Collaboration Is King

heatherwick-hudson-yards
A rendering of the proposed Hudson Yards gardens by Nelson Byrd Woltz, with Thomas Heatherwick’s sculptural tower / Hudson Yards

If one were to pen a history of landscape architecture, who would emerge as the central hero? Or would it be a person at all? Thomas Woltz, FASLA, principal at Nelson Byrd Woltz, proposed collaboration as landscape’s protagonist in a lecture at the University of Pennsylvania’s School of Design. Collaboration, according to Woltz, “is the only way to realize incredibly complex and layered projects.

“We live in a society that wants chest-beating heroes,” Woltz said. But the practice of landscape architecture offers little room for excessive pride.

“Your project is only as good as the next tsunami, hurricane, or flood. Landscape straddles horticulture, civil engineering, culture, storm water management, and all these systems have to work together. It is a very humbling profession.”

For that reason, Nelson Byrd Woltz actively engages with experts from a number of fields – conservation biology, soil science, ornithology, cultural history, and archaeology, to name a few – as a means “to tell the story of the land.”

Richard Weller, ASLA and chair of the School of Design’s landscape architecture department, noted that the resulting design work is “intrinsically of its place, evidently beautiful, and poetic without lapsing into spectacle.” It marries ecological restoration with highly-composed and relevant designs. In other words, it has integrity.

Woltz prefers the word authenticity. He described authenticity not as a byproduct of a design, but rather the result of an intentional process on the part of the designer.

“We research events, traces, and artifacts of the specific place, then find ways through the design process to reveal and celebrate those narratives.” It just so happens that the history of a site serves as an inventory of rich design ideas.

Asked for a recent example of this pursuit of authenticity, Woltz offered his firm’s work on the daylighting of Cockrill Spring in Nashville’s Centennial Park.

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The excavated Cockrill Spring / Nathan Hubbard

“In early traveler’s letters there was repeated mention of returning to Nashville along the Natchez Trace and knowing you were home when you ‘drank the cold waters of Cockrill Spring’.” So Woltz and his team worked with archaeologists to locate and excavate the spring. They then designed a contemporary fountain that celebrates the water and tells the story of an important but relatively unknown early settler, Anne Cockrill. The spring now supplies much of the park’s irrigation.

Isn’t examining early maps and historic artifacts the natural thing to do when beginning a project? “In my opinion, it’s the responsible thing to do,” Woltz said. “We owe it to every site to look carefully at what was there before we showed up.”

One would think this method is perhaps less applicable on a site as developed as Manhattan. But Woltz received a laugh from the crowd when, presenting his firm’s recent work on the eastern Hudson Yards, he shared that his firm’s research began with the examination of maps of Manhattan island from 1609. This research clued them into the existence of several streams underneath the train yards. During early talks with the project’s civil engineer, Woltz asked, “How does all of the water underneath the site get out to the Hudson River?” “How,” the civil engineer responded, “did you know there’s water down there?”

Collaboration was an integral part of the Hudson Yards project from the beginning, Woltz said, as the project deals with enormous complexities in sewage, transportation, irrigation, and engineering systems. Initially, there was no one entity coordinating those elements. But Woltz emphasized that landscape architects can inhabit this coordination role, as his firm has done.

In concluding the survey of his firm’s work, Woltz touched on humility once again. “I’m showing you the successes,” Woltz said. “I would love to give a lecture on all the failed things we’ve tried.”

A Memorial to a Sad Future

Climate Chronograph / Eric Jensen and
Climate Chronograph / Erik Jensen and Rebecca Sunter

The winner of the Memorials for the Future competition, which was sponsored by the National Park Service, Van Alen Institute, and others, offers a depressing vision: a monument to our collective failure to stave off climate change. Climate Chronograph by Erik Jensen, Assoc. ASLA, and Rebecca Sunter, Assoc. ASLA, of Azimuth Land Craft envisions a living landscape in East Potomac Park, Washington, D.C. that slowly dies as water levels rise. The landscape is the canary in the coal mine. Here, the canary educates the public, slowly, over the decades, about what happens to our landscapes when carbon dioxide pollution warms the planet.

The designers are inspired by the Egyptian nilometer, which was “both a temple to the sacred indeterminacy of water and a meter for predicting seasonal flood potentials of the Nile River.” Only priests in ancient Egypt could use this sacred tool, because its forecasts were so critical. “The prosperity of the kingdom hinged upon a few cubits of river height: a mere 18 inches could mean the difference between famine, abundance, or disaster.”

