The Gentrification Effect of Urban Parks– Planetizen, 10/21/19 “New research finds that different types of parks correlate with different gentrification effects, adding to the complexity of urban change.”
The American Society of Landscape Architects (ASLA) announced the 2019 Professional and Student Award winners.
Chosen from 544 submissions, this year’s 36 Professional Award winners represent the best of landscape architecture in the General Design, Residential Design, Analysis & Planning, Communications, and Research categories. In addition, a single Landmark Award is presented each year.
Chosen from 368 submissions, this year’s 26 Student Award winners represent the bright future of the landscape architecture profession in the General Design, Residential Design, Analysis & Planning, Research, Communications, Student Collaboration and Student Community Service categories.
“ASLA’s Professional and Student Awards programs are the oldest and most prestigious in the profession. This extraordinary and diverse array of winners represent both the best of landscape architecture today and the brightest hope for our future,” said ASLA President Shawn T. Kelly, FASLA.
“This year’s awards reflect the global nature of landscape architecture and demonstrate to professionals and the public alike how our profession addresses some of the world’s most pressing problems, including climate change and resilience, livability, and the creation of healthy and equitable environments.”
All Professional and Student Award recipients, their clients, and advisors will be honored at the awards presentation ceremony during the ASLA Conference on Landscape Architecture on Monday, November 18, in San Diego, California. There are still complimentary press passes available.
Background on the ASLA Awards Programs
Each year, the ASLA Professional Awards honor the best in landscape architecture from around the globe. Winners of these prestigious awards are chosen by a jury that represents the breadth of the profession, including private, public, institutional, and academic practice, and exemplify diversity in professional experience, geography, gender, and ethnicity. Submissions are judged blind.
Professional Awards are presented in six categories: General Design, Residential Design, Analysis & Planning, Communications, Research, and the Landmark Award. In each of the first five categories, the Jury may select one Award of Excellence and any number of Honor Awards. It is not guaranteed that an Award of Excellence will be selected each year, as it is up to the jury’s discretion. Only one Landmark Award is presented each year.
This year’s Professional Jury included: Andrea Cochran, FASLA (Chair); Henri Bava; Kofi Boone, ASLA; Gina Ford, FASLA; Deb Guenther, FASLA; John King, Honorary ASLA; Pam Linn, FASLA; John Vinci; and Keith Wagner, FASLA. Joining the Professional Jury for the selection of the Research Category were representatives on behalf of the Landscape Architecture Foundation (LAF) and Council of Educators in Landscape Architecture (CELA): Stephanie A. Rolley, FASLA and Galen Newman, ASLA.
Student Awards are presented in seven categories: General Design, Residential Design, Analysis & Planning, Research, Communications, Student Collaboration and Student Community Service. Like the Professional Awards, the jury may select one Award of Excellence and any number of Honor Awards. It is not guaranteed that an Award of Excellence will be selected each year, as it is up to the jury’s discretion.
This year’s Student Jury included: Linda Jewell, FASLA (Chair); Diana Fernandez, ASLA; David Gouverneur; Robert Gray, ASLA; Damian Holmes; Kendra Hyson, ASLA; Maki Kawaguchi; Signe Nielsen, FASLA; and Daniel Tal, ASLA.
New Urbanism has been around for nearly 30 years. The movement promotes the neighborhood as a livable unit, prioritizes walkability in communities, and seeks to end sprawling suburbs. With these goals, new urbanists have developed entirely new communities with multiple types of residences, shops, and cultural centers. Lots of money is needed to develop these projects, which often results in a high cost of living, fueling criticism that the movement is only able to serve the social and economic elite.
Through the examination of eight projects, CNU identifies fourteen tools to implement New Urbanist policies, which include: acquiring and aggregating vacant land, respecting local history, creating philanthropic funds, using tactical urbanism, promoting incremental development, and creating an active and beautiful public realm. Each of the strategies is explained in detail, followed by a matrix at the end of the report showing what tools each project used.
The group calls for a holistic approach to revitalization. As the report notes: “A well-functioning neighborhood requires that employment and recreation opportunities, neighborhood-serving retail, schools, public gathering space, and affordable housing are all available within a walkable transit-oriented environment.” In the report, refurbishing existing housing or developing new homes are the primary medium for revitalization (Grow DeSoto Market Place in DeSoto, Texas being the exception).
