bees and bats
Changing / unreliable weather, or “weird weather.”
The survey finds that landscape architects are also actively educating public, commercial, and residential clients about the importance of investing in more climate-smart practices.
Nationwide, 65 percent of landscape architects and designers surveyed are recommending the integration of climate solutions to “all or most” of their clients. They are creating demand for more sustainable and resilient landscape planning and design practices through “advocacy by design” approaches that persuade city, local government, and other clients to update policies and regulations.
To increase community resilience and reduce greenhouse gas emissions, landscape architects are planning and designing infrastructure at all scales – from the city and county to district, neighborhood, and site.
The top community-wide infrastructure solution clients are requesting is stormwater management to reduce flooding. Solutions that reduce reliance on fossil-fuel-powered vehicles and greenhouse gas emissions from the transportation sector, which account for approximately 30 percent of all U.S. emissions, take up the next top four in-demand solutions: walkability improvements, trails, bike infrastructure, and Complete Streets. Improved bicycle and pedestrian infrastructure also increase community resilience to climate impacts by providing additional layers of safe transportation.
The survey found that projects to increase the resilience of communities and reduce greenhouse gas emissions may also be leading to positive economic impacts. 47 percent of landscape architects and designers surveyed estimate their climate projects have a construction value of more than $1 million, with 29 percent saying the value of this work is more than $10 million.
Also, 45 percent of landscape architects and designers surveyed estimated their climate projects created more than 10 local planning, design, construction, management, or maintenance jobs in the past year. Climate solutions are resulting in well-paying creative and green jobs.
“The survey data shows that communities are greatly concerned about a range of climate risks and impacts. They are looking to landscape architects to provide nature-based solutions that both store carbon and increase resilience to extreme heat, flooding, drought, sea level rise, and other climate impacts,” said Torey Carter-Conneen, ASLA CEO. “There is also concern about biodiversity loss, particularly the loss of pollinators and the native habitat they rely on, and landscape architects are providing solutions that address the twinned climate and biodiversity crises.”
More key findings:
Designing resilience to climate impacts is at the forefront. 48 percent of landscape architects and designers surveyed stated that “all, a majority, or about half” of clients are now requesting plans and designs to increase resilience to existing or projected climate impacts, such as extreme heat, flooding, sea level rise, storm surges, and wildfires.
Specifically, some 43 percent of clients seek to increase resilience to climate shocks projected for the next 2-5 years, while 39 percent seek to address immediate climate risks or impacts.
38 percent of clients seek to increase resilience over the next 5-10 years, while 32 percent of clients are planning now for the long-term and seeking solutions for expected climate risks and impacts 10-50 years out.
Nature-based planning and design solutions are in demand. Public, non-profit, community, and private clients are looking to landscape architects to plan and design nature-based solutions to impacts such as wildfires, sea level rise, flooding, drought, extreme heat, and biodiversity loss and ecosystem degradation.
According to landscape architects, designers, and educators surveyed, these are the top solutions requested by clients for each climate impact area. Note: Not all climate impacts are relevant to the respondents’ regions.
Extreme heat solutions:
Street trees (64 percent)
Shade structures / canopies (60 percent)
Tree groves (35 percent)
Parks (35 percent)
Green roofs (31 percent)
Bioswales (62 percent)
Rain Gardens (61 percent)
Permeable pavers (59 percent)
Trees (54 percent)
Wetland restoration (45 percent)
Native, drought-tolerant plants (67 percent)
Low-water, drought-tolerant plants (65 percent)
Irrigation systems (48 percent)
Greywater reuse (36 percent)
Landscape solutions that increase groundwater recharge (35 percent)
Biodiversity loss and ecosystem degradation solutions:
Increase diversity of native tree and plant species (58 percent)
Native plant gardens (57 percent)
Increase use of plant species pollinators rely on (52 percent)
Ecological landscape design (41 percent)
Ecological restoration (35 percent)
Firewise landscape design strategies (27 percent)
Defensible spaces (22 percent)
Land-use planning and design changes (19 percent)
Forest management practices (17 percent)
Wildfire risk or impact assessment (14 percent)
Sea level rise solutions:
Nature-based solutions (33 percent)
Erosion management (30 percent)
Beach / dune restoration (25 percent)
Other coastal ecosystem restoration (21 percent)
Berms (19 percent)
Reducing greenhouse gas emissions is also now a key focus. Landscape architecture projects can incorporate Climate Positive Design practices so that they absorb more carbon than they emit over their lifespans. Projects at all scales can act as natural and designed carbon sinks, storing carbon in trees, shrubs, and carbon-sequestering materials, such as wood and pavers. 27 percent of respondents stated that “all, a majority, or about half” of clients are requesting projects that reduce or store greenhouse gas emissions now.