Egyptian Nilometer / David Roberts
Egyptian Nilometer / David Roberts

Jensen and Sunter’s memorial would function as the nilometer of climate change. They see an opportunity to send their message, in landscape form, in East Potomac Park, where deferred maintenance has left the sea walls in near ruins. Millions are needed to rebuild them, but “funding and philosophical questions remain and no design or financing plans have been finalized.”

And instead of rebuilding, the space could just be opened up to climate change, becoming a “public record of rising sea levels, a living observatory for an emergent process. Nature will write our story, our choices, into the landscape as we face this most vulnerable moment.”

Their sad, brilliant idea subverts the iconic Washington, D.C. landscape — the jubilant groves of cherry trees. In their proposal, rows of them become soldiers, sent into a futile battle. “As waters rise, tides encroach on the land and the trees die in place, row by row, becoming bare-branched rampikes delineating shorelines past. With every fourth row of trees marking one foot of elevation, the composition becomes a processional tidal gauge—a record.”

Rows of Cherry Trees, Climate Chronograph /
Rows of Cherry Trees, Climate Chronograph / Erik Jensen and Rebecca Sunter
Climate Chronograph / Erik Jensen and Rebecca Sunter
Climate Chronograph / Erik Jensen and Rebecca Sunter

Beyond the dying cherry trees, the rest of the memorial would help the public understand what it means to return to the tides. The memorial would cede control “to natural succession and decay.” Instead of beleaguered sea walls, the water edge would become a “fecund place for exploration, observation, and learning, sheltered cove for discovery and research of an emergent wetland ecosystem.”

Climate Chronograph / Erik Jensen and Rebecca Sunter
Climate Chronograph / Erik Jensen and Rebecca Sunter

They ask for $2.5 million to build this. Artful, educational, and ecological transition appears to be far cheaper than shoring up defenses.

Also worth exploring are some of the findings the National Park Service and Van Alen Institute pulled out of their Memorials for the Future process. A few great ideas: create memorials with the public as well as for the public; and consider ephemeral, mobile, and temporary forms.

ASLA Launches Guide to Resilient Design

Resilient design / ASLA
Resilient design / ASLA

A new online guide launched today by the American Society of Landscape Architects (ASLA) explains how communities can better protect themselves from natural disasters through resilient landscape planning and design.

According to the guide, the goal of resilient landscape planning and design is to retrofit communities to recover more quickly from extreme events, now and in the future. In an era when disasters can cause traditional, built systems to fail, adaptive, multilayered systems can maintain their vital functions and are often the more cost-effective and practical solutions.

The guide is organized around disruptive events that communities now experience: drought, extreme heat, fire, flooding, and landslides. Biodiversity loss is an underlying threat also explored.

The guide includes hundreds of case studies and resources demonstrating multi-benefit systems as well as small-scale solutions. It also explains landscape architects’ role in the planning and design teams helping to make communities more resilient.

Resilient design involves working with nature—instead of in opposition to it. It provides value to communities, including:

Risk reduction: As events become more frequent and intense due to climate change, communities must adapt and redevelop to reduce potential risks and improve ecological and human health. It’s also time to stop putting communities and infrastructure in high-risk places. And communities must reduce sprawl, which further exacerbates the risks.

Scalability and Diversity: Resilient landscape planning and design offers a multi-layered system of protection, with diverse, scalable elements, any one of which can fail safely in the event of a catastrophe.

Multiple Co-Benefits: Resilient landscape design solutions offers multiple benefits at once. For example, designed coastal buffers can also provide wildlife habitat and recreation opportunities; urban forests made up of diverse species clean the air while reducing the urban heat island effect; and green infrastructure designed to control flooding also provides needed community space and creates jobs.

Regeneration: Disruptive natural events that are now occurring more frequently worldwide harm people and property. Resilient design helps communities come back stronger after these events. Long-term resilience is about continuously bouncing back and regenerating. It’s about learning how to cope with the ever-changing “new normal.”

In an era when disasters can cause traditional, built systems to fail, adaptive, multi-layered systems can maintain their vital functions and are often more cost-effective and practical solutions. In an age of rising waters and temperatures and diminishing budgets, the best defenses are adaptive, like nature.

The guide to resilient design has been strengthened through the expert guidance of Alexander Felson, ASLA, assistant professor, School of Forestry & Environmental Studies and Yale School of Architecture; Kristina Hill, Affiliate ASLA, associate professor of landscape architecture and environmental planning and urban design, University of California at Berkeley; Nina-Marie Lister, Hon. ASLA, graduate program director and associate professor, Ryerson University School of Urban and Regional Planning; Nate Wooten, Associate ASLA, landscape designer, OLIN; and Kongjian Yu, FASLA, founder and dean, Peking University College of Architecture and Landscape and Turenscape.