All of the projects have merit, but two stood out:
The Anacostia neighborhood sits across the Potomac river from the Navy Yards in Washington, D.C. The predominately African-American neighborhood has been economically disadvantaged for years and is now facing a gentrification threat from the development of the new 11th Street Bridge Park, which will span the Anacostia River where the 11th street bridge stands. The nonprofit organization creating the park, Building Bridges Across the River, led the creation of an equitable development plan, which aims to help renters within a one-mile radius of the park buy their homes at a discounted rate, limiting displacement. If they choose to sell at any point, homeowners agree to return 75 percent of the equity earned on the house to the trust. This will help ensure the trust’s longevity and homeowners create wealth.
A million dollar grant given by JP Morgan will go towards growing small businesses on either side of the Anacostia River, further helping to strengthen the neighborhoods. The combination of efforts to ensure residents can stay within their homes — and in many cases own them — along with the development of the local economy is crucial to improving the quality of life of residents of the neighborhood.
In Portland, Oregon, Jolene’s First Cousin, developed by Guerilla Development, is a mixed-use project with a social mission. Construction has already begun, with completion scheduled for 2019. Combining retail space and housing, the project includes single occupancy rooms that are meant for the recovering homeless population. There are nearly 4,000 people on the streets of Portland on any given night. Oregon ranks second for the highest percentage of unsheltered people, behind California, according to a 2018 U.S. Department of Housing and Urban Development (HUD) report.
The development was partially crowdfunded by pools of smaller investors. In this case, $300,000 was raised by 43 investors, which built upon an additional $1.5 million construction loan. Many of the investors were from Portland, “showing a strong market for this type of investing,” writes CNU. The report leaves out that many of these investors had invested in a previous project by Guerilla Development, Fair-Haired Dumbell, which was already producing returns. Still, crowdfunded opportunities give everyday people a stake in the success of a neighborhood.
Many of the strategies outlined in the report focus on the economic side of sustainable urban development. While these are important, they are only one part of the holistic approach CNU calls for.
The report highlights strategies for producing positive incremental change in underprivileged communities — approaches also designed to prevent displacement. This is an important step in eliminating CNU’s elitist reputation.
Across the country, landscape architects are stepping up to face the growing global climate crisis head-on. In 2018, ASLA’s interdisciplinary Blue Ribbon Panel on Climate Change and Resilience issued a report that outlined policy recommendations and design best practices for creating resilient, sustainable communities.
The new Smart Policies for a Changing Climate Exhibition showcases 20 diverse case studies that illustrate the success these recommendations can have in harnessing natural systems, reducing carbon emissions, and improving communities’ resilience to climate change.
Some projects lower carbon emissions from transportation by improving access to bicycle lanes and sidewalks and limiting space for vehicles, like the Jackson Street Reconstruction Project in Saint Paul, Minnesota, by Toole Design Group.
Some projects show how cities can design to prepare for worst-case flooding scenarios using natural systems, like the Buffalo Bayou Promenade in Houston, Texas by SWA Group.
Others integrate renewable energy facilities into communities, like the Solar Strand project in Buffalo, New York by Hood Design Studio.
The exhibition is free and open to the public at ASLA’s Center for Landscape Architecture (636 I Street NW, Washington, D.C., 20001) every weekday from 10am to 4pm EST (excluding holidays) through May 1, 2020.
There is also an expanded companion to the exhibition at the website: climate.asla.org.
To put on the Smart Politics for a Changing Climate Exhibition, ASLA was awarded an Art Works Grant from the National Endowment for the Arts. “These awards, reaching every corner of the United States, are a testament to the artistic richness and diversity in our country,” said Mary Anne Carter, acting chairman of the National Endowment for the Arts. “Organizations such as the American Society of Landscape Architects (ASLA) are giving people in their community the opportunity to learn, create, and be inspired.”
How to Design a Better City for Deaf People– CityLab, 3/4/19
“Lighting, sound-deflecting surfaces, big spaces—all of these elements can influence a deaf person’s ability to communicate. DeafSpace design considers it all.”