The top five strategies sought by clients to reduce emissions include:
Parks and open spaces, which include trees and grasses that sequester carbon.
Tree and shrub placement to reduce building energy use.
Habitat creation / restoration, which can increase the amount of trees and plants in a landscape, remove invasive species, and improve the overall health of natural systems, and the amount of carbon stored in landscapes.
Elimination of high-maintenance lawns, which involves reducing the corresponding use of fossil-fuel-based fertilizers and fossil-fuel-powered lawn movers and leaf blowers.
Minimizing soil disturbance, which helps keep intact carbon stored in soils.
Clients are also requesting materials that store carbon, such as woods and carbon-absorbing concrete.
Top five solutions:
Recycled materials, such as pavers that incorporate a high percentage of industrial byproducts.
Reused materials, such as wood or concrete, which eliminate the need to produce new materials.
Trees that absorb higher amounts of carbon than others, which include white oak, southern magnolia, London plane tree, and bald cypress trees.
Carbon-sequestering shrubs, groundcover, and grasses, such as native grasses with deeper roots than turfgrass.
Solar reflective materials that bounce back more sunlight and therefore reduce heat absorption and air conditioning energy use and expenses in adjacent buildings.
ASLA announces the 2021 Student Award winners. The 35 winning projects exemplify the highest level of achievement by future landscape architect professionals. The students themselves will be honored at the ASLA Conference on Landscape Architecture, Nov. 20 in Nashville, TN.
Winners each year are chosen by a jury panel representing a broad cross-section of the profession, from the public and private sectors, as well as academia. The 35 winners were chosen from 440 submissions of projects from around the world. Awards categories include: General Design, Urban Design, Residential Design, Analysis & Planning, Communications, Research, Student Collaboration, and Community Service.
“This program not only honors the tremendous creativity and passion of these future landscape architect leaders, it also highlights the extraordinary contributions they will make to communities upon graduation,” said Torey Carter- Conneen, CEO of ASLA.
A Landscape Architect’s Outdoor Artwork — Harvard Magazine
“Decades later, that synthesis was part of what propelled him toward a master’s degree in landscape architecture, after 20 years as a curator, graphic-design artist, set designer, and furniture designer. ‘I got to a point in my work as an artist where I felt like I needed some traction in a way that I wasn’t quite finding in the arts,’ [Todd Gilen] says. ‘Landscape architecture has a kind of scientific rigor about it. It’s a discipline that has a basis in both science and the arts.'”
So Long, Traditional Lawn. The New Turf Trends—From Wildflowers to Fescue — 08/27/21, The Wall Street Journal
“‘I have an enormous moss garden just naturally because I don’t do anything to it,’ said Sandra Youssef Clinton, a landscape architect in Hyattsville, Md. Sixteen large oak trees provide constant shade, she said. Though fans of classic turf tell her, ‘Oh, you should get rid of that, it looks so terrible,’ Ms. Clinton finds it quite beautiful. Said Mr. Moore, ‘Even the word ‘moss’ conjures elves and fairies and deep forest.'”
Good News: The Most Popular Material on Earth Is Great for Storing CO2 — 08/27/20, Fast Company
“Our Earth is heating up because of all the carbon dioxide in the air. But even if we can suck that much CO2 out of the atmosphere, there’s still a problem: What do we do with all of it once it’s recaptured? The short answer is, put it into products. The longer answer is, put it into the right products. Specifically, concrete.”
Study Suggests Bike Lanes Do Not Lead to Displacement, Gentrification — 08/27/21, Bike Portland
“The installation of new bike infrastructure in neighborhoods does not lead to displacement of people of color, and low-income areas received more “hard” facilities like buffered or protected bike lanes than high income areas, according to a new study published in July by Elsevier.”
After Years of Failure, California Lawmakers Pave the Way for More Housing — 08/26/21, The New York Times
“Suddenly zoning reform has been thrust to the top of the urban agenda. Cities including Charlotte, N.C.; Minneapolis; Portland, Ore.; and Sacramento have moved to allow multifamily buildings on lots previously limited to single-family houses. The issue is now starting to attract higher-level attention: In the past two years 10 states, including Connecticut, New Hampshire, Montana and North Carolina, have considered bills to reform local zoning rules.”