Explore the guide.

New Museum Brings Hope of African Americans to the National Mall

National Museum of African American History and Culture / Jared Green
National Museum of African American History and Culture / Jared Green

The National Museum of African American History and Culture is a breathtaking new presence on the National Mall. Found just northeast of the Washington Monument, the museum, which opens September 24, makes accessible the almost-unimaginable journey of African Americans over the past few centuries: from the horrors of slavery, to the long fight for equality, and, finally, transcendence through spirituality, and extraordinary cultural and artistic achievements.

Over 100 years in the making, the museum cost $540 million, with half of those funds raised from over 100,000 contributors. And some 40,000 Americans contributed works that will be included in the museum’s permanent collection, explained museum director Lonnie G. Bunch III at the media preview.

The museum opens at an opportune time, when race relations are at a new low. As Bunch said, “race and cultural differences now dominate the national discourse. Racism is not a thing of the past. But we believe this museum can be a place that brings people together. This museum can help advance the conversation and be a beacon of what America can be.”

The building itself makes a richly symbolic statement. Lead designer David Adjaye and lead architect Philip Freelon, together with their architectural team Freelon Adjaye Bond/SmithGroup, created a dramatic 200-feet-by-200-feet box, topped with a corona inspired by the “three-tiered crowns used in Yoruba art from West Africa,” where many African American slaves came from. The corona is covered in an “ornamental bronze-colored metal lattice” inspired by the ironwork created by American slaves for estates in New Orleans, Charleston, and other Southern cities.

The building is well-served by a thoughtful and somewhat understated landscape by Gustafson Guthrie Nichol (GGN). Designed by Kathryn Gustafson, FASLA, and Rodrigo Abela, ASLA, the landscape treats the building as a pavilion in the broader landscape of the National Mall and aims for maximum circulation.

Walking the site with Abela, he explained how visitors can find African American themes of “resilience, spirituality, and hope” symbolically represented in the landscape. On the north side, visitors enter off Constitution Avenue, where they will see a black granite wall that provides the visual base of the site and doubles as a secure barrier. The granite wall is thick here — about 6-feet-wide — and is black to represent the canal water that once flowed through the site. Another possible interpretation of the material: African Americans’ labor is the foundation upon which was built the National Mall. Abela explained how Rugo Stone highly polished the edge of the granite so that it glimmers in the light, creating a horizon that underlines the building.

Black granite wall / Jared Green
Black granite wall / Jared Green

As you walk up the paths on the north side, you will find they are like arms extending out in an embrace. Where the arms meet in a central point, Abela highlighted, is the place where visitors can either decide to veer right and head to the Washington Monument, or veer left and enter the building’s north entrance.

National Museum of African American History and Culture / Smithsonian
National Museum of African American History and Culture / Alan Karchmer Architectural Photographer

Within this embrace, there’s an oculus, which shines a shaft of light into a “contemplative court” set in subterranean galleries that delve into the darkest times of slavery. “It’s a lantern, a welcoming and safe place.” As such, the landscape gently leads you up to the oculus on the surface.

Oculus / Jared Green
Oculus / Jared Green
Oculus interior concept / David Adjaye and Phil Freelon Group
Oculus interior concept / David Adjaye and Phil Freelon Group

And near the embrace, there is a symbolic reading grove, a place where a group of school kids or a few families could gather and talk about the experience about the museum. GGN designed this grove to mimic the “brush arbors,” the community gathering places, many early slave and African American communities would create, even before they had built a church.

Reading Grove / GGN
Reading Grove / GGN
Reading grove / Jared Green
Reading grove / Jared Green

Walking along the western edge of the building, there is a lawn and rows of trees, which are reflected in the building’s wall of windows. Abela said over 100 trees were planted, including elms, oaks, beeches, magnolias, gingkos, sassafras, and cherry trees. “The Smithsonian wanted as much diversity as possible.” In coming decades, those trees will grow to enshroud the building, softening its boldness. And throughout the lawns, some 400,000 crocuses were planted. One of the first plants to bloom, they represent hope for the future.

Trees reflected in the building / Jared Green
Trees reflected in the windows / Jared Green
Trees in northeast corner / Jared Green
Trees in northeast corner / Jared Green

On the eastern edge of the building, there is a staircase leading down to the lower level, which is an emergency exit for the auditorium, a separate entry into a loading dock, and bicycle parking for staff.