Kiley’s Chestnut Grove Provokes Hot Debate– Urban Milwaukee, 3/7/19
“Shields is now in the strange position of overseeing the elimination of the 50-year-old chestnut grove created by Kiley for Milwaukee’s Performing Arts Center in 1969. The grove would go as part of a major renovation of the facility, now known as the Marcus Center for the Performing Arts.”
CRÈME Proposes Floating Timber Bridge to Connect Brooklyn and Queens– The Architect’s Newspaper, 1/10/19
“Currently the only link between the rapidly developing neighborhoods of Long Island City, Queens, and Greenpoint, Brooklyn, is the Pulaski Bridge, a six-lane drawbridge with a narrow pathway where pedestrians and bikers jostle for space.”
As we look forward to covering new stories on the built and natural environments this year, here’s a look back at the 10 most popular DIRT posts of 2018. Readers were most interested in the debate over whether beauty still matters in an age dominated by science; how the practice of landscape architecture is evolving to deal with climate change and increasingly diverse communities; how urban sprawl is impacting biodiversity; and the interesting relationship between landscape architecture and retail. As in past years, new research on the health benefits of nature remains a favorite topic.
Always worth mentioning: We are looking for original op-eds, particularly from member landscape architects, designers, and planners, on topics that inspire you. And tell us about your new projects and research. Please email us at firstname.lastname@example.org.
Kicking off a two-day planting symposium at the University of California at Berkeley, professor emeritus Marc Treib posed the question: Is there still a place for the “art of landscape design” in an age “dominated by the science of landscape ecology?” Planting design is often brushed aside as superfluous or unserious. British historian and critic Tim Richardson reminded the audience of the litany of unfavorable adjectives associated with artful planting: the bourgeois, the small-scale, the amateur, the hobbyist, the ephemeral, the female.
If you are looking for a unique book to give as a gift or just one for yourself to delve into over the winter break, explore THE DIRT’s top 10 books of 2018, our picks for the best on the environment, cities, and landscape.
Instead of simply responding to catastrophe, Boston is getting out front on climate change. As part of its Climate Ready Boston plan, the city of 670,000 aims to act fast and protect two coastal neighborhoods most vulnerable to rising sea levels and storms: East Boston and Charlestown. New plans for these neighborhoods explain how a simple fix like creating a temporary flood wall at the coastal end of the East Boston Greenway, at a cost of just $100,000, would protect 4,300 residents, 70 businesses and critical infrastructure, and result in $17 million in benefits.
When a neighborhood floods, who is at fault? A class action lawsuit in Houston asks that question. The residents of a master-planned community that flooded during Hurricane Harvey are suing the engineering firm that designed the neighborhood’s stormwater management system. While that suit targets engineers, it nonetheless represents the heightened risk landscape architects face from climate impacts on their projects.
Cities are sitting on a largely underused public resource: urban stormwater wetlands. If properly designed, these landscapes can reduce flooding, support urban wildlife, and serve as public space. A new report Design Guidelines for Urban Stormwater Wetlands — authored by an interdisciplinary group of researchers and students at the MIT Norman B. Leventhal Center for Advanced Urbanism led by Celina Balderas Guzmán, Heidi Nepf, and Alan Berger — advocates for the positive role wetlands can play in cities and outlines research that provides insights for landscape architects, engineers, and planners.
Neurosurgeon Edie Zusman, a real-life Doogie Howser who started medical school at 19 and has completed some 6,000 brain and spinal surgeries, said what landscape architects do saves far more lives than what she does. The early prevention of disease reduces the need for surgeries. Prevention is made possible by eating healthy foods and walking and getting exercise in green environments that lower stress and improve well-being.
Trees are really essential for a competitive shopping district. There was a study by Kathleen Wolfe that indicated trees increase price elasticity by 9-12 percent. In other words, people feel comfortable paying up to twelve percent more for the same product if they purchase in a well-landscaped place with nice streets. Also, when properly located, street trees keep people in the downtown district longer. They feel more relaxed and are more likely to spend more money.