In Fire Scorched California, Town Aims to Buy the Highest At-Risk Properties — 08/23/21, NPR
“The idea is to connect the burnt out lots to the town’s existing park land. That’s good for adding more recreation but it could also work as a fuel break. Efseaff’s department could strictly manage forests like this with the hopes that the next wildfire might slow down here and give firefighters a chance.”
In a Warming World, Consider the Mist Garden — 08/19/21, Bloomberg CityLab
“Designed by landscape architects Quennell Rothschild & Partners, the new mist garden features 504 evenly spaced fog nozzles atop a new plaza that fills in the 310-foot pool end to end, even keeping the original 1964 stone coping. The new plaza’s edges are paved in a pattern of overlapping triangles, a nod to the Art Deco architecture of the park’s first World’s Fair in 1939, as well as Manhattan landmarks like the Chrysler Building and Rockefeller Center. Concrete lounges make it possible to simulate a spa day in the middle of Queens’ largest park.”
How a Pioneering Garden Designer Inspired Vogue’s Fall Fashion Fantasy — 08/17/21, Vogue
“‘Should it not be remembered that in setting a garden we are painting a picture?’ So asked Beatrix Farrand in her 1907 Scribner’s essay ‘The Garden as Picture.’ A pioneering American landscape architect whose career spanned the Gilded Age, the Roaring Twenties, the Great Depression, and two world wars, Farrand wrote, ‘The two arts of painting and garden design are closely related, except that the landscape gardener paints with actual color, line, and perspective…while the painter has but a flat surface on which to create his illusion.'”
Is Artificial Turf Right for You? 3 Things to Consider Before Installing a Fake Lawn — 08/12/21, Architectural Digest
“According to San Clemente landscape designer Jodie Cook, although grass requires potable water and turf doesn’t, that’s too narrow a comparison. Other elements of the water cycle are a major issue. Plants, even grasses, create water themselves. ‘When you put turf down and replace a living plant, you’re removing moisture from the environment,’ she explains. ‘You’re removing atmospheric water.'”
Your Garden May Be Pretty, but Is It Ecologically Sound? — 08/11/21, The New York Times
“Some gardeners react to any mention of ecological landscaping — the merging of environmental science and art — as if it were a compromise or concession meant to limit their creativity. Darrel Morrison, a landscape architect who has been practicing and teaching this philosophy for some five decades, begs to differ.”
Study: Protected Bike Paths Saved Lives During COVID — 08/10/21, Streetsblog
“In a report released today, researchers from the Insurance Institute for Highway Safety dug into the nuances of America’s (still-ongoing) pandemic-era bike boom by scrutinizing the spatial and temporal distribution of pre- and post-lockdown bicycle trip counts and crash counts in the city of Arlington, VA.”
Using Nature to Combat Climate Change — 08/09/21, CNN
“Landscape architect and founder of SCAPE Kate Orff describes how regenerative living infrastructure can help mitigate the devastating impacts of climate change.”
The Seas Are Rising. Could Oysters Help?— 08/02/21, The New Yorker
“A great deal of [Kate] Orff’s work addresses the inescapable fact that the Atlantic Ocean is rising, and coming for the land. She’s the founder of the design firm scape, the director of the Urban Design Program at Columbia University, and the first landscape architect to win a MacArthur ‘genius’ grant. She’s also at the forefront of an emerging approach to climate resilience that argues we should be building with nature, not just in nature.”
Few landscape architects embody an aesthetic style as striking and intertwined with a country’s identity as Mirei Shigemori. His landscapes in Japan are one of the greatest representations of the karesansui style, a dry garden that uses neither ponds nor streams but is latent with references to nature. This master designer’s palette includes ripples of stone, deliberately-placed boulders, and highly-sculpted plantings. Each element represents the natural world, not a deletion of it. Indeed, the beauty of Shigemori’s garden is in its exercise of abstraction, not elimination.
In a new book, Mirei Shigemori — Rebel in the Garden, landscape architect Christian Tschumi deconstructs the multiple influences represented in the outward simplicity of Shigemori’s iconic gardens.