The southern entrance of the park, right off the National Mall, is where the Smithsonian expects about 70 percent of visitors will enter. There is a grand porch, another reference to African American culture, with a striking overhang providing shade over a fountain, which wasn’t working for the media preview, but will bring another cooling aspect during D.C.’s sweltering summers.

South side aerial / Anthony Lyons
South side aerial view / Anthony Lyons
Front porch / Jared Green
Looking up at front porch / Jared Green

Multiple paths invite visitors in from Madison Avenue. Once they pass through the gates, there is a sense of passing through a threshold into a new environment.

One of the southern entrances / Jared Green
One of the southern entrances / Jared Green

The southern edge of the park is richer with small plants and shrubs, which form a rain garden that mute the effect of the stark black granite walls.

south side entrance / Jared Green
South side wall and garden / Jared Green
south side rain garden / Jared Green
South side rain garden / Jared Green

A note on sustainability: More than half of the LEED Gold building is buried below ground, which means lower energy use. And below the structure, there are two large cisterns that collect rainwater that hits the building, so that it can be reused for irrigation.

Through the landscape architecture, Abela explained, “the story of African Americans are made part of the national story,” as represented by the expansive National Mall. “It’s a site that’s connected to the greater landscape beyond.”

Landscape Architecture in the News Highlights (September 1 – 15)

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Kim Wilkie landscape / The Architectural Digest

Fire Pits Add Flare to the Backyard Gatherings The Los Angeles Times, 9/1/16
“Fire pits — which are portable or permanent troughs or bowls that contain the flames — are expected to be the most popular outdoor design element this year, according to a survey from the American Society of Landscape Architects.”

Clash of Titans? Opponents of Pier 55 Have Secret Backer, Media Mogul Says The New York Times, 9/4/16
“In their quest to build a huge new cultural pier on the West Side of Manhattan, the Hudson River Park Trust and Barry Diller, the media mogul who is paying for it, have faced one seemingly intractable opponent: the City Club of New York, a little-known civic group founded in 1892 that was all but dead a few years ago.”

How an Energy Company Turned a Strip Mine into a Massive ParkCurbed, 9/7/16
“Strip mining is one of the most environmentally unfriendly ways we extract resources from the earth, tearing up enormous swaths of land to access the valuable minerals buried underneath. In some cases, the practice leaves thousands of acres covered in barren waste rock incapable of sustaining plant or animal life.”

‘Ideal Section’ Paved Way for Modern Road ConstructionThe Chicago Tribune, 9/9/16
“After World War I automobiles and trucks were becoming increasingly important modes of transportation in the U.S. for everyone from farmers and manufacturers to tourists. And, of course, the old dirt roads did nothing to speed the way.”

A Glorified Sidewalk, and the Path to Transform AtlantaThe New York Times, 9/11/16
“Could this traffic-clogged Southern city, long derided as the epitome of suburban sprawl, really be discovering its walkable, bike-friendly, density-embracing, streetcar-riding, human-scale soul?”

Meet One of England’s Top Landscape ArchitectsThe Architectural Digest, 9/12/16
“English landscape architect Kim Wilkie prefers to intuit what a site wants to be rather than impose his will upon it. It’s an approach that has brought clients from around the world to the door of his farmhouse in Hampshire.”

Snøhetta Occupies the Edges

When Michelle Delk, ASLA, was young and too full of energy for a lengthy car ride, her parents would pull over at parks in northern Iowa to let her run around. She grew attached to one in particular: It had a huge boulder that was half in the park and half in the road, and she could scramble to the top and look down.

“The boulder literally interrupted the street,” said Delk, partner and discipline director for landscape architecture at the international, multi-disciplinary design firm Snøhetta. “If you’re driving along the street and someone’s coming in the opposite direction, you had to stop and wait, and then you had to drive around the rock. This was the beginning of my falling in love with unusual landscapes and the juxtaposition of elements within places.”

Delk shared half a dozen Snøhetta projects during a lecture at North Carolina State University’s College of Design, and all of these offer a sense of the unusual — some form or sequence of a places that capture the imagination and create a new human experience.

At the Snøhetta-designed Norwegian National Opera and Ballet in Oslo (see video above), the landscape is a series of tilted white planes that envelop the architecture and allow for a continuous journey up from the water’s edge, to the terrace level that connects to downtown, to the peak of the opera’s roof.

“It’s not a building or a landscape; it’s in fact both,” Delk said. “People sometimes say to me about Snøhetta: ‘Oh I understand, you’re trying to make invisible, to blur the distinction between architecture and landscape.’ While this happens, it’s not what we set out to do. In fact, the edge — the place where architecture and landscape come together — is a very special place. It’s the place we want to occupy.”