Participatory design is “hands-on democracy in action,” argue the editors of the impressive new book Design as Democracy: Techniques for Collective Creativity. Participatory design (also known as cooperative or co-design) is a process in which a designer actively involves all stakeholders in a design process. Unfortunately, many of the best-known techniques to enable this approach, which have been used for the past few decades, have become stale. This has led to complacency among designers, and less-than-ideal outcomes for communities that need their help. To revitalize the approach and achieve better results, the authors call for making participatory design “truly democratic.” Furthermore, it must become “contextual, open, experiential, substantive, and holistic.”
We experience “soft fascination” with nature when we sit on a park bench and let our mind wander, taking in the trees and flowers, noticing birds and squirrels, feeling the breeze. This gentle decompression in nature is actually critical to helping us restore our ability to pay attention. We need breaks where our minds can just go slack and subconsciously take in the complexity of the natural world. Researchers are still trying to figure out the ideal “dose” of this green medicine, but benefits have been seen with just 10 minutes.
The Colombian civil war that began in the 1960s killed some 220,000 people and displaced another 5 million, creating one of the largest groups of internally-displaced people in history.
In a session at the ASLA 2018 Annual Meeting & EXPO in Philadelphia, Maria Bellalta, ASLA, chair of the landscape architecture department at the Boston Architectural College (BAC), said the civil war was the terrible legacy of Spanish colonialism, which created a deeply unequal economic and social system that exploited both the environment and native peoples.
Colombians displaced from their farms in the countryside and severed from the natural environment by “greed and violence” ended up in cities like Medellín. There, the chaos of government and guerilla warfare, endemic poverty and great inequality, and the legacy of environmental destruction contributed to the rise of infamous drug lord Pablo Escobar, who ruled from the neighborhoods at the outer lip of the valley that gives form to the city.
All the violence and corruption scarred not only the city but also the landscape, said Bellalta, who has been bringing her students to Medellín to see and learn for the past few years. But a decade after the death of Escobar in 1993, Medellin invented a new approach, which then-Mayor Sergio Fajardo called “social urbanism.” The goal was to use urban design — and importantly, landscape architecture — to reduce inequality and heal the environmental damage.
Fajardo “invited disregarded communities to participate in planning efforts,” which resulted in major investments in new subways, aerial tramways, bicycle infrastructure, libraries, and beautiful parks — with the majority of the new amenities created in underserved communities. Efforts to “change the social dynamic” yielded new networks of aerial trams and lengthy escalators built into steep hills. These inventive, low-cost transportation systems created new connections to the city center for the once-isolated, difficult-to-reach communities with high numbers of low-income residents. World-class libraries and green spaces were purposefully built in the places that had no parks.
The city was also smart to re-use existing infrastructure. Unidades de Vida Articulada (UVAS), which Bellalta said are equivalent to our YMCAs, were “strategically created by re-purposing existing water tanks that form part of the city’s hydraulic system.”
Bellalta noted an important public work that has also helped Medellin and Colombia heal: the Museum of Memory, a “poignant tribute to those who died or disappeared during the civil revolution.” The museum is found alongside a linear park that follows the Santa Elena stream. The park is designed to “offer relief through a magical re-encounter with nature and the cleansing attributes of water.”
Lina Escobar, director of the landscape architecture program at the Universidad Pontifica Bolivariana in Medellín, further explained how the city is cleansing itself with water and nature.
Since its founding, the city has been intertwined with the Aburrá river — or Medellín river — and the Santa Elena creek, its primary tributary. “Medellín’s geography is determined by the river and tributaries that crosses the valley,” which has shaped the city’s orientation and patterns of development. In the 1940s, a 30-kilometer stretch of the Medellín river was put in a concrete channel to reduce flooding. As the population started to swell in the 1950s, the city developed around the river.
Then in 2014, Medellín city government launched an international design competition to envision a new Medellín River Park (Parques del Rio). The competition asked firms to create a master plan for the entire length of the river as it cuts through the city and then focus in on the central zone — the 9-kilometer stretch through the core of the city.
Medellín-based firm Latitude beat out the competition with their concept for a “botanical park that recovers connections to water systems through a revitalized biotic metropolitan corridor.” The park developers will take parts of the concrete channel out, bury an adjacent highway, and create a new, lush green spine, with tendrils spreading throughout the valley.