Shigemori is presented as an omnivorous seeker of knowledge. By focusing on the complex passions of this landscape master — his upbringing, lifelong pursuits, scholarship and publications, family, and spirituality — the book succeeds in creating a nuanced perspective.
In the first part, Tschumi explains that Shigemori was a practitioner of chado – the art of tea; ardent student of ikebana, the art of flower arranging; one of the first designers to survey all of the gardens in Japan; author of 81 published books; and a designer of 239 gardens. Given the breadth of his interests, it is reasonable to wonder if Shigemori would have called himself a landscape architect. He was a true polymath.
Born in 1896 in Okayama prefecture, Shigemori is enterprising and artistic from his youth; building himself his own chashitsu Tea Room in his teen years and embarking on an education in nihonga (traditional Japanese painting) at the Tokyo Fine Arts School.
Imagine a time in Japan before the Shinkansen bullet trains between Tokyo and Kyoto were first made available in 1964, years before Narita International Airport opened to serve as a gateway for global travel. In the few photos of the man himself, Shigemori is highly engaged, wearing a hakama (traditional Japanese men’s attire) and serving tea, or a three piece suit while accompanying Isamu Noguchi at a stone quarry in mid 1950’s.
The author mentions in a rather factual manner that western influences shaped Mirei Shigemori’s life. For example, the name Mirei is not his birth name but one that he adopted in 1925 at age 29. The name refers to Jean-Francois Millet, a 19th Century French artist of pastoral landscapes and daily life. What is implied in this observation of Shigemori’s nom de guerre?
The book then explores a number of Shigemori’s landscapes in detail, including the Maegaki Residence. Built in 1955, this residential garden demonstrates the emergence of Shigemori’s signature style of the undulating line, cut out of stone as if to frame the rectilinear nature of property lines and the engawa veranda typical of traditional homes. Tschumi states this garden was designed early in his career, but at this point Shigemori is just shy of sixty years old. Shown below is the generous residence of a sake brewer, with three distinct garden areas in the front and back of the house.
The South Garden located in the back of the house is entirely visible and unified with the interior space. The placement of risseki (standing stones) is intended for the viewer imagine boats out in the sea, a mythical journey to the islands of the immortals.
Tschumi offers a thorough analysis of the garden with Shigemori’s own words, which were a rebuke of what he deemed the amateur nature of gardens in Japan at the time. “People tend to think that anybody can make a garden, without any education or original ideas. A lack of insight on the part of the owner, and knowledge on behalf of the garden maker, provides for many tasteless gardens.” Shigemori is seeking a way to connect to timeless, essential beauty through his artistic endeavors. Lucky is the artist who himself is immortalized in the many gardens still in the care of clients who relish his work.
Perhaps the Japanese term haikara, though colloquial, is an apt description of Shigemori’s personality. Haikara describes a certain type of Japanese gentleman with a Western flair, derived from the English “high collar” fashion popular during the Meiji Era (1868 – 1912). To use a personal example: my grandfather would have shokupan (sliced milk bread) for breakfast and was considered haikara because he didn’t have the traditional choice of asagohan (rice for breakfast).
Much has been written about how Japanese culture at all levels demonstrates a competition between two opposing forces: modernity and tradition. In simple terms, modernity is often seen as rooted in westernization, and at times an incursion into or dilution of Japanese tradition. But the limitations of such discussions are obvious, and Tschumi is careful not to steep in this theme, allowing the reader to imagine a more complex man in Shigemori.
The majority of the publication focuses on present-day photographs of Shigemori’s landscapes and detailed plans collected by the author with the cooperation with Shigemori’s estate. The projects are astonishingly simple yet staggeringly beautiful. And the reader is again left to question how Shigemori could embark on so many creative endeavors in one lifetime. One quibble: the photography does not depict people and is deliberately devoid of any visitors or caretakers. In reality, droves of visitors admire Shigemori’s landscapes, so they require rigorous maintenance.
In my experience, visiting Tofuku-ji Hojo in Kyoto is like the moment you finally arrive at Leonardo Da Vinci’s Mona Lisa at the Louvre Museum in Paris.
As visitors to Japan seek out Shigemori’s landscapes, which they may view as aesthetic experiences quintessential to Japanese culture, one actually finds the world at his landscapes. It is a safe bet that a log of visitors to Shigemori’s public gardens would demonstrate more international traffic than any regional airport. This reverse haikara — foreigners flocking to Kyoto to take in Japanese culture and aesthetics — is perhaps driven by the same impulse of the Japanese dandies: in studying the other, they find more of themselves.