People have come to see the landscape of the opera house as a major civic space. The opera and ballet now simulcast some events and use the sloped terrace as a viewing amphitheater, where often more people are watching the events outside than inside. And all of this activity happens on a landscape that was previously off limits. Through pre-construction remediation of toxic soils, this project became part of a broader Oslo vision to transform the industrialized waterfront for public use.

The Snøhetta design for the James Beard Public Market in Portland, Oregon, also seeks to reclaim a derelict landscape. Here the landscape is the challenging pinched space between the on and off ramps for the historic Morrison drawbridge. It’s a parking lot and partially closed to foot traffic on three sides, creating a gap between downtown and the Willamette River. Delk said the Portland residents who attended Snøhetta’s public meetings on the design concepts were eager to see the site become a vibrant local food hub and connect the river to downtown.

By folding back the on and off ramps, the Snøhetta design team found it would be possible to build an open and airy market on the unlikely site. “The market will dip under the bridge and become one connected space that you can come into and out of in multiple ways,” Delk said. “It becomes very transparent and connected to the city.”

James Beard Public Market: current condition at top, design renderings middle and bottom, Portland, Oregon / Snøhetta
James Beard Public Market: current condition at top, design renderings middle and bottom, Portland, Oregon / Snøhetta

Down the road in Oregon City, another Snøhetta design will reconnect people to the water. Willamette Falls is the second largest waterfall in North America by volume, yet, for 150 years, it’s been inaccessible because of the industry on its edges, most recently a paper mill. Snøhetta is developing the Willamette Falls Riverwalk, which will leverage the site’s unique multi-layered history, create new possibilities for future programming and development, and feature the unusual drama of the waterfall itself next to an almost crumbling post-industrial landscape.

“Careful restraint, and thinking about editing, framing, and episodic experience, is very relevant here. We don’t want to wipe out what is here, but we wish, through careful editing and removal of components, to create new places for people to inhabit,” Delk said. “We wish to think about the ephemeral qualities so inherently beautiful here, and how we can bring those qualities into a design that connect people to the history, water, and the essence of this place.”

Willamette Falls Riverwalk, design rendering / Snøhetta
Willamette Falls Riverwalk, design rendering / Snøhetta

Delk closed her lecture by playing a video someone had sent a colleague: It showed a man on a motorbike careening up and down the tilted landscape of the Oslo opera house, popping wheelies and gathering an audience until a security guard comes to shoo him off.

“I don’t think this gentleman cares whether this is a building or a landscape,” Delk said. “This might be an extreme example of improvisation, but we love that the places we design can encourage people to do the unexpected.”

This guest post is by Lindsey Naylor, Student ASLA, master’s of landscape architecture candidate, North Carolina State University.

ASLA Announces 2016 Professional Awards

ASLA 2016 Professional General Design Award of Excellence. Underpass Park /
ASLA 2016 Professional General Design Award of Excellence. Underpass Park by PFS Studio / Tom Arban

The American Society of Landscape Architects (ASLA) is excited to announce its 30 professional award recipients for 2016. Selected from 456 entries, the awards honor top public, commercial, residential, institutional, planning, communications and research projects in the U.S. and around the world. The winners will receive their awards at the ASLA Annual Meeting and EXPO in New Orleans on Monday, October 24 at the New Orleans Ernest M. Morial Convention Center.

The September issue of Landscape Architecture Magazine (LAM) features the winning projects and is available for free viewing.

The following is a complete list of 2016 professional award winners:

General Design Category

Award of Excellence (see image above)
Underpass Park, Toronto, Ontario
by PFS Studio for Waterfront Toronto

Honor Awards
Framing Terrain and Water: Quzhou Luming Park, Quzhou City, Zhejiang Province, China
by Turenscape for the Quzhou City Government

Bishan-Ang Mo Kio Park, Bishan, Singapore
by Ramboll Studio Dreiseitl for the Public Utilities Board / National Parks Board, Singapore

Converging Ecologies as a Gateway to Acadiana, St. Landry Parish, Louisiana
by CARBO Landscape Architecture for St. Landry Parish Tourist Commission

The Metro-Forest Project, Bangkok, Thailand
by Landscape Architects of Bangkok (LAB) for PTT Public Company Limited