Escobar said the new park, which is now in development, is not only a “new ecological structure for the region, but also re-frames people’s relationships with each other and nature after years of conflict.”
Daniela Coray, who was a graduate student of Bellalta’s at BAC, said there are so many other opportunities to heal the rupture between city and nature. Her master’s thesis project looked at ways to restore the polluted Santa Elena stream, particularly near the emotionally-resonant Museum of Memory. “The stream holds the memory of geographical and social divisions that could begin a process of healing.”
Through an interesting aside that took us out of Medellín, Ken Smith, FASLA, founder of Ken Smith Workshop, related how principles of social urbanism could be applied at the landscape-scale in other cities. He “deliberately engineered” the East River Waterfront Esplanade in Manhattan for social interaction through inventive “social seating,” a dog park, and meandering paths that force people to see each other. “The paths curve because it’s impossible to meander in a straight line.”
The important but unspoken message was that the smart design strategies of social urbanism need to be more widely applied around the globe.
The American Society of Landscape Architects (ASLA) proudly announces the 25 winners of the ASLA 2018 Professional Awards. Selected from 368 entries, the awards recognize the best of landscape architecture in the general design, analysis and planning, communications, research and residential design categories from the United States and around the world.
The winners will receive their awards at the ASLA 2018 Annual Meeting and EXPO in Philadelphia on Monday, October 22, at the Pennsylvania Convention Center.
Winning projects are designated as either an honor award or an award of excellence, which is the highest possible distinction.
General Design Category
Award of Excellence
Brooklyn Bridge Park: A Twenty Year Transformation, Brooklyn, New York
by Michael Van Valkenburgh Associates (Brooklyn, New York) for Brooklyn Bridge Park
Chicago Riverwalk | State Street to Franklin Street, Chicago
by Sasaki (Watertown, Massachusetts) and Ross Barney Architects (Chicago) for the Chicago Department of Transportation
Iqaluit Municipal Cemetery, Iqaluit, Nunavut, Canada
by LEES+Associates (Vancouver, B.C., Canada) for the City of Iqaluit
Legacy and Community: Juxtaposing Heritage and Invention for Duke University’s West Campus, Durham, North Carolina
by Reed Hilderbrand LLC Landscape Architecture (Cambridge, Massachusetts) for Duke University
Longwood Gardens Main Fountain Garden, Kennett Square, Pennsylvania
by West 8 Urban Design & Landscape Architecture (Rotterdam, Netherlands) for Longwood Gardens Inc.
Re-Envisioning Pulaski Park, Northampton, Massachusetts
by STIMSON (Cambridge, Massachusetts) for the City of Northampton
Tippet Rise Art Center, Fishtail, Montana
by Oehme, van Sweden | OvS (Washington, D.C.) for Tippet Rise Art Center
Tongva Park and Ken Genser Square, Santa Monica, California
by James Corner Field Operations LLC (New York) for the City of Santa Monica
Walker Art Center Wurtele Upper Garden, Minneapolis
by Inside | Outside + HGA (Minneapolis) for the Walker Art Center
Analysis and Planning Category
Award of Excellence
A Colorado Legacy: I-25 Conservation Corridor Master Plan, Douglas County, Colorado
by Design Workshop (Aspen, Colorado) for The Conservation Fund
Extending Our History, Embracing Our Future, Madison, Wisconsin
by SmithGroup (Ann Arbor, Michigan) for University of Wisconsin-Madison
From Pixels to Stewardship: Advancing Conservation Through Digital Innovation, Austin, Texas
by Andropogon Associates Ltd. (Philadelphia) for the Shield-Ayres-Bowen Family
Iowa Blood Run Cultural Landscape Master Plan, Madison, Wisconsin
by Quinn Evans Architects (Madison, Wisconsin) for Iowa Department of Natural Resources (Todd Coffelt, Michelle Wilson, John Pearson, Frank Rickerl, Pat Schlarbaum, and Kevin Pape), State Historical Society of Iowa (Jen Bancescu, Doug Jones, Susan Kloewer, and Steve King), Iowa Office of the State Archaeologist
Willamette Falls Riverwalk, Oregon City, Oregon