Masako Ikegami, ASLA, is a marketing associate with SWA Group in Los Angeles.
High-Profile China Communist Memorial Gets a Boost from American Landscape Architect — 06/30/21, Forbes
“Finished in 2001, a park across from the party congress site known as Taipingqiao Park has taken on new importance as home to the new memorial. Taipingqiao Park and the accompanying Taipingqiao Lake with have received a big facelift in the past year led by Dwight Law, an American landscape architect and principal of Design Land Collaborative in Shanghai.”
Step Inside a Los Angeles Home That’s All About Natural Tones and Clean Lines — 06/29/21, Architectural Digest
“Working with landscape architect Chris Sosa, Woods and Dangaran plotted the house in relation to trees and plantings that soften the emphatically rectilinear lines of the structure. Outside the plaster privacy wall, the front yard is lined with a swath of oak trees and boulders.”
The U.S. Neighborhoods with the Greatest Tree Inequity, Mapped — 06/25/21, Bloomberg CityLab
“Neighborhoods with a majority of people of color have, on average, 33% less tree canopy than majority-white communities, according to data from the Tree Equity Score map, a project of the conservation nonprofit American Forests.”
A Black Vision for Development, in the Birthplace of Urban Renewal — 06/24/21, Bloomberg CityLab
“A new $230 million project approved this month by local government authorities to redevelop the neighborhood puts Black people in the driver’s seat of the Hill District’s remaking. It’s a test of the nagging question: Can racist urban redevelopment practices of the past ever be corrected with more urban redevelopment?”
A Piet Oudolf-designed Garden at the Vitra Campus Makes Its Full-bloom Debut — 06/21/21, The Architect’s Newspaper
“Typical of Oudolf-designed landscapes, the garden at the Vitra campus embraces a naturalistic, almost wild appearance achieved through a rigorous, highly precise planning process and the use of self-regenerating species usually ignored in popular garden design in favor of more decorative plants.”
Remembering Carol R. Johnson — 12/14/20, The Cultural Landscape Foundation
“Carol R. Johnson, founder of what became one of the largest woman-owned landscape architecture practices in the United States, died December 11, 2020, in Boothbay Harbor, ME; she was 91. She began her career with small residential commissions, then public housing projects and college campuses, followed by civic and corporate work in the U.S. and abroad.”
MoMa Urged to Drop Philip Johnson’s Name over Architect’s Fascist Past — 12/13/20, The Guardian
“New York’s Museum of Modern Art (MoMA) is under growing pressure to remove Philip Johnson’s name from its galleries and titles after Harvard addressed the late architect’s legacy at the university, saying his history of racism, fascism and white supremacy had ‘absolutely no place in design.'”
Building Public Places for a Covid World — 09/11/20, The New York Times
“Walter Hood’s landscape architecture firm, Hood Design Studio, has created major parks and museum gardens in Oakland, San Francisco and New York. He is also doubling down on the work he has been doing for 20 years: helping historically African-American communities rediscover history that’s been erased through abandonment or demolished by urban renewal.”
Nine Fall Gardening Tips From a Texas Landscape Architect — 09/10/20, Texas Monthly
“Dallas-based landscape architect David Hocker says the coronavirus pandemic has led to a huge increase in demand for his work, as public health guidelines have pushed us out into nature for safer socializing, dining, and exercise.”
Beyond Complete Streets: Could COVID-19 Help Transform Thoroughfares Into Places for People? –09/07/20, Planetizen
“By changing the way we traditionally use streets, people are expanding the way they think about cities in real-time. In a relatively short period of time, cities have announced plans to permanently close some of these ‘COVID streets’ to create new recreational spaces in combination with mobility corridors—essentially, linear community commons, or places for people.”
The Case for Making Virtual Public Meetings Permanent— 09/02/20, Governing
“The question, as has been asked in many contexts through 2020, is why can’t this COVID-19-era innovation become permanent? Rather than return to the hassle of holding most public meetings in person, why not continue to make them remote?”
Statue Suggestions Roll in for Trump’s National Garden of American Heroes — 09/02/20, The Architect’s Newspaper
“Suggestions for ‘lifelike or realistic’ representations of ‘historically significant Americans’ that could potentially populate the Trump administration’s planned National Garden of American Heroes have now been submitted by officials in various states, territories, and counties.”