The Power Station, Dallas
by Hocker Design Group for The Pinnell Foundation

Corktown Common: Flood Protection and a Neighbourhood Park, Toronto, Ontario
by Michael Van Valkenburgh Associates Inc. for Waterfront Toronto in Partnership with Toronto Region Conservancy Authority (TRCA) and Infrastructure Ontario (IO)

Grand Teton National Park Craig Thomas Discovery and Visitor Center, Moose, Wyoming
by Swift Company LLC for the National Park Service, Grand Teton National Park Foundation and Grand Teton Association

Eco-Corridor Resurrects Former Brownfield, Ningbo, China
by SWA for Ningbo Planning Bureau – East New Town Development Committee

Analysis and Planning Category

ASLA 2016 Professional Analysis and Planning Honor Award. The Copenhagen Cloudburst Formula: A Strategic Process for Planning and Designing Blue-Green Interventions. Ramboll and Ramboll Studio Dreiseitl / Ramboll and Ramboll Studio Dreiseitl
ASLA 2016 Professional Analysis and Planning Honor Award. The Copenhagen Cloudburst Formula: A Strategic Process for Planning and Designing Blue-Green Interventions. Ramboll and Ramboll Studio Dreiseitl / Ramboll and Ramboll Studio Dreiseitl


Award of Excellence

The Copenhagen Cloudburst Formula: A Strategic Process for Planning and Designing Blue-Green Interventions, Copenhagen, Denmark
by Ramboll and Ramboll Studio Dreiseitl for the Municipality of Copenhagen

Honor Awards
Central Puget Sound Regional Open Space Strategy, Puget Sound Region, Washington
by University of Washington Green Futures Lab for The Bullitt Foundation and The Russell Family Foundation

Rebuild by Design, The Big U, Manhattan, New York
by Starr Whitehouse Landscape Architects and Planners for the United States Department of Housing and Urban Development, Rebuild by Design

Memorial Park Master Plan 2015, Houston
by Nelson Byrd Woltz for the Houston Parks and Recreation Department, The Memorial Park Conservancy, and Uptown Houston

Baton Rouge Lakes: Restoring a Louisiana Landmark from Ecological Collapse to Cultural Sanctuary, Baton Rouge, Louisiana
by SWA Group for the Baton Rouge Area Foundation

Bayou Greenways: Realizing the Vision, Houston
by SWA Group for the Houston Parks Board

Communications Category

ASLA 2016 Professional Communications Award of Excellence. What's Out There Guides / The Cultural Landscape Foundation
ASLA 2016 Professional Communications Award of Excellence. What’s Out There Guides / The Cultural Landscape Foundation

Award of Excellence
What’s Out There Guidebooks
by The Cultural Landscape Foundation

Honor Awards
Roving Rangers: Bringing the Parks to the People
by BASE Landscape Architecture, for the Golden Gate National Parks Conservancy, Santa Monica Mountains National Recreation Area and the Santa Monica Mountains Fund

Activating Land Stewardship and Participation in Detroit: A Field Guide to Working with Lots
by Detroit Future City, published by Inland Press

Landscape Architecture Documentation Standards: Principles, Guidelines and Best Practices
by Design Workshop, published by John Wiley & Sons

PHYTO: Principles and Resources for Site Remediation and Landscape Design
by Kate Kennen, ASLA, and Niall Kirkwood, FASLA, published by Routledge, Taylor and Francis Group

DredgeFest Event Series
by The Dredge Research Collaborative

Sea Change: Boston
by Sasaki Associates Inc.

Research Category

Honor Awards
Weather-Smithing: Assessing the Role of Vegetation, Soil and Adaptive Management in Urban Green Infrastructure Performance
by Andropogon Associates Ltd. for the University of Pennsylvania

Residential Design Category

ASLA 2016 Landmark Award. Michigan Avenue /
ASLA 2016 Professional Residential Design Honor Award. DBX Ranch by Design Workshop / D.A. Horchner / Design Workshop, Inc

Award of Excellence
DBX Ranch: A Transformation Brings Forth a New Livable Landscape, Pitkin County, Colorado
by Design Workshop Inc.

Honor Awards
Kronish House, Beverly Hills, California
by Marmol Radziner

The Restoring of a Montane Landscape, Rocky Mountains, Colorado
by Design Workshop Inc.