by Snøhetta (New York) for Project Partners: Oregon Metro, City of Oregon City; Clackamas County; State of Oregon; PGE Falls Legacy LLC
Award of Excellence
100 Years of Landscape Architecture at The Ohio State University
by Landscape Architecture Section, Knowlton School, The Ohio State University (Columbus, Ohio)
Homeplace: Conversation Guides for Six Communities, Rebuilding After Hurricane Matthew
by NC State University Coastal Dynamics Design Lab (Raleigh, North Carolina) for the Hurricane Matthew Disaster Recovery and Resilience Initiative (HMDRRI)
Marnas: A Journey through Space, Time, and Ideas
by Anne Whiston Spirn, FASLA
VanPlay: Plan to Play
by Design Workshop Inc. (Denver) for the Vancouver Park Board
Atlas for the End of the World – Atlas for the Beginning of the Anthropocene
by Richard Weller, ASLA, University of Pennsylvania (Philadelphia)
Design with Dredge: Resilient Landscape Infrastructure in the Chesapeake Bay, Baltimore, Maryland
by Mahan Rykiel Associates (Baltimore, Maryland) for the Maryland Port Administration
Urban Aquatic Health: Integrating New Technologies and Resiliency into Floating Wetlands, Baltimore
by Ayers, Saint, and Gross (Baltimore) for the National Aquarium
Residential Design Category
Award of Excellence
Balcones Residence, Austin, Texas
by Word + Carr Design Group (formerly known as Mark Word Design) (Austin, Texas)
Sustaining A Cultural Icon: Reconciling Preservation and Stewardship in a Changing World, Newport, Rhode Island
by Reed Hilderbrand LLC Landscape Architecture (Cambridge, Massachusetts) for Dorrance Hill Hamilton
Yard, Portland, Oregon
by 2.ink Studio (Portland, Oregon) for the Key Development Group
The Landmark Award recognizes a distinguished landscape architecture project completed between 15 and 50 years ago that retains its original design integrity and contributes significantly to the public realm of the community in which it is located.
The Landmark Award
From Weapons to Wildlife: The Rocky Mountain Arsenal National Wildlife Refuge Comprehensive Management Plan (Douglas County, Colorado)
by Design Workshop Inc. (Denver, Colorado)
The professional awards jury included:
Mark A. Focht, FASLA, Chair, New York City Parks and Recreation, New York City
Gerdo Aquino, FASLA, SWA Group, Los Angeles
Anita Berrizbeitia, ASLA, Harvard Graduate School of Design, Cambridge, Massachusetts
Christian Gabriel, ASLA, U.S. General Services Administration, Washington, D.C.
Terry Guen-Murray, FASLA, Terry Guen Design Associates, Chicago
Dale Jaeger, FASLA, WLA Studio, Athens, Georgia
Sam Lubell, Journalist, New York City
Patrick Phillips, Urban Land Institute, Washington, D.C.
Barbara Wilks, FASLA, W Architecture + Landscape Architecture LLC, New York City
For the selection of the Research Category, the jury was joined by M. Elen Deming, FASLA, North Carolina State University, Raleigh, North Carolina, for the Landscape Architecture Foundation (LAF) and Ashley Steffens, ASLA, College of Environment and Design, University of Georgia, Athens, Georgia for the Council of Educators in Landscape Architecture (CELA).
Scissortail Park is the city’s response to the removal of the Interstate highway that once cut through downtown. With its relocation five blocks south, a large space opened up. “We knew it was a one time and forever opportunity,” said Cornett, former Mayor of Oklahoma City and now Republican candidate for Governor of Oklahoma.
With funds from OKC’s innovative MAP3 program, which has brought in hundreds of millions for public space improvements through a penny sales tax, the leadership of the city, over multiple mayors, were able to implement a 20-year plan for transforming downtown, including new sidewalks and bicycle infrastructure, streetcars, a convention center, and grand central park. In this conservative state, the modest sales tax ensured no debt was generated by the public projects. “We built as we collected the money.”
Cornett said “25 years ago, downtown was terrible.” Today, the transformation is already apparent: the downtown is walkable and bikable, the streetcar and park are coming in, and designs for a new convention center were just approved.
Cornett sees Scissortail Park, which is expected to open next year, primarily as an economic development tool. New retail, commercial, and residential buildings will form a mixed-use neighborhood, with affordable housing, surrounding the park. The city aims to “re-populate the urban core” in order to fight sprawl and bring more people down to the Oklahoma River.
Models for Scissortail are Millennium Park in Chicago and Brooklyn Bridge Park in New York City. OKC’s leadership and a citizens’ advisory group went to visit these parks to see what they could learn. Then, they worked with Hargreaves Associates to customize the park. The citizens advisory group “came up with most aspects of the park.” Cornett believes this is how it should work: “the Mayor’s job is to create the framework and organize financing; the public does the details.”
Cornett emphasized that in today’s digital world, “you can’t have enough citizens’ involvement. We created the most inclusive process you can imagine.” But still there were complaints about a lack of transparency.
The land for the park is owned by the city, but Scissortail will be operated by a non-profit. The city will provide the non-profit a subsidy in its first few years, but the support will drop off as private sponsorships increase. “It’s the Central Park Conservancy model. We hope to quickly get to zero city financing.”
And he noted that Hargreaves Associates principal Mary Margaret Jones, FASLA, promised him they wouldn’t build something OKC “couldn’t afford to operate.”
Sources of revenue are built into the park. Low-maintenance native plants are being incorporated. Dirt from a large lake carved into Scissortail was used to build a hill, saving money.
The Gathering Place in Tulsa
Tulsa, the second largest city in Oklahoma, has a “challenging history around race.” In 1921, the city experienced the “worst race riot in the country’s history” — some 300 African Americans were killed. Tulsa has been a segregated city ever since.
Mayor Bynum said years of “honest conversation helped change the dynamics about unofficial segregation and created greater understanding.” Latinos, who now make up 15 percent of the population, were also brought into the city-wide conversation about the future.
That dialogue led to new questions: “What draws people together? How can we pull people out of their bubbles?” The city’s leadership heard from the people: an ambitious park was the answer.
Space for a unity park appeared along the Arkansas River in one of Tulsa’s wealthiest neighborhoods. The large estates of private homes were purchased and merged to form the basis for a new landscape. Apartment complexes on the site were bought, then demolished. Dozens of donors and philanthropists came together to make it happen.
The resulting park — the Gathering Place — will be the “largest gift park in any city in US history,” said Mayor Bynum. By “gift park,” Bynum means it was entirely financed with private donations. Half of the $485 million goes to capital investment, while the other half is for an endowment for long-term operations and maintenance. The park will be free to all.
In contrast to Scissortail Park, the Gathering Place will be designed to “socialize people in Tulsa” — it primarily has a cultural and social mission. But Bynum admitted Tulsa already sees this as a major tourist draw, attracting some one million visitors annually, and he’s worried whether the transportation and hotel infrastructure can keep pace.
“Exhaustive public participation,” including input gathered from over 100 town hall meetings, fed the planning and design of the park. “Scale models, created at no lack of expense, were set up in various places around the city, and we asked for feedback.” Tulsans went into 3-D tents so they could experience the park.
The Gathering Place will offer some 60 miles of trails, connecting the park to the Arkansas River and the rest of the city. MVVA designed land bridges to cover Riverside Drive, a major commuter route, helping to instill the sense of “being in the outdoors.” The bridges will “muffle vehicle noise pollution.” The problem now, Mayor Bynum said, is “everyone in Tulsa wants a land bridge — and they cost about $30 million a pop.”
MVVA is also building a lake in the river corridor and a bridge that will connect the Gathering Place to the west bank of the river.
At the opening in early September, The Roots will play a free concert. “They appeal to all parts of the city, but particularly the younger crowd.” Mayor Bynum said achieving multi-racial buy-in is critical to the park’s success: “Will the park be fully embraced by everyone?” The city seeks to ensure that’s the case.
The city has been organizing tours of the park with school kids from every district. “The kids then go home and tell their parents about the park and how they met other kids there they’ve never interacted with before.” With the Gathering Place, the city seeks to change — to break down segregation and create a more diverse and resilient Tulsa.