Chilmark: Embracing a Glacial Moraine, Martha’s Vineyard, Massachusetts
by Stephen Stimson Associates Landscape Architects

The Rivermark, Sacramento, California
by Fletcher Studio for Bridge Housing Corporation

Water Calculation and Poetic Interpretation, Carmel, California
by Arterra Landscape Architects

ASLA 2016 Landmark Award. Michigan Avenue Streetscape /
ASLA 2016 Landmark Award. Michigan Avenue Streetscape by Hoerr Schaudt Landscape Architects for the City of Chicago / Steven Gierke

The Landmark Award
Michigan Avenue Streetscape: 20 Years of Magnificent Mile Blooms, Chicago
by Hoerr Schaudt Landscape Architects for the City of Chicago/Michigan Avenue Streetscape Association

The professional awards jury included:

  • Kona Gray, ASLA, Chair, EDSA, Fort Lauderdale, Florida
  • Keith Bowers, FASLA, Biohabitats Inc. Baltimore
  • Jennifer Guthrie, FASLA, Gustafson Guthrie Nichol, Seattle
  • Mami Hara, ASLA, Philadelphia Water Department, Philadelphia
  • Christopher Hume, Architecture Critic, Toronto Star, Toronto, Ontario
  • Lee-Anne Milburn, FASLA, California State Polytechnic University, Pomona, California
  • Willett Moss, ASLA, CMG Landscape Architecture, San Francisco
  • Suman Sorg, FAIA, DLR Group | Sorg, Washington, D.C.
  • Laurinda Spear, ASLA, ArquitectonicaGEO, Miami

Landscape Architecture in the News Highlights (August 16 – 31)

Avenida Atlantica, along Rio's Copacabana Beach / The Los Angeles Times, via Burle Marx Landscape Design Studio / Jewish Museum
Avenida Atlantica, along Rio’s Copacabana Beach / The Los Angeles Times, via Burle Marx Landscape Design Studio / Jewish Museum

A Park Steeped in a Poetic Past Shanghai Daily, 8/23/16
“Suzhou is famous for its classic Chinese gardens, but one doesn’t have to leave home to appreciate the tranquility and grandeur of gardens that once attracted and inspired scholars and artists. This series will visit the most famous classic gardens in Shanghai — a panoply of pavilions, ponds, ancient trees, sculptures, flowers and rockeries right on our doorstep.”

What’s Next for Hermann Park?The Houston Chronicle, 8/18/16
“The designer of Hermann Park’s next 20-year master plan believes dreaming is as important as doing.”

More Images Reveal What James Corner’s Underline Project Will Look LikeThe Architect’s Newspaper, 8/19/16
“A pop-up preview of James Corner Field Operations’(JCFO) ‘Brickell Backyard’ will be unveiled Tuesday next week. The temporary mini-gym and fitness area has been designed and installed by Miami-Dade Parks and Recreation and will provide a six-month sneak preview of what is to come for the Underline project.”

How to Build a Better Skatepark CityLab, 8/19/16
“‘If a landscape architect is designing a space like this, they need to take the time and map land that’s accessible, but far enough away from residential areas so as to not disturb local neighborhoods,’ Saario says.”

Christchurch Dilemmas: How to Rebuild the City’s Heart – Stuff, 8/22/16
“Even before the earthquakes of 2011, Christchurch’s CBD was struggling. But with up to 70 per cent of the buildings in the center of the city scheduled for full or partial demolition, Christchurch has been left with an even larger hole at its center. Christchurch Dilemmas asks, how can the city rebuild its heart?”

When Parks Were Radical The Atlantic, August issue
“A century and a half ago, city dwellers in search of fresh air and rural pastures visited graveyards. It was a bad arrangement. The processions of tombstones interfered with athletic activity, the gloom with carefree frolicking. Nor did mourners relish having to contend with the crowds of pleasure-seekers. The phenomenon particularly maddened Frederick Law Olmsted.”

Brazil’s Modern Look: Why Olympic Viewers Should Know the Name Roberto Burle Marx The Los Angeles Times, 8/31/16
“The great Brazilian landscape architect Roberto Burle Marx, who died in 1994 at 84, has emerged as a mute and minor star, a compelling bit player, of these Summer Games.”

How the National Park Service Should Evolve

San Gabriel Mountains National Monument / Conservation Alliance
San Gabriel Mountains National Monument / Conservation Alliance

As the National Park Service (NPS) celebrates its centennial, it’s time to look ahead and think about how America’s national parks should evolve over the next 100 years. A new report from the Center for American Progress (CAP) argues that the NPS will need to become far more inclusive to meet the needs of the mostly urban, majority-minority country we’ll have by 2043. The NPS will also need to identify areas for conservation amid the rapidly-sprawling cities of Western states before it’s too late. Already many poorer Latino and African American communities out west have been under-represented among national parks and have none nearby to enjoy. The key message of the report: put national parks closer to diverse, urban populations, and then further remove barriers preventing these populations from enjoying these places.

A recent poll conducted for CAP found that “77 percent of Americans believe the United States benefits a great deal or a fair amount from national parks. Furthermore, 55 percent of voters believe they personally benefit a great deal or a fair amount from the country’s parks and public lands.” Research from Harvard University Kennedy School of Government, confirms the enormous value of the parks: they are estimated to be worth some $92 billion to the American people.

But the reality is national parks benefit some more than others. The National Park Service is still dealing with the legacy of Jim Crow-era laws that enforced segregation in many parks. “In some cases, these laws made parks entirely off limits to African Americans.” While everyone today, by law, has equal access to national parks, “the majority of visitors remain white, aging, and fairly affluent.” And, as has been noted, 80 percent of NPS employees are white.

CAP’s polling found that 55 percent of all respondents to their survey had visited a national park, monument, or other area in the past three years. But if results are broken out by race, it looks a bit different: 59 percent of whites have visited, while 47 percent of Hispanic respondents, and only 32 percent of African Americans said the same thing. And NPS’s own 2009 survey apparently showed similar disparities: 78 percent of park visitors were white, while only 9 percent were Hispanic, and 7 percent, African American.

The report also finds there are differences in visitation among different income groups. “Only 39 percent of Americans with incomes below $40,000 reported visiting the National Park system in the last three years.” In comparison: 59 percent of those who made between $40,000 and $75,000 visited, as well as 66 percent of those who made more than $75,000.

While the NPS is now designating more places diverse populations want to go to, there is still more to do. Only 112 of the 460 designated units of the NPS, or 24.3 percent, have a focus on diverse groups. This is not thinking ahead to meet the needs of a mostly-minority country.

Recent steps — like creating the Stonewall Inn National Monument in New York City, which preserves the site of the Stonewall riots that started the LGBT rights movement, and the Cesar E. Chavez National Monument, which honors an important Latino civil rights activist — are steps in the right direction, but the report argues more of these protected places need to be created. This is because “parks aimed at preserving traditionally underrepresented histories and stories in fact attract higher visitation rates than the national average from groups that they aim to honor.” For example, some 37 percent of visitors to the Nicodemus National Historic Site, a park that preserves a western town established by African Americans, are themselves African American, in comparison with around 9 percent of visitors, on average, for other parks.

The report also makes the case for preserving natural area in the West, where development “disproportionately affects communities of color and low-income communities.” Poorer and minority-heavy communities are typically more developed than average, which means these groups grow up in areas with fewer natural resources — and national parks and monuments.

The report argues these communities need both more small neighborhood parks and more preserved large natural areas. “Congress, the U.S. Department of the Interior, and the president should create and enhance public lands in accessible places — so-called frontcountry recreation areas. Frontcountry areas offer close-to-home natural settings and outdoor experiences, which allow people to experience nature without needing to travel to a far-off destination. Emphasis should be placed on accessible frontcountry parks near communities of color, low-income communities, and urban areas.”

A prime example of what NPS needs more of: the San Gabriel Mountains National Monument, which President Obama designated in 2014 and is just a 90-minute drive for the 15 million-strong, diverse, urban population of Los Angeles.

The Mesmerizing “Liquid Shard” Brings Pershing Square Back to Life

The moribund Pershing Square Park in downtown Los Angeles briefly came back to life over the past few weeks, thanks to artist Patrick Hearn’s monumental and mesmerizing Liquid Shard, which is made of holographic mylar and monofilament and spans some 15,000 square feet. Riding invisible wind currents, the piece undulates along a span 15 feet high to the top of the park’s tower, at 150 feet high.

According to Hearn, “the inspiration comes from observing nature and the feeling that we are only aware on a very surface level of what is really going on around us. Unexpected things are revealed in time-lapse or hyper-spectrum photography that fascinate me. Like fractals recurring progressively, we feel the currents of air on our skin but do not see the larger movements.”

The video above also shows the incredible capabilities of video-enabled drones. A technology largely unavailable even a few years ago, video-enabled drones now allow artists and designers of all kinds to tell new stories about the places they have created. The value for landscape architects is clear.

As the temporary installation Liquid Shard comes down, Paris-based landscape architecture firm Agence Ter soon start their work redesigning the unloved park. According to The Architect’s Newspaper, “the French landscape firm’s approach is notable for the ‘town square’ approach taken to the site, where a large canopy located at the western edge of the park will house cafés and other amenities that open onto a grassy knoll at the center of the park.”

Los Angeles city council officials hope the new park will open by 2019.